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Royal Blood [Explicit]
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Royal Blood [Explicit]

25 Aug. 2014 | Format: MP3

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Customer Reviews

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By The Wolf TOP 50 REVIEWERVINE VOICE on 25 Aug. 2014
Format: Audio CD
Crikey! These two boys from Brighton make a big noise and no mistake.
Royal Blood, Mike Kerr (vocals and Bass) and Ben Thatcher (drums), have some
spectacular rock chemistry going on. From the moment that the explosive
opening number 'Out Of The Black' hits the back wall it's very hard to believe
that there are only two instruments at work here and the energy barely lets
up for a moment throughout these ten blistering tracks. The spirit of Led
Zeppelin would appear to be still alive and well in this fine ensemble's hands.
Mr Kerr has one helluva voice too; the third element which binds the whole
thing together and to top it all there are some really good tunes here as well.

Three listens in and it's hard to pick the winners. It's all good. Very good indeed.
'Come On Over', with its massive chugging riff, has enough power in its bones
to light up a city should the National Grid break down; 'Figure It Out', too,
thunders along on the back of a beat which makes your knees rattle and features
one of Mr Kerr's strongest vocal performances; 'Loose Change', coming in to
land at just over two and a half minutes, is a model of economy and deliciously
old-fashioned in the best possible great-band-in-a-garage kind-of way but
if I had to pick a favorite the the bluesy rip-roaring mid-paced final song
'Better Strangers' ticks all the boxes for a guaranteed Rock Royalty future.

This is terrific stuff. Play it loud. Very Loud!

Highly Recommended.
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Wow! I discovered this band on BBC's iPlayer when I was watching a re-run of Biffy Clyro's set from T in the Park. Before they showed Biffy, they said they were going to show a few songs by a new band called Royal Blood, my thinking was - "Who? Come on just get biffy on!!" But I continued to watch as these two guys strolled on stage, one sat behind the drums, the other strapped on a bass guitar....then they ripped into Little Monster as my jaw literally hit the floor. How is he making a sound like that with a Bass? I was an instant fan and every song the played was equally as good and catchy good as the last.

I then told everyone who would listen how good this band were, the only downside was having to wait a few months until this album to come out. How do they sound? Well certainly not like a two piece and most certainly not like just drums and a bass guitar. I don't know how they do it but they sound incredible and it's not just studio trickery either as they sound as good live as they do on the album.

Being a two piece they will draw obvious comparisons with the White Stripes and although musically they sound miles apart, although Mike Kerr's vocals do actually have a tinge of Jack White, I especially noticed this on the track Blood Hands. The band also sound a shade similar to Queens of the Stone Age in their heavy, catchy riffs. Ultimately this band have the same ability as the likes of Nirvana - the ability to write incredibly catchy lyrics and riffs that you never get bored of. Only downside is the album is just 10 tracks long and comes in at about 30 minutes, but trust me it's well worth spending 30 minutes with Royal Blood.

Can't wait to see them at the Barrowlands next year!
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Some bands just work, and Royal Blood are one of those bands. Every song has a greasy, snarling, pimp-slapping swagger, propelled forward on a throbbing wave of hip electrifying beats and tight, filthy, groove dripping... I almost said riffs, but these aren't mere riffs: The sounds which spit into your ears are something from when the most advanced music was made by hitting a rock against a log. Primal. Raw. Needles in the amygdala inciting you to bark the lyrics in the faces of every other ape you pass on the street. A groin-shuddering vortex of vocal wails, growling strings, and whiplash fast beat magic which urges you to drop to all fours and embrace the animal within. Not a single, solitary, lonely track on this album could be considered filler: I have never enjoyed an album so much, felt so compelled to listen to it repeatedly, to review it. Bittersweet lyrical themes rake painted nails across your heart, but before you can bleed, the music gives you the curled lip menace to crack the fingers and emerge victorious, You stop being a passenger on the train: With this in your ears, you ARE the train! The office is not your cage now: It is the jungle, and you are the tiger which rules it! You are not a shadow in our plastic world now: No, now you are locked in a fight to the death with a mighty mountain lion, and IT fears YOU!

I guess I'm saying I really rather like this, and if you wished modern rock was a bit less... Feeble, then you'll love the assured rawness and cool stoner groove of this. Buy it and unleash the beast you never knew you could be!
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It's been quite a year for Royal Blood, from forming in Brighton to releasing one of they years most eagerly anticipated debuts, via heavy promotion as one of BBC's Sounds of 2014 and increasingly well received festival sets this summer.

The first thing that hits you when you listen to their music for the first time is the sheer wall of sound that assaults your eardrums. It is hard to believe that this is created by a duo and that they use a drum and bass combination rather than the more usual electric guitar.

Mike Kerrs innovative use of effect pedals and stringing on his bass (not to mention his impressive playing) means that you never feel that anything is lacking from the sound they produce, despite the limitations that their chosen instruments might have presented. Combined with Ben Thatchers powerful drumming, they deliver a unique sonic landscape, albeit one with its roots firmly in the past. This is blues based heavy rock for the 21st century.

The 10 songs presented here are all without exception short and punchy. The production is good, and the performances offer an immediacy often lacking on albums recorded with heavy use of overdubbing. It is easy to listen to this and get a feel for the live sound of the band, as that is what they have strived to capture and largely they have succeeded.

The songs themselves are, in the main, strong and it is easy to imagine many of them going on to feature in the heavy radio airplay that they have already been receiving. Out of the Black, Come on Over and Little Monster have already received promotion prior to the albums release and it is no surprise that they are amongst the stronger tracks here.
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