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Quilt Paperback – 26 Aug 2010

4.2 out of 5 stars 10 customer reviews

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Product details

  • Paperback: 135 pages
  • Publisher: Myriad Editions (26 Aug. 2010)
  • Language: English
  • ISBN-10: 0956251544
  • ISBN-13: 978-0956251541
  • Product Dimensions: 12.9 x 19.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Bestsellers Rank: 559,266 in Books (See Top 100 in Books)

Product Description

Review

'I read Quilt with admiration - it's a work of remarkable imaginative energy.' --FRANK KERMODE

'A book of mythological power. Quilt is unforgettable, like all those great pieces of fiction that are fed by our immemorial root system, the human dream of metamorphosis.' --HELENE CIXOUS

An intense study of grief and mental disintegration, a lexical celebration and a psychological conundrum... Royle explores loss and alienation perceptively and inventively. --Guardian

Royle's baroque, athletic prose... confers a strong sense of the "strangeness" of English, "which, after all, belongs to no one" and should be continually reinvented. Royle is adept at doing just this... His meandering prose - which seems at once anarchic and meticulously arranged - is appropriate to the subject matter: the disarray and isolation a man experiences when his father dies. There are moments of delightfully eccentric humour and impressive linguistic experimentalism. --Observer

Nicholas Royle's first novel is a story of loss and love. He captures the absolute dislocating strangeness of bereavement. While the novel is bursting with inventive wordplay, Royle's use of language is most agile and beautiful in his descriptions of rays. In terms of narrative, the shifts in point of view have a sort of fairground quality to them, suddenly lurching, demanding your compliance, but it is the way the storyline ultimately develops that takes the breath away. --New Statesman

An experimental and studied look at mourning, as a man struggles to come to terms with the death of his father - clearing out his house, embarking on a strange project to house stingrays and gradually losing his grip on reality. Playful, clever and perceptive. --The Big Issue

In the Afterword, Royle says he expects the novelist 'to aspire to a writing that figures and insists on strangeness'. He certainly achieves this with Quilt... It is in those commonplace moments at the end of a life - the manhandling of an elderly parent; the solicitous, faintly patronizing conversations; the struggle with an overgrown garden and accumulated junk mail - moments which Nicholas Royle describes with such piercing accuracy, when this novel is truly at its strangest. --Times Literary Supplement

About the Author

Nicholas Royle is a Professor of English at the University of Sussex and lives in Seaford. He has written numerous books on literature and critical theory, including Telepathy and Literature, The Uncanny, E.M. Forster and the influential textbook, An Introduction to Literature, Criticism and Theory (with Andrew Bennett). Quilt is his first novel.


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Customer Reviews

4.2 out of 5 stars
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Top Customer Reviews

Format: Paperback
I found this book absolutely compelling - the way the story is told kept me feeling very close to what was happening, even when I was confronted with stuff that was completely, wildly unexpected. This is a thoughtful, intelligent, exploratory book but not a solemn one. There's powerful emotional warmth and engagement as well as an infectious delight in words and in comic or bizarre touches of experience. Quilt's subject-matter, the death of the narrator's father and what happens in the following weeks, is undeniably sad but the writing is so vivid, so attentive and lovingly human, that the effect on me was revitalising. I read it again.

The brief Afterword suggests some very interesting ways of thinking about fiction today, what it can do and what it might do. It also prompts a rethinking about Quilt itself.

Royle's critical work is justly famous and has always had a kind of inventiveness more usually associated with literary writing. In Quilt he takes this creative energy to the level,as Helene Cixous comments on the back cover, of mythmaking. It's an exciting development for English novel-readers.
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Format: Paperback Verified Purchase
Quilt is not at first an easy read, but worth persevering with through the linguistic and textural substrate for its brilliant portrayal of grief and obsession. The grieving of the son for his now dead father, his attempts to clear the parental home, arrange the funeral, meet his lover, who lives abroad, come to terms with his situation and past relationships with his parents, are all very tenderly and sometimes wittily done. The strength of the book lies in its central image: the son's obsession with stingrays. He builds first one, then an even bigger, aquarium in his father's home to house four rays. His identification with the rays in their substrate murk gradually takes over his life, culminating in a stunning final image. Stay with this book; read it slowly, twice. It will reward the attention.
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Format: Paperback
I am on my third reading of this amazingly poignant book. Dealing with the grief and
shock of his father's dying, the protagonist finds his own way to come -or not- to terms. It is a warm, personal story with a surprising twist. It is especially meaningful and validating for those who have had experience dealing with a loved one's passing and the immediate aftermath. The afterword should not be overlooked as it is very helpful. It invites an immediate (and, rewarding!) rereading of this new kind of rich literary fiction.
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Format: Kindle Edition Verified Purchase
I hope the writer got a lot of pleasure out of showing how clever he is with words. I certainly got none from reading the book, even though I, as usual, persevered to the end. I kept hoping that all would become clear but it never did.
I would not recommend this book to anyone who enjoys a good story or indeed any story as I failed to find the thread.
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Format: Paperback
From the very beginning of this book the reader embarks on a fictional journey that feels distinctly different from any they may have had before. Language in all its strangeness and beauty comes to the fore, whilst at the same time the very human story is movingly conveyed. The tale is about the profound nature of the everyday, about emotional events that every reader will experience at some time in their lives. But it is also funny and intellectual. It engages the reader's thoughts, challenges them, calls for them to think about the very language they read and speak and inhabit. This is an inventive, risky piece of writing, which succeeds because of the way in which it combines flights of imagination with the sense of a powerful emotional reality.
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