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Reinventing the Renaissance: Shakespeare and His Contemporaries in Adaptation and Performance Hardcover – 14 May 2013

3.0 out of 5 stars 1 customer review

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Product details

  • Hardcover: 340 pages
  • Publisher: AIAA; 2013 edition (14 May 2013)
  • Language: English
  • ISBN-10: 023031385X
  • ISBN-13: 978-0230313859
  • Product Dimensions: 14.4 x 2.7 x 24.7 cm
  • Average Customer Review: 3.0 out of 5 stars 1 customer review
  • Amazon Bestsellers Rank: 2,957,099 in Books (See Top 100 in Books)
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Product description


"This wide-ranging collection brings together the fields of Shakespearean appropriation and global Shakespeares in a way that advances substantially our understanding of how the two have become inextricable from one another." - Christy Desmet, Josiah
Meigs Distinguished Teaching Professor of English, University of Georgia, USA

About the Author

Sarah Annes Brown is Professor of English Literature at Anglia Ruskin University, UK. Her publications include The Metamorphosis of Ovid: From Chaucer to Ted Hughes (1999), Devoted Sisters: Representations of the Sister Relationship in Nineteenth-Century British and American Literature (2003) and A Familiar Compound Ghost: Allusion and the Uncanny (2012).

Robert I. Lublin is Chair of Performing Arts at the University of Massachusetts, Boston, USA. He is the author of Costuming the Shakespearean Stage: Visual Codes of Representation in Early Modern Theatre and Culture (2011) and has published a number of articles on early modern English theatre and contemporary drama.

Lynsey McCulloch teaches English Literature at Coventry University, UK. She has published on Shakespearean performance and Spenser's The Faerie Queene and is currently working towards a monograph on the animated statue in early modern drama. Her research interests include the interface between art and literature, front and end matter in Renaissance texts and the use of dance in literature and as literature.

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20 January 2018

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