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On Some Faraway Beach: The Life and Times of Brian Eno Paperback – 9 Jul 2009

4.3 out of 5 stars 17 customer reviews

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Product details

  • Paperback: 480 pages
  • Publisher: Orion (9 July 2009)
  • Language: English
  • ISBN-10: 0752884638
  • ISBN-13: 978-0752884639
  • Product Dimensions: 15.3 x 3.6 x 23.4 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Bestsellers Rank: 837,389 in Books (See Top 100 in Books)

Product Description

Review

The 450-page biography (written with the help of the famous piss-taster himself) fairly zips along (OBSERVER MUSIC MONTHLY)

This exeptionally well-written biography duly celebrated [Eno's] great achievements with Roxy, Bowie, Talking Heads and his own solo work in compelling detail. (UNCUT)

[An] honourable, authorised attempt to do justice to a mind-bogglingly restless and prolific subject. (SUNDAY TIMES)

David Sheppard's authorised biography dispels some of the myths surrounding Brian Eno and provides a compelling case for his importance as artist and thinker. (WATERSTONES BOOKS QUARTERLY)

An accomplished and sprawling biography reflects Eno's scattershot approach to life - all over the place but fascinating just the same. (BIG ISSUE (Scotland))

Music Book of the Fortnight 'Few enigmas are as hard to unravel as Brian Peter George St John le Baptiste de la Salle Eno, but the Q contributor has done a bang-up job with this 450-page tome' (HOT PRESS (Ireland))

David Sheppard's meticulously researched biography...[with] the kind of footnote that make this doorstopper such an engaging read (INDEPENDENT)

On Some Faraway Beach provides an extensive introduction to a lifetime of constructive, and very English, pottering. (SUNDAY TELEGRAPH)

Sheppard has corralled the many strands of Eno's hectic creative life into a coherent and highly readable account. On Some Faraway Beach will take some beating as a chronicle of one of popular music's few truly original practitioners. (TOTAL MUSIC MAGAZINE)

A vivid, well-observed and absorbing biography replete with relevant context and cultural references (THE BEAT)

How do you pin down enigma like Brian Eno? Music journalist David Sheppard makes a valiant stab at it in this lively biography (YORKSHIRE EVENING POST)

This 450-page biography (written with the help of the famous piss-taster himself) fairly zips along. (OBSERVER MUSIC MONTHLY)

This exceptionally well-written biography duly celebrated [Eno's] great achievements with Roxy, Bowie, Talking Heads and his own solo work in compelling detail.' (UNCUT)

An accomplished and sprawling biography reflects Eno's scattershot apporach to life - all over the place but fascinating just the same. (BIG ISSUE (Scotland))

Music Book of the Fortnight
'Few enigmas are as hard to unravel as Brian Peter George St John le Baptiste de la Salle Eno, but the Q contributor has done a bang-up job with this 450-page tome'. (HOT PRESS (Ireland))

David Sheppard's meticulously researched biography ...[with] the kind of footnote that make this doorstopper such an engaging read. (INDEPENDENT)

A vivid, well-observed and absorbing biography replete with relevant context and cultural references. (THE BEAT)

How do you pin down an enigma like Brian Eno? Music journalist David Sheppard makes a valiant stab at it in this lively biography. (YORKSHIRE EVENING POST)

Sheppard's writing is splendidly vivid...a book that sets new standards for rock biography (GUARDIAN)

Eno's eclectic career and esoteric personal life make for an entertaining chronicle (TIMES)

Book Description

Authorised biography of influential musician/producer/cultural commentator Brian Eno - the 'Father of Ambient Music'.

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Customer Reviews

4.3 out of 5 stars
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Top Customer Reviews

