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Erich Maria Remarque

A. W. Wheen

All Quiet on the Western Front New Ed Edition, Kindle Edition

by Erich Maria Remarque (Author), Brian Murdoch (Translator) Format: Kindle Edition

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Book 1 of 2: All Quiet on the Western Front

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Discover the most famous anti-war novel ever written

One by one the boys begin to fall...

In 1914 a room full of German schoolboys, fresh-faced and idealistic, are goaded by their schoolmaster to troop off to the 'glorious war'. With the fire and patriotism of youth they sign up. What follows is the moving story of a young 'unknown soldier' experiencing the horror and disillusionment of life in the trenches.

'Remarque's evocation of the horrors of modern warfare has lost none of its force' The Times

TRANSLATED BY BRIAN MURDOCH

Now published for the first time alongside Brian Murdoch's new translation of the novel's sequel: The Way Back.

ISBN-13

978-0099532811
Edition

New Ed
Publisher

Vintage Digital
Publication date

23 Nov. 2010
Language

English
File size

4142 KB
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All Quiet on the Western Front

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All Quiet on the Western Front
Erich Maria Remarque

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Review

Its extraordinary appeal may stem from Remarque’s success in universalising the soldiers’ experience ― that the war was the same for all who fought (Daily Telegraph)

Remarque’s spare description of the pointless reality of war still chills and is what made the book so powerful – and dangerous – on its publication 90 years ago... Remains a necessary, shattering read (Irish Times)

The power to move people by words, to arouse their sensibilities as well as their minds, was Erich Maria Remarque's to an extraordinary degree (New York Times) --This text refers to an alternate kindle_edition edition.

Synopsis

Discusses criticism of the work, and contains essays by William K. Pfeiler, Edwin M. Moseley, Harvey Swados, and others, including one by Helmut Liedloff comparing this novel with Hemingway's "A Farewell to Arms.". --This text refers to an alternate kindle_edition edition.

Excerpt. © Reprinted by permission. All rights reserved.

Introduction by Norman Stone

For some years after the end of the First World War the memoirs of generals and statesmen dominated publication about it ' none more prominently than Churchill's great classic, The World Crisis (1923). Then, quite suddenly, ten years down the line, came the other side, the horror, the view from below. The British had lost almost a million men dead, the French over a million, and the Germans nearly two, mainly on the Western Front, where thousands of guns churned up the mud. War cripples hobbled the streets of Berlin, and are recorded in the bitter Twenties paintings of Georg Grosz and Otto Dix. Writers followed ' in Great Britain, amongst the earliest books were Richard Aldington's novel Death of a Hero (1929) and Robert Graves's memoir Goodbye to All That (1929), the most famous of them all. I was given it as a Christmas present when I was fifteen and read it at a session. At the time, the mid- Fifties, there were men around, not even sixty, who had gone through the Western Front but you could never get them to talk about it. British critics did not attack 'the system', they tended to dwell on the incompetence of the generals. The French had a rather similar experience, in that the from-below story of 1914-18 surfaced with Louis-Ferdinand Celine's Voyage au bout de la nuit (1932), which is brilliant black farce. Celine, who had volunteered in 1912, entered the War with the usual young man's patriotism, and was badly maimed at an early stage; and he made a mockery of the whole business. But there is not really any French, let alone British or American, equivalent of the bitterness and edge that went into the paintings of Dix and Grosz. Two films come the closest ' Oh! What a Lovely War (1969) which started off as a musical (1963) by Joan Littlewood based on the songs of the poor bloody infantry, and Stanley Kubrick's Paths of Glory (1957). On the literary side, the German Erich Maria Remarque's All Quiet on the Western Front (1929) is in a class of its own. It appeared not long before the Wall Street Crash started a process that was soon to give Germany eight million unemployed, and the Chancellorship of Adolf Hitler. Not just the Nazis banned it; so did the Lord Mayor of Cologne, Konrad Adenauer, a Centre Party Catholic and later first Chancellor of West Germany. Official Germany would not accept any responsibility for the War. In 1923 the legal scholar Hermann Kantorowicz put in a memorandum to the Reichstag 'War Guilt' committee, showing that three quarters of the published documents from 1914 were false, and even the 'good German' Gustav Stresemann tried to stop him from getting a Chair, and suppressed the report.

