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Reflektor
 
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Reflektor

28 Oct. 2013 | Format: MP3

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Song Title
Time
Popularity Prime  
30
1
7:32
30
2
5:43
30
3
2:42
30
4
6:30
30
5
4:21
30
6
3:58
30
7
5:24
Disc 2
30
1
2:51
30
2
6:13
30
3
6:42
30
4
6:02
30
5
5:52
30
6
11:16
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Product details

Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
Arcade Fire? Just a band...and a hugely over hyped one at that which might go some way to explaining why this 'abstract' and 'difficult' 4th album has divided hard core fans and rock dullard music journalists.

My own personal hero worship of Arcade was a brief two year fling between 2005 and 2007 that ended once I had overplayed the rather brilliant 'Neon Bible' with its gorgeous deluxe CD boxset. By the time that 'The Suburbs' came along, I had totally lost interest, skipped that particularly album despite all the praise and nonsense written about it until a week or so again when 'Reflecktor' blasted out of the radio and lifted a sterile playlist full of Top 40 twerking junk.
Was this really Arcade Fire with a pulsating Giorgio Moroder bassline, deliciously offbeat vocal interplay within a indie disco stomper that was subversively altering the airwaves of Planet Pop? The title track was worthy of further investigation and after one play of both volumes, I was hooked once again by this curious Canadian band and giving the entire album another listen, followed by another listen.

The first thing that struck me about this album as a whole was its wonderful diversity - each track is so different and so brilliantly bonkers how they all build then wrong foot the listener with a nifty chord change or a curve ball in the form of a frantic finish within a clash of ideas. It is this unique brilliance across both volumes that inspires wonder with each play. LCD's James Murphy certainly adds something new and exciting to Arcade's already rich pallet of sounds but his input has been massively overstated by those who have rubbished the album.
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Format: Audio CD Verified Purchase
I had avoided Arcade Fire for years because I didn't really understand their music. I'm not sure I do still, but I don't mean that in a bad way - since I bought Reflektor, I've been back and bought all their other stuff and watched countless concerts of theirs on Youtube. God I love them as a band and I'm kicking myself I didn't get into them earlier and I'm still noticing oodles of stuff I love about their music. I had always liked 'The Suburbs' song, but Reflektor had not figured on my radar till Youtube popped it up in a suggested selection a few weeks ago and the black and white picture of an industrial scene with metallic shutter, warehouses, and military truck meant I just had to play that video. And wow, is it good. That was it - I had to have the album and I immediately hit a problem because I didn't like two of the tracks - Here Comes The Night; and Flashbulb eyes. But this completely changed round because of some live performances I watched where I found that the glamorously sexy Regine Chassagne played the steel drums; and the saxophone parts are like bits of silken music enriching the rest of the song. And I love how Here Comes The Night starts fast, slows down, starts fast and slows down again. Reflektor does this a bit too, and Flashbulb Eyes has so much Reggae in it, it's brilliant and just a funny lighthearted song. All my kids love the album, my friends too. Oh - for the live performances, one of the best on YouTube is Arcade Fire at the Northside Festival in 2014 - a full unmixed version. If you're wavering over the album watch that and find your fingers automatically pressing the buy button! A very addictive album. I love them.
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By Brian Hamilton TOP 500 REVIEWERVINE VOICE on 30 Oct. 2013
Format: Audio CD
Arcade Fire have been a band I have been following since the seminal Funeral album was released way back in, was it 2005?

Each album subsequent to that, Neon Bible and latterly, The Suburbs, have seen them confound expectations. But, whilst they have done a Radiohead and aimed for ever more obscure sounds inspired by seemingly endless rounds of navel gazing and struggling with the awkwardness they clearly show at their world domination, their sound has never suffered or become boring.

So it is, with the fourth album, we are treated to yet another string to their bow. Proceedings are pretty much in the vein of lead single Reflektor, if you have heard this the you know the type of sound, low key drums, whispered vocals that are oft snarled into the mic, all told a fairly disconcerting mix which is very intoxicating and draws you in on repeated listening. Some of the rougher and more ill-defined noises reminds me of 'On Avery Island' era Neutral Milk Hotel, a very analog-ish, lo-fi and rough sound that is very intriguing.

Although this is a double album it could have comfortably fit on one disc rather than two, but hey, it doesn't matter. The album packaging is well thought out, each disc has a fold out booklet that contains lyrics and grainy, colour photos that are abstract, voodoo-esque and unsettling. A very good accompaniment to the sounds.

I have been drawn in and seduced by this album, although not an immediate hit with killer hooks it pulls you into its world upon repeated listening and is genuinely brilliant.

For the Arcade Fire fan this is essential.

Excellent.
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Format: Audio CD Verified Purchase
When I first heard this album I didn't think it was as strong as their early albums such as Neon Bible but after repeated listenings the album has really grown on me and become one of my favourite albums. Disc 1 has a number of excellent tracks on it and is the stronger of the two discs. This album could probably have been slimmed down to an excellent single album - as it is there are a few filler tracks on the album.

Overall though I still rate this album and would definitely recommend it.
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