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Sell Out Box set, Extra tracks, Original recording remastered, Deluxe Edition

4.8 out of 5 stars 65 customer reviews

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Product details

  • Audio CD (16 Mar. 2009)
  • Number of Discs: 2
  • Format: Box set, Extra tracks, Original recording remastered, Deluxe Edition
  • Label: Commercial Marketing
  • ASIN: B001QBC4AG
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (65 customer reviews)
  • Amazon Bestsellers Rank: 65,925 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Armenia City In The Sky
  2. Heinz Baked Beans
  3. Mary Anne With The Shaky Hand
  4. Odorono
  5. Tattoo
  6. Our Love Was
  7. I Can See For Miles
  8. I Can't Reach You
  9. Medac
  10. Relax
  11. Silas Stingy
  12. Sunrise
  13. Real (1 & 2)
  14. Rael - Naive
  15. Someone's Coming
  16. Early Morning Cold Taxi
  17. Jaguar
  18. Coke After Coke
  19. Glittering Girl
  20. Summertime Blues
  21. John Mason Cars
  22. Girl's Eyes
  23. Sodding About
  24. Premier Drums
  25. Odorono
  26. Mary Anne With The Shaky Hand
  27. Things Go Better With Coke
  28. In The Hall Of The Mountain King
  29. Top Gear
  30. Rael (1 & 2)

Disc: 2

  1. Armenia City In The Sky
  2. Heinz Baked Beans
  3. Mary Anne With The Shaky Hand
  4. Odorono
  5. Tattoo
  6. Our Love Was
  7. I Can See For Miles
  8. I Can't Reach You
  9. Medac
  10. Relax
  11. Silas Stingy
  12. Sunrise
  13. Rael (1 & 2)
  14. Mary Anne With The Shaky Hand
  15. Someone's Coming
  16. Relax
  17. Jaguar
  18. Glittering Girl
  19. Tattoo
  20. Our Love Was
  21. Rotosound Strings
  22. I Can See For Miles
  23. Rael

Product Description

Originally released in December 1967, The Who Sell Out arrived at the tail end of a remarkable year in popular culture. As well as being forever immortalised as the moment when the counterculture and the "Love Generation" went global, 1967 produced tremendous musical upheavals as "pop" metamorphosed to "rock", elevating the likes of Cream, the Jimi Hendrix Experience, Pink Floyd, Traffic and the West Coast groups to prominence--both on the underground scene and the commercial arena. The homage to pop-art is evident in both the advertising jingles and the iconic sleeve design--created by David King (art director at the Sunday Times) and Roger Law (who invented Spitting Image) producing four giant images for each band member--Odorono deodorant, Medac spot cream, Charles Atlas and Heinz baked beans. This remastered edition of Sell Out features the following:

• Stunning reissue of the classic Who album from 1967, now upgraded to a greatly expanded 2 CD version in the acclaimed Deluxe edition range.

•Remastered from the original stereo and mono masters for the first time.

•The first official re-release of the mono mix (in the US and UK) since 1967

•Eleven previously unreleased songs and/or mixes.

•28-page booklet contains unseen photos and 1960s period advertisements. CD sleeve features out-takes from the original October 1967 album cover photo session by David Montgomery, the esteemed portrait photographer.

•Introductory essay by noted rock writer Dave Marsh and in-depth liner notes by Who biographer Andy Neill.

Customer Reviews

4.8 out of 5 stars
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Top Customer Reviews

Format: Audio CD Verified Purchase
Universal Music have released many 2-CD sets(by many artists) in their "Deluxe Edition" series, and I have most of them in my collection, but none are more impressive than this set, which gives you the original 1967 stereo & mono mixes of "The Who Sell Out", plus a nearly vault-clearing excavation of 27 bonus tracks.

