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The Piper At The Gates Of Dawn

4.5 out of 5 stars 98 customer reviews

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Product details

  • Audio CD (1 Oct. 1994)
  • Number of Discs: 1
  • Label: Capitol
  • ASIN: B000026LE7
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (98 customer reviews)
  • Amazon Bestsellers Rank: 102,491 in Music (See Top 100 in Music)

Track Listings

Disc: 1

  1. Astronomy Domine
  2. Lucifer Sam
  3. Matilda Mother
  4. Flaming
  5. Pow R. Toc H.
  6. Take Up Thy Stethoscope and Walk
  7. Interstellar Overdrive
  8. The Gnome
  9. Chapter 24
  10. Scarecrow
  11. Bike

Product Description

Our product to treat is a regular product. There is not the imitation. From Japan by the surface mail because is sent out, take it until arrival as 7-14 day. Thank you for you seeing it.

Customer Reviews

Top Customer Reviews

Format: Audio CD
So much has been written about 'Piper' there's not much point in me adding my ha'penny's worth, though it remains one of the great debut albums of all time in my opinion (along with 'In the Court of the Crimson King' and 'Led Zep 1'). But there's a 'but'. There's already much speculation about possible 'Experience' and even 'Immersion' editions of this album (either singly or, in the case of the Immersion ed, paired with 'Saucerful'), so why buy this now? I think enough time has elapsed now that Piper shouldn't be treated as some kind of holy artefact that cannot be sullied with (whisper it) bonus tracks or even a bonus CD. There's an awful lot in the can that could result in a 'Piper Era' package, rather than Piper on its own. BBC Radio 2's 'The Record Producers' programme (2011) gave tantalising glimpses into the 4track originals of 'Arnold Layne' and its flip side, proving they're being investigated. I (and zillions others) would far rather the remaining members of Floyd bury any misgivings they have and allow as much as possible from the band's earliest days to be put out there.
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Format: Audio CD
Yes, 'The Piper at the Gates of Dawn' is undoubtedly imbued with the effects of LSD, and is one of the first true paradigms of psychedelic rock, however, for me, this album will always be Syd Barrett's immortalisation of childhood. The 'eccentric' Floyd frontman presents a wonderful array of withdrawn, introspective and seemingly naïve imagery, with lyrics that are dreamlike, unearthly and peculiarly ominous: appositely reflecting the process of childhood and growing up, in my opinion.

Due to this masterpiece, Barrett's first and last Floyd album, he will always remain a childlike genius in my eyes, not the drug-ravaged recluse the media gleefully portrayed him as. This album has made Syd eternal, and has simultaneously encapsulated memories of my own childhood. Songs such as: 'Bike', 'Scarecrow' and 'Lucifer Sam', illustrate the boundlessness of existence when young, yet also creepily depict the portentous nature of one's youth, and this is cleverly echoed in the cacophonous nature of tracks such as 'Astronomy Domine' and 'Interstellar Overdrive'.

Furthermore, this album also showcases Pink Floyd as brilliant musical innovators, in particular, Barrett's creative, dissonant guitar passages, such as those found on the expansive epic, 'Interstellar Overdrive'. Keyboardist, Rick Wright, also contributes significantly, most notably with eerie organ interludes, such as those which punctuate 'Matilda Mother' and 'Scarecrow', accentuating the psychedelic element of the music.

As long as people keep appreciating this album, Syd Barrett will live on forever. The music industry owes him a massive debt for his enterprising, beautifully ethereal work, and he must never be forgotten.
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Format: Audio CD
Space pixie Syd Barrett's crowning achievement was ultimately his first and last album recorded under the banner of Pink Floyd, when he was the driving force. Inspired by the harmonies and guitars of the Byrds' "Fifth Dimension" album of 1966, Syd penned the classic space rock opus Interstellar Overdrive and the album's opener Astronomy Domine. Building on the success of the early singles Arnold Layne and See Emily Play, Syd's songwriting talent came to the fore, and although typifying the whimsical edge of British psychedelia of the mid 1960's, his songs always had something extra that prevented them from degenerating into cheesy pop like many others did. Quite simply Piper was the best album of the era, with the driving, sinister Lucifer Sam and simply transcendant Mathilda Mother among the album's strongest cuts, also featuring the complete nonesense Bike song and the I-Ching inspired Chapter 24 among others. All areas of psychedelia were explored and to my mind never bettered by anyone. I used to love Sgt Pepper, but Piper blows it away making it sound overdone and pompous as if the Beatles were cashing in rather than innovating. Many people at the time of the album's release complained that Piper did not actively reflect the band's live music shows, which were apparently even more deranged. Little matter now. Over 30 years later Piper still sends shivers up my spine and makes me grin deliriously. Nothing will ever come close to this record, and I mean nothing. I've been an ardent fan of psychedelia in all it's forms for the past twenty years so I feel reasonably qualified to say this. As an afterthought, I would recommend this album to anyone, even if they are not fans of the era or style of music; this cd just might change your mind.
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By Jason Parkes #1 HALL OF FAME on 23 July 2006
Format: Audio CD Verified Purchase
The sad passing of Syd Barrett has lead me back to the records he made, though these are records that draw me back time and again regardless. Pink Floyd's debut album manages to distill the avant garde act of the UFO club and Barrett's otherworldly lyrics into something not that far from pop - producer Norman Smith did wonders (though the UFO band is still present and correct on epic wigout 'Intestellar Overdrive' which was often the Floyd's live set at the time). I'd recommend the excellent 33 1/3 book on this album to anyone who wants to know more about this record...

'The Piper at the Gates of Dawn' takes its title from 'The Wind in the Willows', Syd fixated not only on psychedelia and its possibilities, but a certain type of Englishness found in 'Alice in Wonderland', 'Peter Pan' & 'Jabberwocky.' Alongside Ray Davies' lyrics on 'The Village Green Preservation Society' it offers a very English outlook later to be taken up by XTC, Blur, Julian Cope, The Libertines, Robert Wyatt and others. Coming on the back of the classic singles 'Arnold Layne/Candy and a Currant Bun' and 'See Emily Play/Scarecrow' (why are 'Candy...', 'Apples & Oranges'/'Paintbox' & a few other oddities missing from this or 'Relics'?), most of the songs here last a pop song duration, but distill that transcendental thing Syd was on. It should be pointed out that this cd version is far superior to the slapdash budget price version previously issued - though why no bonus tracks????

'Astronomy Domine' is the memorable opener, like closing track 'Bike' it showcases a proto form of sampling with its use of tapes - advancing on approaches made by Joe Meek and the BBC Radiophonic workshop.
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