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Snuff: Discworld, Book 39 Audio Download – Unabridged

4.6 out of 5 stars 689 customer reviews

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Product details

  • Audio Download
  • Listening Length: 11 hours and 29 minutes
  • Program Type: Audiobook
  • Version: Unabridged
  • Publisher: Random House AudioBooks
  • Audible.co.uk Release Date: 13 Oct. 2011
  • Language: English
  • ASIN: B005VSU8XA
  • Amazon Bestsellers Rank:

Customer Reviews

Top Customer Reviews

Format: Hardcover Verified Purchase
Commander Vimes is sent to the Shires to his wife's estate for a holiday. But crime seems to follow him anyway and when he finds that a murder has been committed he starts to bring city justice to the country. This means dealing with hot-headed blacksmiths, the poo lady and a Chief Constable who is an expert in Bhangbhangduc, and those are just the "good guys".

Reviewers have said that Sir Terry's books of late are very hit and miss, that they are not as funny as they used to be. They are certainly much longer and less punchy. The humour is much more droll, but more importantly the books are much more thoughtful. Unseen Academicals started the story of racism, with an Orcish footballer who had all the traits of a certain England forward. This time it is the Goblins and how attitudes can be changed, taking them from being vermin to being people. They reflect the times they are written and the issues that are important to Sir Terry.

These are much more serious books, there always was an underlying moral sense to Discworld but in these latest books it is the morality that is more important than the humour. These are morality tales with the real bits left in. In Vimes' world he cannot wave a magic wand so everything turns our better - so he has to take a much more pragmatic route. This makes the book much more thoughtful and much slower than the mad-cap early Discworld, so while they are no longer 5 stars for humour, they are 5 stars for their emotional commitment and making you think.
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Format: Hardcover Verified Purchase
I am a Pratchett addict; I took my first dose in 1976 with 'Dark Side of the Sun' and have read everything he's written since (and went back to read 'The Carpet People' and Strata') I read the Nome Trilogy - I even bought 'The Unadulterated Cat'!

For a time in the 90s he spoiled me for other fantasy writers; his style was (to me) so accomplished that others couldn't begin to match him. The earlier Discworld books, from #01 'The Colour of Magic' to #10 'Moving Pictures' were wonderful romps with a hugely imaginative drive. 'Equal Rites,' 'Wyrd Sisters' and 'Guards! Guards!' were the absolute pinnacle of comic fantasy.

Later books (with occasional returns to the earlier broad humour) were darker, more thoughtful and with a more philosophical edge. Gradually the humour became less important to the story - the books were still funny in parts, but the Discworld became less magical and more a distortion of our own world, tackling in more detail real issues such as class, racism and sexism - prejudice in all its ugly forms. He even created a new 'ism' - speciesism. He was at his best in this period when he was angry about prejudice in books like 'Small Gods,' 'Lords and Ladies' and 'Feet of Clay'.

Even the 'lesser' works (again, to me! I know it's subjective) such as 'Soul Music', 'Hogfather' and 'The Last Continent' had enough of the classic Pratchett mix of wisdom and gags to satisfy most of us.

I feel the last great Discworld book (for adults) was 'Thief of Time'. The last great book for younger readers was 'The Amazing Maurice and his Educated Rodents'. Both of these were classic Pratchett, filled with imagination and brio.

And then... things started to change.
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Format: Kindle Edition
I've been a long-time fan of Pratchett ever since getting his first novel The Colour of Magic back in my early teens, and I can honestly say that it's a rare thing to come away with a slight sense of disappointment after finishing one of his books. The sheer fun and whimsy of the early Discworld novels seems to me to have given way to a slightly more darker more muted world, and where once you could expect gag after gag spilling off nearly every single page, now there is a bit more slightly heavy-handed moralising and exposition to get through before you find any gems to remind you of those earlier stories.

Don't get me wrong, I still liked Snuff and there is still much to enjoy in the characters, old favourites like Vimes in particular, but in terms of where I'd rank this in the Discworld series as a whole, I'd have to say somewhere around the middle of the list, tending towards the lower half.

My son is reading the book at the moment and appears to be enjoying it (though some of the more adult ideas pass him by) so even if Snuff is slightly below par for Pratchett, it's still got plenty to offer and, if you're a fan of the series, still worth a read. If you're new to Pratchett, well you're probably better off going right back to the beginning and enjoying the pure unadulterated fun of those early novels.
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Format: Hardcover Verified Purchase
As so many have said, it's better than the average book but nowhere near as good as the average Pratchett. (I confess to having a soft spot for Reaper Man and Pyramids, which nobody else seems to like.)
May I also point out that one reviewer was correct in saying that the drop in humour doesn't necessarily lead to a worse book (just look at Night Watch).
My main niggles:
1) Since when did Willikins have that past? He's been working for the Ramkins for at least 30 years (Night Watch - he's mentioned as the bootboy). He's also very abruptly come out of his shell.
2) Vetinari is TOTALLY out of character. Far too emotional and uncertain.
3) Moral of the story is RAMMED IN WITH A SLEDGEHAMMER. Rather like Unseen Academicals but worse.
4) Villain totally undeveloped. Even Carcer had more depth - he'd realised that the rules of normal people didn't actually have to apply to him if he didn't want them to.
5) As someone else on here said, where's the Guarding Dark? Also, the Summoning Dark LEFT Vimes, acknowledging defeat by a worthy opponent, and the mark on his wrist was a scald from lamp oil (shaped by the Dark).
6) No Death cameo, but neither did The Wee Free Men.
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