This is all understandable, because Germany did face a war indemnity, 'reparations', designed to cripple her for two generations, and to suggest that she had caused the War counted as treachery. But so did criticism of the army (and the fourteen-volume official history, besides being incomplete, was almost free of it). Exposing the reality was left to a writer such as Remarque.

For Germans the War had ended in defeat and disillusion. It had been a four-year epic of sacrifice, and there had been spectacular successes, from the capture of Russian Poland in 1915 through Caporetto in 1917, when the Italian front imploded, to the March Offensive of 1918, which destroyed the British Fifth Army. German generals had a panache lacking on the Allied side, almost to the end, and it is notable in All Quiet on the Western Front that there is very little criticism or mockery of generals, let alone officers, who come off well ' understanding and humane. The Germans shot far fewer of their own men than did the British. When the armistice happened, attempts were made to imitate the Russian Revolution in which Soldiers' Councils had challenged the authority of their officers. Far from being revolutionary, the German Soldiers' Councils voted for Generalfeldmarschall von Hindenburg to be their overall president (he declined). Even so, some 25,000 German prisoners of war did join the Red Army. The end of the War saw bitter political recriminations: the Left blamed the Right for starting it, and the Right blamed the Left for stopping it, for giving the fighting troops a 'stab in the back'. This civil war was always latent in the Weimar Republic, and it flared up again when the Wall Street Crash ended properly democratic government (in 1930: thereafter governments ruled by emergency decree). The civil war culminated in the victory, in 1933, of the Nazis. It also resulted in the emigration of Erich Maria Remarque. All Quiet was one of the Nazis' burned books.

Remarque was not a Communist or even, it seems, anything much. He was born (1898) into a skilled working-class family in Osnabruck, his father a printer, and attended Catholic schools. When he turned eighteen, in 1916, he was conscripted, and after some basic training (All Quiet is biting about that; the sadistic Corporal Himmelstoss is an archetype of military memoirs, where bright young men encounter maniacal and petty disciplinarians) he was drafted to Flanders. The British Offensive ' we know it as Passchendaele, from the village the capture of which, after 400,000 casualties, allowed victory to be absurdly declared ' was about to start, and Remarque was badly wounded on its first day, 31 July 1917, spending much of the rest of the War in hospital. He kept a notebook and recorded the men's stories as he heard them. They form the basis for All Quiet.