No matter which mix of the album you prefer, Universal Music offers all of them. Personally, I prefer the more Hifi sound of the 1995 stereo remix(not included here, though easily available on the 1-CD expanded edition). The original stereo mix is murkier & muddier, but this 2-CD set puts it back in print, and offers the mono mix for the first time in the UK(no need to hunt for the deleted Japanese mono CD).

There are actual musical differences between the stereo & mono mixes, including a different guitar solo on "Our Love Was".

For the bonus tracks, the compilers have used original 1967 mixes, except for tracks where no original mix(or no stereo mixes) existed. Original masters & multitracks are used, excepting when the Uk mono single mix of "Someone's Coming" is presented on Disc 2. Apparently, the only tapes that could be found had unsatisfactory sound or did not match exactly with the mix heard on the original Uk single, so American collector Luke Pacholski has supplied a digital dub from his vintage Track Records single. More Hifi conscious listeners can listen to an excellent 1995 stereo remix on Disc One.
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Format: Audio CD
What separated the great British Bands (The Kinks, The Who, The Stones, Beatles, Small Faces) from the rest of the world was that their songs contained the essential elemements of great songwriting - harmony, melody, rhythmn, syncopation, quality musicianship, storytelling, pathos, humour and whimsy. Us Brits were particularly good at the last two and one only has to look at the Kinks complete masterpiece Autumn Almanac or the Small Faces Lazy Sunday Afternoon to see what I mean. I mean, c'mon gang, can you think of anybody else but Ray Davies who could come up with the chords to something lke Autumn Almanac? Well, yes, actually - Pete Townsend.

This fine, clever and genuinely funny album sprang out of those wierd "becoming aware" days of "A Quick One", pirate radio stations, mass marketing, selling the beautiful dream and so on. Some of the songs are very funny, some very moving, some very rocky, all interspersed with pirate radio jingles .. "Radio London Reminds you ... go to the Church of your choice".

I cannot think of anybody but the Who who would have produced this , at this precise time. The Band had already shown that they thought that the world was really a funny old place with "Pictures of Lily", "Happy Jack", "Dogs" and so on, but this work contains at least 4 genuine masterpieces - Sunrise, a most stunning love song with a difficult and affecting jazz chord sequence, Tatoo, which is just so funny (My Dad beat me 'cause mine said "mother"), I can see For Miles, the most savage and chilling revenge song of all time and The Medac Song - yes, I love this ... "Henry laughed and cried "I got 'em" ... his face is like a baby's ... bottom". Go on, stop smiling!! Pure genius. Pointless to detail all the tracks, but there is not one weak moment here.
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Format: Vinyl Verified Purchase
THE WHO SELL OUT, The Who's third album, is one of those records which just gets better with age. Many albums from the 1960s and '70s seemed to have emerged as instant classics while others, like this one, have grown in stature with the passing years. Somewhat overlooked during the Christmas rush of 1967, today THE WHO SELL OUT stands as one of The Who's most enjoyable collections, an album which represented a tribute to the recently outlawed pirate radio ships (specifically Radio London) and the band's own last salute to the world of pop before The Who's graduation to the podium of rock royalty with TOMMY (1969). Above all, from the amusing pop art-inspired sleeve to the band's "Track Records" chant cut into the run-out groove, more than any of their other albums, THE WHO SELL OUT captures Shepherd's Bush's finest having fun.

This is a fine vinyl reissue of THE WHO SELL OUT from Universal Music - the company that was responsible for a sumptuous Deluxe Edition CD version of the album a few years back. As expected with vinyl reissues these days, the record itself is nice and weighty and comes with relatively faithful reproductions of the Track Records' labels on both sides (the major difference being a new catalogue number). Audio purists will possibly take issue with the fact that the stereo mix has been used over the mono version; however, at the time of the album's original release, stereo was beginning to overtake mono in popularity and so deciding which is the "true" version of THE WHO SELL OUT is arguably an irrelevance (whereas many believe that the mono version of The Beatles' SGT. PEPPER - released just six months earlier - is the genuine format for that LP).
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