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The Slap Paperback – 17 Mar 2011

2.6 out of 5 stars 533 customer reviews

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Product details

  • Paperback: 488 pages
  • Publisher: Atlantic Books; Reprint edition (17 Mar. 2011)
  • Language: English
  • ISBN-10: 1848873565
  • ISBN-13: 978-1848873568
  • Product Dimensions: 12.9 x 3.2 x 19.8 cm
  • Average Customer Review: 2.6 out of 5 stars  See all reviews (533 customer reviews)
  • Amazon Bestsellers Rank: 15,624 in Books (See Top 100 in Books)

Product Description

Review

The must-read novel of the summer. --Guardian

Honestly, one of the three or four truly great novels of the new millennium. --John Boyne

The Slap is nothing short of a tour de force. --Colm Tóibín

Review

"Riveting from beginning to end." (The Guardian)

"... this is a beautifully structured and executed examination of the complexity of modern living; a compelling journey into the darkness of suburbia." (The Independent)

"One of Australia's pre-eminent contemporary novelists." (The Age)

"The Slap is a disturbing book but it is also funny and endearing, presenting the diversity of the Australian experience with a big, warm heart in the middle." (The Independent Weekly)

"...the great thing about The Slap is that it cannot be neatly summarised. Tsiolkas uses his premise as a guide-line to stabilise his larger structure, but his real talent is for exploring the inner lives of his eight primary characters, four women and four men, ranging in age from 18 to 70. And each of these characters is a sharp observer of those around him or her, so many more lives are illuminated as well." (The Guardian) --This text refers to an out of print or unavailable edition of this title.

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Top Customer Reviews

Format: Paperback Vine Customer Review of Free Product ( What's this? )
This is a long book and it took me a while to get into it. I was in fact on the point of abandoning it when it eventually did pick up a bit. One of the problems is that at the start you are confronted by a large cast of characters and I for one was a bit bewildered trying to keep up with who everyone was to begin with. Anyway, I did persevere and I am quite glad I did although this is by no means a perfect book.

An adult smacks someone else's misbehaving child at a barbecue and the ripples from this event spread out through a chain of eight different people whose point of view we are given one after the other. If you pick up the book and have a glance at the blurb you might get the impression that it sets out to explore the rights and wrongs of the slapping incident - but the smack seems to be there merely to offer a link between the characters. The book is really a portrait of contemporary and cosmopolitan Australia. As such it is reasonably interesting but plot wise its difficult to glean any point to the story as we meander through the lives of the eight narrators.

I must add that I am quite surprised how many other reviewers have been upset by some of the language used in this book. The dialogue contains fairly run of the mill swearing and its puzzling to imagine there are poor flowers out there over the age of 8 and outside of a convent who are offended by this. Similarly some of the characters exhibit casual racism but we are it seems to me supposed to disapprove of them for this. Exposing such racism makes this an anti-racist book in my opinion. There is racism in Australia, and sometimes people swear. Its odd to think some readers think this is the author's fault. It seems an honest and accurate depiction of a society to me.

This is a flawed book though, and not as engaging as I would have wished.
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Format: Paperback
If Christos Tsiolkas had wanted to name his novel after its most prominent moment or topic, then he should have called it `unpleasant people having repetitive, unpleasant sex' rather than 'The Slap'. The novel's titular event is barely a footnote to the plot, and Tsiolkas seems morally afraid to engage with the issue on any significant plane: 'The Slap' is neither emotionally nor intellectually demanding and offers no insight into the ethical conundrum posed by its blurb.

At a BBQ in Melbourne, Australia, a four-year-old boy named Hugo is acting every bit the insufferable, entitled, disruptive and unpleasant infant his parents have brought him up to be. In an effort to calm the rowdy and precocious boy, a man who isn't his father slaps him in front of the entire gathering.

The domestic corporal punishment of children is a contentious issue; even more so when the chastisement is delivered by a non-parent. In some countries (not Australia) it's completely illegal, and in most parts of the world the concept is associated with a niche of old-fashioned parenting, perhaps synonymous with the traditionalist right.

Child slapping has also received an unprecedented amount of media attention in recent years; it's an issue about which everybody has an opinion - even if you've not been a parent, then you've been a child - making it perfect fodder for the popular novel. Perhaps this universal interest accounts for the novel's ridiculous sales record; it's currently the best-selling book of the 2010 Booker Prize longlist, and according to some sources, it's sold a staggering 5000% more copies than its closest competitor, Room by Emma Donoghue.
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Format: Paperback Vine Customer Review of Free Product ( What's this? )
Christos Tsiolkas is a Melbourne writer and The Slap is a Melbourne book. It delivers a number of portraits of Melbourne types - the Greek car dealer; the Indian vet; the soap opera world; the gay teenager; the bogan mother and more. The portraits are all loosely linked to one another, deriving from a barbecue at which the horrid bogan toddler is slapped by the Greek car dealer. But the novel is not plot driven, it is 100% character focused. There is no great ending to draw it all together; the novel might as well be seen as a set of short essays.

The demographics, the reported movement of families around the northern and eastern suburbs was revealing. Melbourne is undergoing great social change right now - as it has probably done since its foundation. There is a reference to the soaring real estate prices, with a knowing assertion that a million dollar shoe box is still a shoe box - although more colourful language was used to make the point. The implication, clearly, was that the people living in it might have become millionaires but they are still what they ever were.

The Slap also charts the changing social attitudes in Melbourne. There are three distinct generations in the piece - teenagers; forty-somethings; and the grandparents. Each generation had thought they were the rebels; the trailblazers but then get swept aside by the next generation. It's all a matter of perception, and after reading old man Manolis's section one can't help but think that today's young rebels, rude, brash and arrogant have a somewhat easier life than their ancestors.

The Slap does a great job in giving life and expression to ordinary Melburnians. It offers a convincing vision and conveys a strong sense of place. It is long, involved and very much a slow burner.
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