There were two (at least) unique features of the Great War. For civilian conscripts, there was vast disillusion with everything that they had been taught by Authority; and then there was the sheer anonymity of the killing. Of Remarque's class of twenty schoolboys in All Quiet, at least half get killed ' the narrator, Paul Baumer, just a week or two before the armistice of November 1918 ' five or more are wounded, and one ends up in a lunatic asylum. They are all caught up in the tremendous Materialschlachten, the industrial slaughter, that killed over nine million soldiers and maimed many, many more. This was an artillery war, and the guns multiplied in number, power and range; huge technical skill was involved (for instance, plotting by sound-range where, on a grid-map, an enemy gun was sited). Time and again, Remarque's boys are knocked out by shelling. The ordeal involved is well-expounded in the last scene of Sebastian Faulks's Birdsong (1993) where the hero digs himself out of a great mound of mud and corpses, such as these heavy shells threw up. They, rather than the legendary machine-guns, caused three-quarters of the casualties. It is extraordinary that the generals started out with an assumption that this would be a war rather like that of 1870-71, between France and Prussia ' infantry charging in clumps, bayonets outstretched, cavalry sweeping forward, and fortresses holding out bravely under siege; and of course there was the widespread illusion that the war would be short, an illusion spread as much by bankers and economists as by generals. But artillery could smash even the stoutest fortress, cavalry were helpless targets for modern rifles, and the French learned in August 1914 just how vulnerable their charging infantry clumps were to shrapnel. Remarque's schoolboys were confronted almost at once with a war that they had not imagined. And they had also been let down by men in authority. When the war broke out, Germany was vilified for the invasion of neutral Belgium (Germans became 'the Hun' in the British press) and over 1,300 of the most prominent academics signed a pompous Intellektuelleneingabe ' 'petition of the intellectuals' ' associating the great names of German civilization with tub-thumping nationalist nonsense, instead of appreciating that the War was a sort of suicide. On a less exalted level, schoolteachers, the pride of Prussia, shovelled their sixth forms into uniform, as happened with Paul Baumer's class. Once they were at the front, what were they to make of these maniacal schoolteachers who had filled their heads with such useless nonsense as French irregular verbs and the population of Melbourne? In All Quiet the hero wonders whether they ever could get back to normal, after the war, but they did ' those who survived. Remarque himself knocked around for a few years, which included primary school teaching (often an essential booster-stage for something else), then, aged twenty-two, published a vaguely radical-right novel he soon wished he had not written, and drifted into sports journalism for a large media concern. Then, at thirty, he produced the work for which he is remembered. All Quiet on the Western Front became an international bestseller, and was snapped up by Hollywood for a record sum. Not surprisingly, like the early works of Graham Greene or Eric Ambler, who also thought cinematically, it made an excellent film. Early in the novel, Paul recalls the population-of-Melbourne maniac getting his seventeen- and eighteen-year-olds as a class to march down the street and volunteer in 1914. One of them, Josef Behm, under-age and overweight, does not want to go, attack, and we left him for dead . . . That afternoon we suddenly heard him shout out and saw him crawling around in no man's land. He had only been knocked unconscious. Because he couldn't see and was mad with pain he didn't take cover, so he was shot down from the other side before anyone could get out to fetch him.' (This colloquially rendered passage is characteristic of Professor Brian Murdoch's excellently readable translation.) The War, which had started with cavalry and charging infantry, turned into a long artillery epic, and there are some splendid descriptions of bombardment (Allan Mallinson recalls that no man is an atheist under bombardment, but God ' and clergymen ' are missing from Remarque's pages). One after another, the boys go. Second is Kemmerich, at first unaware, in hospital, that his leg has been amputated; there is some awkwardness among his visitors as to whether they should just take his special English airman's soft-leather boots; Muller wants them, saying his own boots are so bad that even his blisters get blisters. The soldiers' deaths are recorded intermittently, interspersed with bitter comments and dramatically described events of trench warfare. A failed French attack gives rise to the most memorable scene in the film, which sticks in my mind sixty years after seeing it. Baumer, on forward observation, takes shelter in a shell hole, and a French soldier stumbles in. Baumer's instinctive reaction is to stab him, and the Frenchman takes hours to die, the German dressing his wounds, giving him water and talking to him even after he is finally dead. He looks into the man's wallet to identify him, and finds letters from his wife, photographs of his children in a village somewhere. There are other scenes of fraternization, but they are with French girls. Remarque's general idea is that it is all hellish and that the only sort of meaning to be found is in the cameraderie involved, as Paul and his friends find ways of dealing with rats or with the lack of decent food, or take revenge on the sadistic training corporal whom they encounter again at the front. The description of a fortnight's home leave is particularly harrowing, as Baumer finds he has nothing to say to his father. And there are still old saloon-bar wiseacres, showering him with cigars, who tell him how the War should be won: 'aber vor allem muss die gegnerische Front in Flandern durchbrochen und dann von oben aufgerollt werden' ' as if the Flanders front could easily be 'broken through and then rolled up'.

The wiseacres hated the book, seeing it as an insult to the German army, and the Nazis put it about that Remarque ' originally 'remark' (he gave it a French twist: his forebears had been Remarques from across the border) ' had in reverse been 'Kramer', a Jewish name meaning 'pedlar'. They also made much of the fact that Remarque had not served in the front line. The irony was that Hitler himself, though he had two medals, did not really have a heroic war. We know from some extraordinary research by Thomas Weber (Hitler's First War, 2010) that he was not a front-line soldier but a messenger who spent most of his time at headquarters ' what other men called an Etappenschwein ('rear-area pig'). In the British army it was called having a cushy job. Regimental colonels were sent bags of medals from time to time, for distribution, and Hitler got two of them because he was conveniently there, according to his own account, reading Schopenhauer from a pocketbook. Half of the veterans from his regiment, Bavarian Catholics,
refused to turn up when called upon to attend a reunion in 1934 to celebrate the victory of their alleged fellow-soldier, now Fuhrer. Remarque had already left Germany the day after Hitler became Chancellor in January 1933. He had easily enough money from royalties to live in Switzerland, and later in Hollywood and New York. He never lived in Germany again. The Nazis, in time, chased his poor sister, Elfriede Scholz, a dressmaker in Dresden. She was denounced by her landlady and a customer in 1943 for saying the war was lost, as indeed it was. An example was made of her, for Wehrkraftzersetzung (roughly, 'demoralizing the armed forces') and she was beheaded. After World War II Remarque remained in the USA, quite successful, though always best-known for All Quiet. In the 1950s he married the American actress Paulette Goddard, moved back to Switzerland, and died there in 1970. But All Quiet lives on, and deserves to. --This text refers to an alternate kindle_edition edition.

