Currently unavailable.
We don't know when or if this item will be back in stock.
Have one to sell?
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more

Popular Music in Theory: An Introduction

4.0 out of 5 stars 1 customer review

See all formats and editions Hide other formats and editions
Amazon Price
New from Used from
Currently unavailable. We don't know when or if this item will be back in stock.
click to open popover

Special Offers and Product Promotions

Enter your mobile number below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
Getting the download link through email is temporarily not available. Please check back later.

  • Apple
  • Android
  • Windows Phone

To get the free app, enter your mobile phone number.




Product details

  • Hardcover: 248 pages
  • Publisher: Polity Press (30 Nov. 1996)
  • Language: English
  • ISBN-10: 0745613179
  • ISBN-13: 978-0745613178
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • See Complete Table of Contents

Product Description

Review

"An excellent critical introduction to major theoretical issues and debates in the study of contemporary popular music, drawing on illustrative case studies that will be familiar to a wide readership. Clearly written and well argued, the book will be essential reading for students, researchers and teachers." Sara Cohen, University of Liverpool

"A bumper primer for the field as a whole ... instructive and enlightening." Q Magazine

"The book functions both as an introduction to theories in the field, and as an outline of a coherent theoretical model of its own." European Journal of Communication

From the Back Cover

Popular Music in Theory provides a critical introduction to the key theoretical issues which arise in the study of contemporary popular music.


This book is organized in a way that shows how popular music is created across a series of relationships that link together industry and audiences, producers and consumers. Starting from the dichotomy between production and consumption which characterizes much work on popular culture, Negus explores the equally significant social processes that intervene between and across the production–consumption divide, examining the ways that popular music is mediated by a series of technological, cultural, historical, geographical and political factors. This broad framework provides signposts to various tracks taken by the sounds and images of popular music, and also highlights distinctive theoretical routes into the study of contemporary popular music.


This volume is intended mainly for undergraduate and postgraduate students taking courses in sociology, media and communication studies, and cultural studies. However, it will also appeal to those who enjoy thinking and talking about popular music and who might like to delve a little deeper.

See all Product Description

Customer Reviews

4.0 out of 5 stars
5 star
0
4 star
1
3 star
0
2 star
0
1 star
0
See the customer review
Share your thoughts with other customers

Top Customer Reviews

Format: Paperback
As a popular music student I found this book extremely useful. I don't think I've written an essay without it! Even though I've had to read it for my coursework, I actually enjoyed it because I found it so helpful and interesting, particulaly the chapter on audiences.
Comment 7 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x8b40a06c) out of 5 stars 1 review
0 of 4 people found the following review helpful
HASH(0x8b3e2150) out of 5 stars Negus attempts a critical response to Adorno 20 April 2011
By Bryan - Published on Amazon.com
Format: Paperback Verified Purchase
Negus attempts a critical response to Adorno but fails to hit the mark.
I was not impressed with this book, but it is a good academic tool
nonetheless. I read it for a class in my university and it gave interesting
insight into the realm of the books title "Popular music in Theory."
Was this review helpful? Let us know


Feedback