Format: Hardcover Verified Purchase
Well written, very entertaining, full of gossip and a nice selection of photos. I have the feeling a lot of Eno-facts have already been aired elsewhere (like the infamous meeting of Eno with Bryan Ferry on the stairs at Elton John's Christmas party soon after he left Roxy Music). The descriptions of the first four vocal solo albums are illuminating and done largely in a track by track fashion: read how that sublime album Another Green World came togther. Eno was so prolific in the late 70s/early 80s that this book is invaluable in working out when he did what. There's plenty of insight into the relationship with Talking Heads (makes a good read) and not so much on U2 (which is also good, in a way). Tina Weymouth's take on David Byrne and Eno buddying up, to the extent of wearing similar clothes and smoking the same brand of cigarettes, is a hoot. But most people have nothing but praise for Eno, though Gavin Bryars is rather loathe to ascribe any musical talent to Eno, in no small part I'll be bound due to a question of unpaid royalties for his releases on Eno's Obscure label. An interesting side of Eno that comes out from the experience of Bryars and others is Eno's ability (perhaps unconscious) to take over a project. Thus, Bryars is instrumental in forming the Portsmouth Sinfonia, but then sees their star rise due to their involvement with Eno and the press attention that his stardom in Roxy Music brought with it, to the extent where PS end up effectively seen as Eno's latest pet project! New York avant garde trumpeter Jon Hassell also sees his ideas for making afro-centric ambient music edged out and submerged into what became Byrne and Eno's "My life in the bush of ghosts".Read more ›
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Format: Hardcover
Good to see that Fabers have binned that pastel hued dust jacket in favour of something a little more in tune with the subject of the book.

The book is excellent up until Eno starts working with U2, whereupon it speeds up, and we race through Eno's career to the present day. The book doesn't go into much detail about Eno's projects in this period; it reads like "Eno did x, then he did y, and then spent some time doing z". As other reviewers here have noted, this may be because the author doesn't think Eno's later work is worthy of the same attention as his earlier output.

I'd have liked a bit more coverage of Eno's work in the visual arts. This is dealt with in the book, but only superficially.

To end on a positive note, I'd add that while I've followed the Enomeister's activities fairly closely over the past 30 odd years, there were plenty of things about the great man that I learnt in this book.
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Format: Hardcover
Let me lay my metaphorical cards on the table ( metaphorical as well I suppose) and state that I think Brian Eno is a genius . I've said it in other reviews of his work so I see no reason not to say it here. He has produced a body of work that is staggering in it's artistic integrity , complexity and innovation and I can tend to go into gushing fan mode when talking about the domed one. Yet for all this I know absolutely sod all about him as a person so this book is , for me , a god send. Yet that doesn't necessarily mean to say that it's any good ....thankfully though I can honestly report that while On Some Faraway Beach is occasionally over written and obsequiously flattering of it's subject it is an educational and entertaining read for any one interested in this most fascinating of artists.
Everything any budding but discerning Eno-phile could want to know is covered . For instance the younger Eno,s sexual proclivity came as something as a surprise, I don,t know why , it just did. Same for his fathering a daughter at a young age ( who he largely ignored after splitting from her mother ) .The fact he was run over by a car suffering a serious head injury or that her earns £24.50 a week royalty's for "Arena" using his track "Another Green World" for the title music. The fact he is great dancer and created his own dance called "The Static".
Most astonishing is the fact that Eno cannot read or write music ( something we have in common , that and a tendency for catastrophic hair loss) and that his improvisational approach to recording rely,s more on his instinctive grasp of sound and sonic textures.
Read more ›
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Format: Paperback
So many music biographies so often miss the point via brevity, misplaced gushing praise, or lack of authoritative support. Not so here. This is an excellent book, clocking in at around 500 pages, and written with serious intent and obviously fully researched. Perhaps most importantly, the author had access to both the subject of his book and many of those involved, adding to the quality of the finished product.

Brian Eno's early life and influences are fully developed, as is his time with Roxy Music and his early works. Every important release, be it solo material or collaborations are fully expounded upon, giving the reader genuine insight into the working process behind these works. Perhaps as importantly, each is directly tied into what went before and what is to come; a chronology of influences.

As the pages turn, Eno's output is explained in a way that for me anyway, demystified much of his works, while at the same did not lesson the "magic" contained within them. Indeed, it would be difficult to read this book without listening to the recordings being written about and hearing them again with new ears.

Unfortunately, and preventing what otherwise could have been a 5-star book, as the years roll by, the later works are given less and less pages... rushing to the end without the detailed narrative it began with. Another minor quibble is the lack of a discography, which would have served as a valuable reference point.

All that said, there is no finer book on the life and works of Brian Eno available and those interested in understanding the who, what, when and where of this most important of recording (and visual) artists, should regard this volume as a desert island selection.
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