From the Artist

Erich Maria Remarque --This text refers to an alternate kindle_edition edition.

About the Author

Erich Maria Remarque (1898-1970) was born to a family of modest means in the German city of Osnabruck and started writing at the age of sixteen. In 1916, aged 18, he was conscripted into the German army. At the age of 19 he was seriously wounded on the Western Front, repatriated to Germany where he spent the rest of the war. After the First World War Remarque became a teacher and in 1929 his novel about his war experiences, All Quiet on the Western Front, was published in Germany. Remarque' book was attacked by Adolf Hitler and Josef Goebbels, and after the Nazi Party gained power Remarque decided to move to Switzerland, where he completed The Road Back. This book, about a group of ex-soldiers trying to live in a defeated Germany, was also criticised and All Quiet and The Road Back were banned and destroyed by the Nazis. On the outbreak of the Second World War Remarque emigrated to the United States and became a naturalized citizen, but returned to Switzerland in 1948, where he spent the rest of his life. --This text refers to an alternate kindle_edition edition.

From the Inside Flap

enlisted with his classmates in the German army of World War I. Youthful, enthusiastic, they become soldiers. But despite what they have learned, they break into pieces under the first bombardment in the trenches. And as horrible war plods on year after year, Paul holds fast to a single vow: to fight against the principles of hate that meaninglessly pits young men of the same generation but different uniforms against each other--if only he can come out of the war alive.
"The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first trank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure."
THE NEW YORK TIMES BOOK REVIEW

From the Paperback edition. --This text refers to an alternate kindle_edition edition.

Review

'Remarque has written quite the most extraordinary book I have ever read...poetic and lyrical prose...un-putdown-able and I highly recommend it'.
--This text refers to an alternate kindle_edition edition.

Book Description

A BBC Radio 3 full-cast dramatisation of one of the greatest war novels of all time. --This text refers to an alternate kindle_edition edition.

From the Back Cover

Paul Baumer enlisted with his classmates in the German army of World War I. Youthful, enthusiastic, they become soldiers. But despite what they have learned, they break into pieces under the first bombardment in the trenches. And as horrible war plods on year after year, Paul holds fast to a single vow: to fight against the principles of hate that meaninglessly pits young men of the same generation but different uniforms against each other--if only he can come out of the war alive.
"The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first trank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure."
THE NEW YORK TIMES BOOK REVIEW

"From the Paperback edition. --This text refers to an alternate kindle_edition edition.

ASIN ‏ : ‎ B0045JKECG
Publisher ‏ : ‎ Vintage Digital; New Ed edition (23 Nov. 2010)
Language ‏ : ‎ English
File size ‏ : ‎ 4142 KB
Text-to-Speech ‏ : ‎ Enabled
Screen Reader ‏ : ‎ Supported
Enhanced typesetting ‏ : ‎ Enabled
X-Ray ‏ : ‎ Not Enabled
Word Wise ‏ : ‎ Enabled
Print length ‏ : ‎ 237 pages

Best Sellers Rank: 24,730 in Kindle Store (See Top 100 in Kindle Store)
- 5 in German Poetry (Books)
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Erich Maria Remarque

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Erich Maria Remarque (22 June 1898 – 25 September 1970), born Erich Paul Remark, was a German novelist who created many works about the terror of war. His best known novel All Quiet on the Western Front (1928) is about German soldiers in the First World War, which was also made into an Oscar-winning movie. His book made him an enemy of the Nazis, who burned many of his works.

Bio from Wikipedia, the free encyclopedia. Photo by the original uploader was Володимир Ф at Ukrainian Wikipedia [Public domain], via Wikimedia Commons.

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Jack D Houghton

An Unrelenting Evocation of War.

Reviewed in the United Kingdom on 28 July 2020

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A MUST READ for anyone with even a cursory interest in the first world war. A must read for all.

Prior to reading this book I had read Robert Graves', 'Goodbye To All That,' and Ernst Junger's 'Storm Of Steel,' both of which were interesting books. For whatever reason, I did not have high expectations for All Quiet, but upon turning the first few pages, immediately found myself gripped by its tone. Within a matter of sentences I was thrusted onto the frontline of the Western Front. Through it's gritty, often mythical force of language! From quiet contemplation to mad, titanic displays of industrial warfare! Although it is a translation, the weight of Remarque's words are experienced wholly.

