Your Amazon Prime 30-day FREE trial includes:
| Delivery Options | ![]() |
Without Prime |
|---|---|---|
| Standard Delivery | FREE | From £2.99* |
| Premium Delivery | FREE | £3.95 |
| Same-Day Delivery (on eligible orders over £20 to selected postcodes) Details | FREE | £5.99 |
Unlimited Premium Delivery is available to Amazon Prime members. To join, select "Yes, I want a free trial with FREE Premium Delivery on this order." above the Add to Basket button and confirm your Amazon Prime free trial sign-up.
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, you will be charged £95/year for Prime (annual) membership or £8.99/month for Prime (monthly) membership.
Buy new:
£12.99£12.99
FREE delivery:
Tuesday, Jan 16
in the UK
Dispatches from: Amazon Sold by: Amazon
Buy used £1.46
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
The Proof House: The Fencer Trilogy Volume 3: 03 Paperback – 1 May 2003
Purchase options and add-ons
'One of the most entertaining fantasy debuts in recent years... incredibly vivid, refreshing, fun, thoughtful, absorbing.' - SFX
'Action-packed adventure ... An intriguing tale of magic, manipulation and revenge'- STARBURST
COLOURS IN THE STEEL and THE BELLY OF THE BOW, the first two volumes of the Fencer Trilogy, introduced a remarkable new voice in fantasy fiction. THE PROOF HOUSE is the final volume in K.J. Parker's brilliant Fencer Trilogy.
After years spent in the saps under the defences of the apparently impregnable city of Ap' Iscatoy, Bardas Loredan, sometime fencer-at-law and the betrayed defender of the famed Triple City, is suddenly a hero of the Empire. His reward is a boring administrative job in a backwater, watching armour tested to destruction in the Proof House. But the fall of Ap' Iscatoy has opened up unexpected possibilities for the expansion of the Empire into the land of the Plains people, and Bardas Loredan is the one man Temrai the Great, King of the Plains tribes, fears the most...
The powerful and gripping final volume in The Fencer Trilogy, now reissued with a stunning new cover style.
Books by K.J. Parker:
Fencer Trilogy
The Colours in the Steel
The Belly of the Bow
The Proof House
Scavenger Trilogy
Shadow
Pattern
Memory
Engineer Trilogy
Devices and Desires
Evil for Evil
The Escapement
Saloninus
Blue and Gold
The Devil You Know
Two of Swords
The Two of Swords: Part 1
The Two of Swords: Part 2
The Two of Swords: Part 3
Novels
The Company
The Folding Knife
The Hammer
Sharps
Savages
Sixteen Ways to Defend a Walled City
My Beautiful Life
Review
Action-packed adventure ... An intriguing tale of magic, manipulation and revenge -- STARBUST
A massively enjoyable adventure -- BLACK TEARS
There's a mordant wit to the workings of Parker's mind -- TIME OUT
Parker's skilful control of pacing, expert rendering of characters, and subtle sense of humour add depth and believability -- LIBRARY JOURNAL
Bardas has come a long way from the young soldier who wrought havoc in the wars with the barbarians of the plains, the swordsman who fought successful trials by combat and the commander whose attempts to save his city were dashed by last-moment treachery. He has taken several steps into madness and depravity; in The Proof House, the impressive conclusion of The Fencer Trilogy, his sanity is entirely up for grabs as an imperial posting sends him to where armour is made and souls are tested, not least by the endless din of breastplates and helmets subjected to breaking strain. It is the end-game for his friends as well--for his former secretary and the ambitious merchants she has formed a partnership with, and the half-smart magicians whose attempts to change history have consistently made things radically and disastrously worse. His family--the brothers who betrayed him and the niece whose attempts to kill him have cost her most of her hand--are out there somewhere too...Parker's is a bleak and sardonic fantasy world, where it can never be assumed that things will turn out for the best; this is a startlingly original book with a tone entirely of its own. ― Roz Kaveney, AMAZON.CO.UK REVIEW
From the first page, it has style, humour and pace all its own, and develops rapidly into one of the most entertaining fantasy debuts in recent years...Refreshing, fun, thoughtful, different, absorbing ― SFX
Action-packed adventure ... An intriguing tale of magic, manipulation and revenge ― STARBURST
A massively enjoyable adventure ― BLACK TEARS on THE BELLY OF THE BOW
Book Description
From the Inside Flap
About the Author
- Print length610 pages
- LanguageEnglish
- PublisherOrbit
- Publication date1 May 2003
- Dimensions10.8 x 3.51 x 17.78 cm
- ISBN-101841490180
- ISBN-13978-1841490182
Frequently bought together

Customers who viewed this item also viewed
Product details
- Publisher : Orbit (1 May 2003)
- Language : English
- Paperback : 610 pages
- ISBN-10 : 1841490180
- ISBN-13 : 978-1841490182
- Dimensions : 10.8 x 3.51 x 17.78 cm
- Best Sellers Rank: 819,568 in Books (See Top 100 in Books)
- 18,034 in Epic Fantasy (Books)
- 19,244 in Sword & Sorcery
- 39,329 in Adventure Stories & Action
- Customer reviews:
About the author

Discover more of the author’s books, see similar authors, read author blogs and more
Customer reviews
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from United Kingdom
There was a problem filtering reviews right now. Please try again later.
