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Saraswati Park Paperback – 8 Jul 2010

4.4 out of 5 stars 26 customer reviews

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Product details

  • Paperback: 272 pages
  • Publisher: Fourth Estate (8 July 2010)
  • Language: English
  • ISBN-10: 0007360770
  • ISBN-13: 978-0007360772
  • Product Dimensions: 15.4 x 2.3 x 23.2 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (26 customer reviews)
  • Amazon Bestsellers Rank: 971,934 in Books (See Top 100 in Books)

Product Description

Review

Winner of the Desmond Elliott Prize
Winner of the Betty Trask Prize
Winner of the Vodafone Crossword Book Award
Shortlisted for the Ondaatje Award
Shortlisted for the Hindu Best Fiction Award
Shortlsted for a Commonwealth Writers’ Prize

‘How true to life it seems – the background of disconsolate rains and chattering mynah birds entirely Bombay, the preoccupations universal … a generous book where absolutes are neither sought nor found.’ Guardian

'Joseph writes beautifully about quietness and stillness…she evokes the physical world that her characters inhabit exactly, without ever resorting to the sort of touristic colour that mars some English language Indian novels…this is a quiet, restrained novel but a great deal is going on beneath the surface' Sunday Times

‘Both a coming-of-age novel and a portrait of a long marriage, Anjali Joseph’s promising debut novel is a bittersweet, charming and likable book…Joseph’s good-humoured and elegant prose, her appealing, complex characters and a beautifully realised Mumbai setting make for a bewitching read.’ Irish Times

'Joseph contrasts the inner and outer lives of her characters, and the uneasy friction between new and old cultures, with all the wit and delicacy of a latter-day Mrs Gaskell' The Times

'Anjali Joseph's debut novel is replete with evocative images of Bombay…but the book's greatest strength lies in its delicate portrayal of a young man's desperation for intimate connection, and a couple's acceptance of a marriage that has failed' Financial Times

‘An elegantly realised portrait of unrequited love, frustrated aspirations and the unspoken compromises of marriage and family. Joseph neatly weaves in elements of the rapid social change occurring in the ever-expanding city but her principal concern is the more complex process of personal change and development and its bittersweet effects: the nerves, hang-ups and pains of youth and the regrets, pleasures and fulfilment of old age’ Observer

From the Author

• Anjali, how would you sum up Saraswati Park in one line?
Saraswati Park is a Bombay novel of misplaced dreams, recovered love, and quiet moments of beauty amid a vibrant city.

Saraswati Park is set in Bombay. How much was it directly inspired by your life in the city, and do you feel that the novel could ever have been set anywhere else?
The novel was very much inspired by living in Bombay as a young child and later working there as a journalist. I wanted to write about the Bombay of the streets in the Fort, old trees, raucous birdsong, quizzical passersby, the life of neighbours, taking the train to work, and quiet suburban lanes. And books and day dreaming. It isn’t the Bombay of Hindi cinema or of some novels, but it’s the one I knew. Bombay still has some properties of a city at the turn of the 20th century, so maybe it’s the kind of story you could imagine taking place in early 1900s Dublin, though of course the climate and landscape are very different.

• You have worked as a journalist and a teacher. What made you turn to writing a novel?
I’d been writing stories and fragments of stories pretty much since I could write at all; the only change was bringing the writing into the light.

You were recently named in a list of the top 20 authors under 40, alongside established writers like Zadie Smith and Booker-shortlisted Adam Foulds. How does that feel? Do you feel under more pressure for your next book?
It was a total surprise, but very nice that the people who compiled the list had liked Saraswati Park enough to include it even slightly before it was published. I think there's always pressure to write something as good as you can, that will precisely catch whichever images, feelings and inchoate thoughts are gestating at the time--but no more than usual because of the listing, luckily.

• What can readers look forward to next from you?
The novel I’m writing now is about a few characters in their twenties who live in Paris, London and Bombay; it explores how when you first live independently as an adult, you do things you never thought you would, experience things you couldn’t have imagined, and somewhere amid that, rediscover a sense of self behind your apparent personality.

• What do you enjoy reading?
At the moment I’m rereading Francoise Sagan’s La Chamade because I’m working on a translation of it. I have a bit of a passion for slim, elegant novels. But I like all kinds of things--Samuel Beckett, Dickens, Scott Fitzgerald, Bernard Malamud, Flaubert. I also have a great respect for and interest in frivolous subjects, especially when taken seriously. If I were in a dentist’s waiting room with a volume of Proust and a copy of ELLE I might not pick up the Proust first.