As a reader you are immersed, at first, into the optimistic and humoured tone of the 'nameless soldier' and his youthful comrades ... but as the war painfully drags on, the narrative does not spare you. The tone shifts to one of despair and ultimately into a dead, stony resignation. The war consumes all -- all emotion, all youth, all hope and any thought of a return to normality. All of it is obliterated in the same swift, meaningless manner as the 'nameless soldier's' comrades.

This book is masterful and should remind its readers why it is so important to remember what happened little over a century ago.

5 people found this helpful

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dollydrops

Excellent War Novel

Reviewed in the United Kingdom on 5 March 2020

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It was a very readable book that although a novel,the author had had some experience of war. It is written in the 1st person and describes the narrator and his friends going from school into the army and then being called up to the front. It tells of the horrors of war and especially the 1st world war. In fact the mindlessness of it and that they were killing people who could have been friends. He also described the horrific injuries and really limited treatment. It was banned in Germany for some time as the author didnt uphold Germany's need to go to war. Very thought provoking. I'm now reading the sequel the Way Back which is about just after the war. All Quiet on the Western Front is a true classic.

3 people found this helpful

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John Alexander

Not to be underplayed

Reviewed in the United Kingdom on 28 April 2016

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I have said often that this book should be compulsory reading in all schools in every country in the world. The change in Paul from 'new boy' to hardened veteran was, in itself, a warning to us all. One by one he saw his 'pals' killed or incurably wounded. He realises that he and his contemporaries will have great difficulty in integrating into the new Germany when the war is over. This feeling is only intensified when he returns home on leave. The people back home have no concept of what is happening on the front line. They have strategic plans for how it ought to be fought, but they have not sat in the trenches, in the mud, watching the rats getting fatter every day. A German viewpoint but a worldwide concern.

23 people found this helpful

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Alison Monro

Amazing book,

Reviewed in the United Kingdom on 14 October 2018

Verified Purchase

I urge everyone to read All Quiet on the Western Front. Although it is written about a German Soldier, there is no "enemy", in fact except a few parts of the book the opposition are not really spoken about. death and Warfare are the enemy. I have read a few First World Poets and they write in fantastic detail, but this book opened my eyes to what it was really like to be under fire, the noise, the dirt, the food and the toilets.
I will definitely be reading other books by Erich Maria Remarque, in fact I have downloaded a couple already.

6 people found this helpful

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Kevin

A normal soldiers account of the horrors of World War 1

Reviewed in the United Kingdom on 5 January 2022

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I have been meaning to read this book for a number of years as my grandfather fought in this war and I have visited the battle sites and commentaries in both France and Belgium. I knew it was an horrific war to fight in and the reasons for the war were dubious to say the least. Those most affected were the volunteer solders who had no battle experience and were sacrificed in their thousands on both sides.
The author of this book was a German soldier who experienced the conflict himself but tells this fictional story through the eyes of a German volunteer soldier called Paul.
He tells in details the horrors of the battles, the injuries sustained the terrible conditions and the effects on the mental state of the ordinary soldier. Vary rarely do they talk about winning the war as it is more a case of personal survival both in body and mind.
It is a really well told account of how it was (excepting certain translation anomalies) and the pointless sacrifice of life.
Although I realise this book is a work of fiction it did help me understand many aspects of this war and has made me respect even more my grandfather who would have also endured these horrors.
Recommended for those with an interest in World War One.

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Authentic and harrowing account

Reviewed in the United Kingdom on 5 January 2021

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Written in the 1920s and subsequently translated into English, All Quiet on the Western Front is the tale one young man's experiences during the horrors of World War I. Its strength is that the narrator lives in his own small piece of the world with his comrades as his family around him. They have no knowledge of or use for the bigger picture, their struggle is to survive - finding food, taking tiny pleasures, and most all all avoiding the shells when they are raining down. There is no hatred for the enemy they are fighting, they are more concerned with getting by. The narrator and his school chums were talked into joining up by their teacher and now have to face the struggle together and watch as their number dwindles. It's very personal, rare moments of joy among the tragedy, and authentic because it's like the narrator is telling you the story while you sit with him. Occasionally he meanders, but overall probably as close as you're going to get.

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All Quiet on the Western Front New Ed Edition, Kindle Edition

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Excerpt. © Reprinted by permission. All rights reserved.

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Erich Maria Remarque

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