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Ragnarok: the End of the Gods (Myths) Hardcover – 1 Sep 2011

4.0 out of 5 stars 40 customer reviews

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Product details

  • Hardcover: 192 pages
  • Publisher: Canongate Books Ltd; First Edition edition (1 Sept. 2011)
  • Language: English
  • ISBN-10: 1847670644
  • ISBN-13: 978-1847670649
  • Product Dimensions: 14.6 x 2.1 x 21.9 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Bestsellers Rank: 432,865 in Books (See Top 100 in Books)

Product Description

Review

Byatt peels back the cover of the book that the girl reads and takes us deep inside it as she delights in reimagining the twilight of the gods and the destruction of the world. ... Like Wagner before her, [she] dares to dream how the world might end ... this rewriting of the Ragnarok is a story for our time of overpopulation and anthropomorphic climate change, and of all time. --Financial Times

Surely among the most beautiful and incisive [pages] Byatt has ever written. --Independent

Byatt's retelling of Ragnarok is permeated with the loving familiarity of long acquaintance. Her language is lapidary. The terrible archness that can infest the narratives of sophisticated writers who attempt to master myth is resoundingly absent ... It is pleasant to imagine some lonely, bookish child discovering it and becoming entranced. --Evening Standard

A brilliant, highly intelligent, fiercely personal rendition of the Scandinavian mythology...a gorgeous enrichment and interpretation. --Ursula K. Le Guin, Literary Review

Byatt's writing, impassioned and liberated from the strictures of the novel, has never been so beautiful. --Telegraph

Byatt's prose is majestic, the lush descriptive passages - jewelled one minute, gory the next - a pleasure to get lost in. --Sunday Telegraph

Byatt paints beautiful and fantastic word-pictures, glittering verbal special effects. --Scotsman

Colour and sensation flood Byatt's writing . . . One of the most brilliant minds and speakers of our generation. --Independent

Byatt's prose, compact and lyrical, treats [the gods] with dignity...Ragnarok is a clever, lucid, lovely book. --Guardian

Thanks to a rare fusion of imagination and intellect, sensual poetry and cerebral prose, youthful joy and elderly wisdom [,Byatt has made]...an entire world, compressed but energetically alive in all its details. When we have artists like this, who needs gods? --Observer

Energy and power drip from Byatt's writing ... There are too many glittering sentences to quote here in full.
--New Humanist

Book Description

From the Booker Prize-winning author of Possession and The Children's Book comes an extraordinary tale, inspired by the myth of Ragnarok. --This text refers to the Paperback edition.

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Top Customer Reviews

Format: Hardcover
This is a powerful re-telling of an ancient myth through the eyes and mind of a child reading about the Norse gods during the Second World War. The child, evacuated to the countryside, roams in woods and fields and takes delight in the beauty of the natural world. She gathers armfuls of flowers, knowing there will always be more to replace them. She visualizes the bombing raids over London as the Wild Hunt of Woden.

The book does not speak directly of our current environmental crisis, and yet there is an underlying feeling throughout that this is a myth for our time. It tells of a world that was created, that was abundant and full of life, and then was destroyed. Already the English landscape we inhabit is very different to that of the 1940s and immeasurably less diverse. This ancient myth offers no solutions, only warning - and what a terrifying end of the world it shows, as the people wait for a spring that never comes, wolves swallow the moon and sun, and the stars fall "like spent candles" from the sky.
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Format: Kindle Edition
When I first saw this title was available on NetGalley, I was so excited and requested it at once. I've loved everything I've read by Byatt and this story was of particular interest to me as I adore mythology.

I devoured this book in one sitting and loved every minute of it. The story of Ragnarok is told here as seen through the eyes of a young girl, reading the mythology from a book while she lives in the country during the war. I loved the way the child related the story to her own experiences of war and religion.

This book shifts between the child's thoughts and the Ragnarok story, but it never feels fragmented as Byatt manages to balance the two elements perfectly. The prose is beautiful and descriptive yet not overly 'flowery' and it is a real pleasure to read it and lose yourself in the words.

I enjoyed the note from Byatt at the end, discussing the approach she'd used, as that really helped bind the piece together.

It's been a while since I last did any reading on Northern myth, but I now feel inspired to grab up my copies of the Edda and the Kalevala again. This is definitely a book that I will be buying myself a print copy of so that I can keep it in my library and reread it in the future. Highly recommended to both lovers of literary fiction and those interested in mythology.

I received this book as a free ebook ARC from NetGalley.
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Format: Kindle Edition
Ragnarök is the latest edition to Canongate's excellent Myths series, all standalone novels by a variety of the world's finest writers. Written by A.S. Byatt of The Children's Book fame, it tells the Nordic story of the Judgement of the Gods or the end of the world.

Told through the eyes of a girl in wartime Britain, known only as the thin child, Ragnarök is a good introduction to Nordic myths. The thin child finds a book entitled Asgard and the Gods in the house she is evacuated to and she shares those myths with the reader. With her father fighting in the war, the thin girl is going through her very own Ragnarök, knowing that the end of her world must surely be coming.

The novel is not really about the thin girl though, it is more a collection of myths that lead up to Ragnarök. From the creation story of Yggdrasil, a great tree whose ecosystem was the world, to the tale of the great serpent Jörmungandr, who encircled the world. Like the thin child, Loki has always been my favourite player in the Nordic myths and this mischevious demi-god plays a big part in most of them.

Reading this, you will get the feeling of familiarity, even if you don't know the myths themselves. It really does emphasis that myths are borrowed and adapted throughout cultures. The Nordic Hel will have shaped the Christianity's Hell of eternal torment much more then the Greek underworld would have, where the Elysian fields were the reward of heroes.

The author's thoughts on myths are also included and are well worth a read. My copy (a proof not the Kindle edition) had place markers for the illustrations so I can't comment on those but am excited the see how it is illustrated. The bibliography is full of interesting titles if you wish to read more.
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Format: Hardcover
'Ragnarok' is A. S. Byatt's retelling of the Norse myth of the ending of the world, which she first encountered as a child during the Second World War. The author has managed something very difficult here: she has told a story about one aspect of childhood - the mythic dimension of a child's burgeoning imagination - in an unsentimental way that makes sense to an adult without distorting the original experience. In addition, she has rescued an authentic northern European mythology from the Christianizing overcast that has concealed it in recent centuries, and has reconnected it to our own world of conflict, waste and environmental destruction without merely substituting one clumsy allegorical reading for another.

Byatt's prose here is plain and muscular, achieving many of its effects rhythmically and additively, respecting the strangeness of the myth and yet restoring a degree of accurate detail - particularly of the lives of living things - that gives the imagination purchase. The author's intelligence shines through at every point.

I greatly enjoyed this book. The only false step for me is in the concluding chapter, 'Thoughts On Myths', in which Byatt muses about the imaginative origins of the story and her own understanding of the nature and function of myth. For me this was an unnecessary glimpse behind the scenes, bringing much that is already clearly implicit in Byatt's telling too far into the light of day. I would strongly advise any reader who might be tempted to read that final chapter first, as a crib to the main text, to resist the temptation.
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