The weird interactions with the rest of his family in the background add some humour and plot twists, all the characters from the original book are still there and bound to Bardas.
We finally get a better idea of the underlying forces and why Bardas became so pivotal.
The book is a bit more depressing than the others with the sense of inevitability hanging over everything making it less enjoyable.
The ending is good with another weird twist and Gorgas' madness showing through again.
A good book but a little disappointing when compared to the others.
The Proof House is the third and concluding volume of K.J. Parker's debut work, The Fencer Trilogy. As with its two predecessors, Colours in the Steel and The Belly of the Bow, it's a novel that wears the clothes of epic fantasy but seems resolutely unimpressed by them. Wars, battles, sword fights, clashes of armies and so forth are all featured, but presented with dripping cynicism and sarcasm by the author, who is far more interested in her(?) characters. The Fencer Trilogy is less about the trappings of the subgenre and more about family relationships, particularly the extremely dysfunctional (to the point of murder) Loredan clan. The novel is driven, as to some extent the previous ones were, by Gorgas Loredan's insistence on repairing the damage he did to his family as a youth, utterly unaware that his crimes are past forgiveness or forgetting.
Elsewhere, Parker continues to base her narrative around the trappings of medieval-style warfare. The first book revolved around swords and the second around bows, with both standing as metaphors for the novels' themes. This continues in the third novel, which is about armour and how it is tested to be 'proof' against the pressures that will be brought to bear against it. This thematic element is a bit overstated in this third volume, with what was previously a subtle and clever analogy instead being rammed down the reader's throats with less nuance. This is a shame as other elements are handled in a far more enjoyable manner, such as the final conclusions about the Principal (including some interesting information about its temporal-manipulation effects) and the resolution of Temrai's storyline from the first novel.
The novel's biggest weakness is the fact that a major new political power - the Empire - appears literally out of nowhere and is described as the largest and most powerful nation in the world with an army numbering in the millions (individual provinces can field armies in the hundreds of thousands by themselves), with its nearest borders being only a few hundred miles from Perimadeia, Shastel and other familiar locations. Yet it somehow went completely unmentioned in the first two novels of the series, stretching credulity past breaking point. This is a shame as the Empire is a reasonably well-constructed fantasy nation (as these things go) and the increasingly bemused meta-observations by one of its provincial officers on the plot is quite amusing.
The Proof House (***½) is a clever novel that uses the trappings of epic fantasy to criticise the subgenre intelligently, whilst also featuring some dark humour, nuanced characterisation and an appropriately messy ending. Some shaky worldbuilding and over-egged thematic elements leave it as the weakest of the three novels in The Fencer Trilogy, but still a worthwhile conclusion to the story. The novel is available now in the UK and USA.
I read the first of these books when I was 12 and loved it beyond belief. It was up there with early eddings and feist as much early loves. I returned to it as a 31 year old and I can't believe the difference. The first book is still unreal, the second is ok and the third is quite frankly ridiculous. I'm so disappointed. I can only assume the author got bored and couldn't be bothered to finish the book. Lazy writing is prevalent, and I genuinely searched for the author on Twitter to admonish him.
Just don't bother. Awful ending, save your money.
There's no disease, children, fun, sex, religion, self-sacrifice.
Other reviewers have praised its wit. By which they presumably mean the abiding sardonic passivivity, the languid fatalism.
The magic element, a riff on free will and destiny, is fatally confused. A problem the author resolves by the device of having characters themselves pointing out it makes no sense.
The best bits concern the making and use of medieval weapons. (Then a again I'm biased . My great great etc grandpa fought in the 1351 Battle of the Thirty, with a falchion)
If you like eddings and Jordan sagas, you will love this.




