Selected Poetry (Oxford World's Classics) Paperback – 18 Jun 1998
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"Good notes, especially on esoteric terms, concepts, [and] items endemic to the 18th century."--Mary Norton, Western Carolina University"This is an excellent classroom text for a course in major 18th century poets. I would not hesitate to use it or recommend it to others."--Robert D. Spector, Long Island University"An absorbing and erudite study."--John Marillo, North Carolina State University"The cleanest text of all Pope anthologies combined with the most helpful notes make this the most accessible collection of Pope's poems available to students."--Jerome Donne, University of Central Florida
About the Author
Pat Rogers is DeBartolo Professor of the Liberal Arts at the University of South Florida. He has written books on Pope, Swift, Johnson, Defoe, and Fielding, as well as general books such as The Augustan Vision (1974), and Literature and Popular Culture in Eighteenth-Century England (1985). He is the editor of The Oxford Illustrated History of English Literature. --This text refers to an alternate Paperback edition.
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Top Customer Reviews
The introduction is unusually good, a rumbustuous defence of Pope against the long-standing (and surely fading) conception of poetry as simple, sensuous and whatever: the Palgravian imprisonment of poetry into the idealistic lyric.
Pope's poems are, of course, fantastic. (Although I'm not sure that I feel as much for them as I do for a few other poets' work: lack of experience? or does Pope, for all his gifts, really lack some of the -- what? -- inwardness? tenderness? yielding attitude to life that poetry embodied for the Romantics?) I haven't learnt to love 'Windsor Forest' (Pope seems here -- and elsewhere -- to have learnt from Ben Jonson, whose 'To Penshurt' is perhaps the originator of this genre), and confess that 'The Rape of the Lock' is too refined for my taste. The humour in 'The Dunciad' seems to stretch much further -- such as the diving into the river in Book Two (surely taken from Jonson's concluding poem in his 'Epigrams') where one dunce relates how the mud-nymphs ("Nigrina black, and Merdamente brown") fell in love with him.
Pope's verse-letters and satires are fantastic too: crisp, like nothing else in English. (The epigramaic sharpness, and concern for making satire a work of art, again more akin to Jonson than Dryden.) Passages like this description of a Lord's library:
His study! with what authors is it stored?Read more ›
This contains also the Dunciad and so contains his main poetical works as well as some lesser known ones. I would recommend this over the Oxford World Classics - complete works of Pope.