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Physical Graffiti
 
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Physical Graffiti

12 Nov. 2007 | Format: MP3

10.99 (VAT included if applicable)
Buy the CD album for 18.77 and get the MP3 version for FREE. Does not apply to gift orders.
Provided by Amazon EU Srl. See Terms and Conditions for important information about costs that may apply for the MP3 version in case of returns and cancellations. Complete your purchase of the CD album to save the MP3 version to your Amazon music library.
Song Title
Time
Popularity  
30
1
4:13
30
2
5:37
30
3
11:05
30
4
4:02
30
5
5:35
30
6
8:28
30
7
8:46
30
8
2:06
30
9
5:16
30
10
6:31
30
11
3:37
30
12
4:09
30
13
3:53
30
14
4:32
30
15
4:42
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Product details

Customer Reviews

Top Customer Reviews

Format: Audio CD
I first picked this album up in 1990, after hearing Jimmy Page play a tantalising snippet of the Kashmir riff on Arena's 'Heavy Metal' documentary.

At that time buying a double lp was quite an investment for a schoolkid on pocket money alone, but I was mesmerized by the mystery around *that* riff and the fact the album looked so unusual. What I couldn't have expected was to seemingly stumble on something so complete and fulfilling, that I would still be returning to it every week for the next 15 years or more.

Each time I listen, I discover a new angle to a song. Another riff, another rhythm track, another vocal line. Zeppelin were truly at the height of their majestic powers when this album was released in 1975.

This is partially a result of a patchwork chronology behind the songs. Some were outtakes from previous studio works ('Houses of the Holy', 'Black Country Woman', 'Boogie with Stu'). Others were adaptations of previous songs, once ditched and now ressurected and re-worked during 1974 ('The Rover', 'Down By the Seaside').

The longest songs are invariably the newest and it is clear that on this album Zeppelin's intention was to define the 'epic'. 'Kashmir' is monstrous, sounding like it has been hewn from the roots of the Earth. It's sister-piece, 'In the Light' adds a darker tone. Then there is the electric storm of 'In My Time of Dying', crackling with intensity, slide guitar, prayers to Jesus and the relentless thunder of Bonzo's drums.

My favourite song (at the moment) is 'Ten Years Gone', a lovesong no less. However this arrangement is probably the most complex and painstaking ever assembled by Page, and the effect is stunning.
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Format: Audio CD
Congratulations! You have chosen well. Seven years on the road have paid off and the band lay down the tracks which will propel them into the stratosphere. Here, you get the lot: earthy blues, driving rock, intimate ballads, fun, laughter, all in all, 80-odd minutes of JOY!
The sheer weight of tracks like Custard Pie, Kashmir, The Rover would sit well in any band's entire canon but they are here on the first disc! Above all, it's the way the band nail every song in total sympathy with each other. True, Page lays down the guitar overdubs at times like he has to sell them tomorrow, but what a result.
And as an answer to the question 'where is the follow-up to 'Stairway to Heaven?' look no further than Kashmir and Ten Years Gone as worthy replacements.
Usually by side four, bands start to waver and it's true that Zep added some earlier also-rans but they stand up by themselves and only once drop into the realms of 'filler' on the singalong 'Boogie with Stu', but an album that can end on a great rock track after 80 minutes puts that into perspective and 'Sick again' is a worthy closer.
30 years on, it still hits all the right buttons.
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Format: Audio CD Verified Purchase
Some of this might get very nit picky and nerdy........but why review an album that so many others have and not add something new?

Firstly, the packaging is too yellow(let's get the negs out of the road before hitting the main course). It looks sickly in this tone. The care taken with other aspects, some done to perfection, could well have extended to printing it right. The die cut windows are wonderful, all of the inside artwork wonderfully reproduced to a tee. The sleeve inside which the cd's sit in their won printed bags, again doe to perfection. So, mostly top notch.

The booklet is an almost total disappointment. The contact sheets would look great in the 12" vinyl size, but here, in miniature, they are just an eye test. There is also a spelling mistake. B.P. fallon has become B.P. Fallen.......... I wonder if they are trying to suggest something.

Ok, gripes over. What about the contents? Well, this is all good news as far as the main discs go. The remastering has been a relevation in some cases and an improvement in all. A veil has been lifted right across the album and things can be heard that are on the original cd, but not as clearly.

On Boogie With Stu the slap back reverb really pings across the stereo soundstage. Pages acoustic guitar work at the start now sounds clear enough to hear the plectrum hitting the strings whereas before it was just the sound coming out of the body of the guitar. Interestingly, the channels have been reversed. Stu used to be in the left speaker, now he is in the right. Bonhams sticks hitting the frame around the drum shell at the end really come across as wood on metal, rather than clicks.

On In the Light the big plus is John Paul Jones bass playing.
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Format: Audio CD
On Page 50 of the hardback book with this set there is a spread of Robert Plant's notebooks made at the time of the writing of this album. They seem hard wrung and the scribbles may tell of much revision as you pick out the lyrics of 'Ten Years Gone', 'Trampled Underfoot' and 'Kashmir'. Elsewhere, the photographs of the band seem to portray tiredness and exhaustion on aeroplanes and one, in particular, of Jimmy Page after yet another American show installed in a large woolly kimono type garment lookiing totally exhausted. This may tell of the excesses as this can be said to be their halcyon days.
Indeed, this is a great album, 'The Rover', 'In my time of dying', 'Kashmir', 'Bron-yr-aur' and 'Ten Years Gone' are to name a few some of the best of Led Zeppelin. But, it is the contrasts and diversity of the music here that may make this their most complete musical statement. It may be said that anyone coming to this band for the first time should listen to this album first.

The artwork is still some of the best of any of the '70's period and the whole set has an atmosphere of importance, gravitas and sheer class.

The only downside of the set is the Companion Discs that would appear to give nothing new. It is a pity that some of the Earls Court recordings from '75 could not have been included here.

This is definitely one to buy in whatever format suits you best!
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