• What advice would you give to aspiring authors?
Learn yoga, or anything else that requires patience.

• Tell us something unusual about yourself.
I’m pathologically indecisive and always order last in a restaurant because I fear I’ll want what someone else has chosen.

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4.4 out of 5 stars
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Format: Paperback
Anjali Joseph was listed in the Telegraph recently as one of 'Twenty Writers Under 40' to look out for. This was notable as the list was published before this, her debut novel, was. Joseph might be described as a writer with pedigree: she read English at Trinity College, Cambridge, has taught at the Sorbonne and written for The Times of India as well as being a commissioning editor for Elle in the same country. I mention all of this because I always wonder what helps writers whose books are yet to be published get onto lists of this sort. Is the book really so amazing that the few who can have read it have already created the buzz or with that kind of background is it expected that a writer like Joseph is bound to have a bright future? After reading her solid début it may be worth noting that part of the reason for her inclusion on that list was their 'expectation that these writers have their best work ahead of them'

Joseph's novel is very much a portrait of the 'new India' focusing on a middle-class family in Bombay. Mohan is a letter-writer, a profession which is dying out. From his seat under some tarpaulin near the GPO he sits and writes missives for those who are illiterate, anything from heartfelt letters to the completion of bureaucratic forms. Joseph soon conjures the bustling and colourful street scene that is his daily existence.

"For a while he sat and watched the world, framed at the upper edge by the fringe of the tarpaulin - hairy bits of rope and a jagged piece of packing plastic, once transparent, now grey, hung down. Beyond this, all around the letter writers, life persisted at its noisiest. A fleet of cockroach-like taxis in black and yellow livery waited at the junction outside the GPO. When the lights changed they all, honking, took the u-turn.
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5 Comments 29 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Read this book - it is subtle, elegant and wonderful. It offers great depth about its main characters - Mohan, living in the margins, wondering how the things he had meant to achieve in his life have slipped out of focus: 'he had been going to be a scholar, a person with a great many books who sat at a desk and wrote all day'; Ashish, looking for ways to move on from youthful indecision and develop an identity of his own: 'the room reminded him of his defeats, and the disappointments of the years: the damp marks on the walls, the stains and specks of black on the yellowing paint'; Lakshmi, coming to resent being defined by the needs of others: 'her day held its breath until Mohan and Ashish had been safely eased into the world'; Bombay itself: 'the last light was golden, like something in a film; it fell carelessly across the dusty leaves of the old banyan in the empty plot'. There are no glib certainties or resolutions here - but very rewarding insights into the complexities and intricacies of people's lives, the spaces between them and the startling moments of connectedness. This is a book that echoes through your imagination long after you have finished reading it - let it into your life.
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Set in a country ordinarily portrayed to the international community as incorrigibly mystic and equally primitive, "Saraswati Park" is a refined and remarkably poignant observation on the prosaic nature of middle-class India. Written with both ardent familiarity and detached appraisal, Anjali Joseph draws the reader into a quotidian Bombay existence with incredible intimacy and masterful transparency. While the story is one to which anyone sharing our basic human condition can relate, the tranquil clarity and fierce elegance of Joseph's narrative is truly stunning. "Saraswati Park" is a quietly addictive read, one of unmistakable grace that reveals a charming exegesis of triviality.
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This is not a sprawling narrative about a large number of residents whose lives interlock, as is common with much Indian writing. It is a much tighter, more focused story. But that, in a sense, is also its weakness. I felt it was rather sparse and underdeveloped in both its characters and themes - a short story in scope (though it runs for 250 pages) rather than a fully fledged novel. I did enjoy the fluency of the writing and the gentle portrayal of the lives of Ashish and his aunt and uncle, but felt more could have been done with the characters.
The broken marriage of Ashish's aunt and uncle is really a sidebar. This book is about adolescent Ashish trying to understand himself and his urges. It is not a book just about homosexuality, but homosexuality features strongly and this sets the novel apart from other Indian novels in English. It is a theme not much explored on the subcontinent.
While Ahsish's affair with his school friend is well done and feels natural and believable, his affair with his tutor is excruciating and awkward. The character of the tutor does not come through well, and it is hard to understand Ashish's attraction to him. Only Ahsish's painful separation from his tutor-lover is strongly painted.
Saraswati Park is billed as a book about Mumbai, but the sense of place is not that strong. Ashish's female friend and confidante Madhavi is also a very two-dimensional figure, along with other characters in the book.
I would not consider this a strong debut, though I will look out for other books by this first-time author.
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