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Shutterbug Follies Hardcover – 1 Oct. 2002
- Print length153 pages
- LanguageEnglish
- PublisherDoubleday
- Publication date1 Oct. 2002
- Dimensions16.51 x 1.27 x 22.86 cm
- ISBN-100385503466
- ISBN-13978-0385503464
Product description
About the Author
Product details
- Publisher : Doubleday (1 Oct. 2002)
- Language : English
- Hardcover : 153 pages
- ISBN-10 : 0385503466
- ISBN-13 : 978-0385503464
- Dimensions : 16.51 x 1.27 x 22.86 cm
- Customer reviews:
About the author

Cartoonist Jason Little's latest book, Borb (Uncivilized Books, 2015), depicts the brutally hilarious slapstick decline of a severely alcoholic homeless man. He is also the author of two graphic novels featuring “Bee”, his plucky, redheaded, pear-shaped girl protagonist. Doubleday published the first volume, Shutterbug Follies, which won two Ignatz awards (in 2001 and 2002). The second, Motel Art Improvement Service, was published by Dark Horse and was an Eisner Award finalist in 2010. His Xeric-grant-winning Jack's Luck Runs Out was the first Xeric book to be printed in full color.
Jason is a frequent contributor to R. Sikoryak’s Carousel series of cartoon slide shows. He also draws anaglyph stereo 3D comics, and performs 3D conversions on other cartoonists’ work as well. Jason has been teaching cartooning at the School of Visual Arts in New York City since 2003.
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While the story isn't as brilliant as his other Bee-featured book "Motel Art Improvement Service", "Shutterbug Follies" is a gently amusing romp with a colourful cast of characters. Little's strong plotting keeps the story ticking over nicely as Bee explores Manhattan as a kind of hipster Nancy Drew. Her pleasant and approachable attitude to life easily makes her friends with odd characters like a middle aged rocker moonlighting as a cabbie or an artist's assistant hiding from his tough guy neighbour after being caught photographing his wife (it's for art, honest!). The chance meetings with these minor characters send her in different directions but Little collects the disparate threads, masterfully tying them into a coherent story.
Little has a good sense of knowing when to let the pictures tell the story and when to insert dialogue. There are no narrative boxes so the reader has to interpret panels by looking at characters' faces and body language rather than rely on thought bubbles or an omnipresent narrative voice. It's very subtle, artistic and feels very naturalistic to read. The dialogue is convincingly real and the characterisations are fine with the standout being Bee of course as the lead. She looks, acts and behaves very much like an 18 year old New Yorker would.
The attractive art, well laid out panels and entertaining story makes "Shutterbug Follies" a fine comic book read. If you've got a choice, I'd strongly recommend his more recent book "Motel Art Improvement Service" which I feel is a more refined example of Little's narrative and artistic skill, but both books are worth picking up.
Of course, one day, she sees some photos of corpses so strange and real that she gets curious. Soon, she is following a Russian-Armenian wanna-be Weegee across boroughs with the help of a friendly taxi driver, as she tries to figure out if she's looking at snuff shots, well-staged fakes, or simply the work of a genius. Basically, Bee is a classic teen busybody of the Nancy Drew meets Scooby Doo ("If it hadn't been for you pesky kids!") variety, and her investigation is similarly spunky. Before too long, she's got herself into a tight spot and only her quick wits can save her!
The book is fun, but not perfect. The supporting cast is well developed, but tend to walk on stage to perform their little function in the plot, and then disappear. That keeps the story moving at a nice pace, but also somewhat mechanical. The dialogue is much much better than most graphic novels, as the characters actually speak like normal humans, each retaining their own distinct voice. Although, the one big flaw in the plot occurs when Bee eavesdrops on an incriminating conversation taking place in stilted English, when there's no reason the speakers wouldn't just be using their common native Russian.
The art is very crisp and clean, which I quite like. Like the work of the great Belgian cartoonist Herge, the people are cartoony, but realistic enough to fit into the realistic cityscapes they inhabit. The New York that appears in these pages feels much more vivid and lifelike than most cities in graphic novels. The colors are worth mentioning, as their supersaturated hues pop from the page. The top-notch printing, paper, and binding, all combine for a lovely package. Good stuff, well worth checking out.