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Sasha Involver 3 Double CD

3.9 out of 5 stars 91 customer reviews

Price: £10.54 & FREE Delivery in the UK on orders over £20. Details
Includes FREE MP3 version of this album.
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Product details

  • Audio CD (18 Mar. 2013)
  • Number of Discs: 1
  • Format: Double CD
  • Label: Ministry of Sound
  • ASIN: B007IGG0GM
  • Other Editions: Vinyl  |  MP3 Download
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (91 customer reviews)
  • Amazon Bestsellers Rank: 65,573 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Growing Forehead (Feat. Kicki Halmos) (Sasha Involv3r Remix) - Taragana Pyjarama
  2. Turn the Tide (Feat. Arrow Down) (Sasha Involv3r Remix) - ThermalBear
  3. Crystal Film (Sasha Involv3r Remix) - Little Dragon
  4. Chained (Sasha Involv3r Remix) - The xx
  5. Battleships (Feat. Abigail Wyles) (Sasha Involv3r Remix) - Benjamin Damage & Doc Daneeka
  6. Smalltalk (Sasha Involv3r Remix) - Ultraista
  7. Moment Before Dreaming (Sasha Involv3r Remix) - The Ananda Project
  8. The Healing (Sasha Involv3r Remix) - James Zabeila
  9. Wine (Sasha Involv3r Remix) - Blondes
  10. DIY (Sasha Involv3r Remix) - Keep Shelly In Athens
  11. Shoot You Down (Feat. Kicki Halmos) - Sasha
  12. Late Night (Sasha Involv3r Remix) - Foals

Disc: 2

  1. Growing Forehead (Feat. Kicki Halmos) (Sasha Beatless Remix) - Taragana Pyjarama
  2. Turn the Table (Feat. Arrow Down) (Sasha Beatless Remix) - ThermalBear
  3. Crystal Film (Sasha Beatless Remix) - Little Dragon
  4. Chained (Sasha Beatless Remix) - The xx
  5. Battleship (Feat. Abigail Wyles) (Sasha Beatless Remix) - Benjamin Damage & Doc Daneeka
  6. Smalltalk (Sasha Beatless Remix) - Ultraista
  7. Moment Before Dreaming (Sasha Beatless Remix) - The Ananda Project

Product Description

Product Description

DJ/Producer Sasha is recognised as one of the world’s most innovative icons in the electronic dance music world and has remained on the cutting edge of dance music for well over two decades. Sasha’s 3rd edition of Involver includes exclusive remixes of artists such as The XX, Ultraista, Keep Shelley in Athens, Little Dragon, Foals and more, specifically for this album.

Customer Reviews

Top Customer Reviews

Format: Audio CD
There was a time when all Sasha had to do was stand in the back of the booth while another DJ was finishing their set and it would change the way the music sounded. There would be a palpable electric atmosphere of anticipation in the room - and when he played he would take you to musical places that touched your soul and leave you begging for more.

From early 90's Italian piano scream-ups, hardcore, breakbeat and thumping early motorbass techno through early German trance, progressive, progressive trance and then the early 2000's deepness before pioneering CD and Ableton mixing from around 2005 and then the fine-tuned whole experiences of Fundacion and Involver - the quiet Welshman, who became a DJ almost by chance, pioneered and defined every movement that was important.

Throughout this gigantic musical landscape there were landmark sounds and themes: twinkling synths, hypnotic melodies, cheese-free "proper" trance (aka. Sasha-trance), intense emotional swings between high and low, long periods of tension, tease, effects-laden breaks, exciting percussive rhythms and great big dirty riffs that seemed larger than the universe. There was something symphonic about how he played; his sets dared to create something larger any of the individual tunes he sought out (or, to be fair, was often sent first, so revered were his hands). His genius was in spotting how to stitch it all together into the famous Sasha "journey".

The plain truth of "Involv3r" is that these musical themes, which Sasha defined and which define him, take such a back-seat as to feel absent.
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Format: Audio CD Verified Purchase
I have left this review until 4 days after release to give the album enough time to sink in, I have now listened to it in it's entirety approximately 15 times so I feel I am in a decent position to offer a balanced and educated view on the record. I have been listening to Sasha since the TDK days and go and see him play live regularly so I'm not new to electronic music or Sasha for that matter.

There is something strange about Involver 3 and it's taken me a few days to figure it out but I've now realised that it's an unfinished project. I base this opinion primarily on the overall flow of the album and the mixing. Sasha does not release many mix albums and when he does release studio albums they are usually phenomenal in flow and mixing execution, this album bears all the hallmarks of Sasha's latest sound but the transitions from track to track are appalling at times. Take for example the transition from the Ananda project into the Zabiela track!!!.... Give me a break! Sasha does not mix like that! It's lazy, it's choppy, I thought my CD had jumped when i first heard it.... Again if you listen to the penultimate track mix into the Keep Shelly in Athens track... Choppy, lazy and completely un-Sasha like. He doesn't mix like that live so why would he do it on a studio album... My theory is that he was rushed into releasing this by the label or he forgot to listen to the final version all the way through because he was sick of working on it... Another reviewer suggested that the absence of Charlie May had a detrimental effect on the album, I can only think an absence from Sasha himself from the studio caused the mixing to be so poor because he should be embarassed to put his name to it when we know he can do so much better....
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Format: MP3 Download Verified Purchase
I will say I have never heard/bought a bad mix/studio album by sasha his sound has evolved over the 2 decades I have been listening to him and this album is no exception.alot of vocals which on the whole I like. It builds well and sounds well put together. I am not over keen on the last track late night by foals but maybe I just need to give it a little more time to grow on me as I am used to strong ending tracks on the involver series. In order of my preferred albums in the series I would say involver 1,3 and then 2.

Now onto some of the rather strange comments by other reviewers on amazon.

One reviewer has mentioned the more commercial sound of this album because it has been released on MOS label but I think you will find that the original Exposure albums were released on MOS and those 2 albums were in no way commercial sounding so just because a label releases commercial electronic/house music albums it does not mean that everything released will lean towards that.

One more reviewer has mentioned that this albums mixing sounds sequenced? What would you like him to do? dig out the 1210's and mix it straight from vinyl that has not been done again since exposure 1 and 2.

Is this a perfect album? No its not. Is this a 1 star album? not a chance. Sasha has been playing tracks similar to this for the last 6 months to a year so its not like its a break away into completely new ground. There is no breaks on the album but I was under no impression there would be the high hats are constant through the album and I like it. It reminds me of his abelton mix from maida vale for radio 1 which he used the same drum loop and cymbal crash through out the whole mix.
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