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Scenes from the Revolution: Making Political Theatre 1968-2018 Paperback – 20 Sep 2018


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Product details

  • Paperback: 256 pages
  • Publisher: Pluto Press (20 Sept. 2018)
  • Language: English
  • ISBN-10: 0745338518
  • ISBN-13: 978-0745338514
  • Product Dimensions: 13.3 x 2.5 x 21.6 cm
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: 410,890 in Books (See Top 100 in Books)
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Product description

Review

'This is an indispensable archive of resistant performance practice, combining memoir, dramatic and critical writing. Wiltshire, Cowan, and their collaborators confront Project Austerity's culture of contempt and despair by recovering and asserting British theatre's history of critical refusal' --Victor Merriman, author of ''Because We are Poor': Irish Theatre in the 1990s'

'Believe that 1960s theatre making is dead duck pass? Reader, best start re-thinking. Editor/authors Kim Wiltshire and Billy Cowan forge an original and powerfully mind-bending take across 50 years of radicalised performing. Essential territory for driving future performance toward politicised hope' --Baz Kershaw, Emeritus Professor of Theatre and Performance, University of Warwick

About the Author

Kim Wiltshire is a playwright and academic who specialises in issue based theatre, especially issues around young people, gender and sexuality, through her company Laid Bare Theatre, with plays such as Project XXX and The Value of Nothing. She is Programme Leader for the Creative Writing course at Edge Hill University. She edited the book Scenes from the Revolution (Pluto, 2018). Billy Cowan is an award-winning playwright and artistic director of Truant Company. His first play Smilin' Through, produced by Birmingham Rep was nominated for Best New Play 2005 by Manchester Evening News and his play Caretakers won the Stage Edinburgh Award at the Edinburgh Fringe Festival in 2016. He is senior lecturer for creative writing at Edge Hill University. He edited the book Scenes from the Revolution (Pluto, 2018).


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