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Pergolesi: Stabat Mater; Bach: Cantatas BWV 54 & 170

5.0 out of 5 stars 2 customer reviews

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Audio CD, 24 Mar 2017
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  • Pergolesi: Stabat Mater; Bach: Cantatas BWV 54 & 170
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Product details

  • Conductor: David Bates
  • Composer: Pergolesi, Bach
  • Audio CD (24 Mar. 2017)
  • Number of Discs: 1
  • Label: harminia mundi
  • ASIN: B01N4S6L6H
  • Other Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: 89,678 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
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Digital Booklet: Pergolesi: Stabat Mater - Bach: Cantatas BWV 54 & 170
Digital Booklet: Pergolesi: Stabat Mater - Bach: Cantatas BWV 54 & 170
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Product description

Product Description

Two of Bach s finest cantatas, both for solo alto, composed in Weimar (1714) and Leipzig (1726) respectively, are here coupled with the delicious agony of grief that is Pergolesi s 'Stabat mater', an acknowledged masterpiece by one of the 18th century s most influential composers. Bach so admired the composition of his Neapolitan colleague that he made his own parody of it to a German text. On this recording, La Nuova Musica, in its 10th anniversary year, and its two eminent soloists display equal mastery of both idioms. Counter-tenor Tim Mead is praised for his 'alluring...consistently excellent' interpretations (The New York Times). With his 'rich, mellifluous sound' (Guardian), he is recognised as one of the finest across the generations of counter-tenors. Described as having a voice of bell-like clarity with an impeccable vocal technique and powerful stage presence, Lucy Crowe has established herself as one of the leading lyric sopranos of her generation. Lucy Crowe and Tim Mead reunite to perform the 'Stabat Mater' at St John's Smith Square on May 12th [Early Opera Company/Curnyn]

Review

SUNDAY TIMES ALBUM OF THE WEEK 'Lucy Crowe and Tim Mead withstand comparison with the finest on disc. Their voices blend ideally in the duets, and their stylish phrasing in the arias is especially rewarding here. Crowe s runs and trills delight in her jaunty Inflammatus, while the emotional crux of the work, the alto s Fac ut portem, is sublimely phrased by Mead, easily a match for David Daniels and Andreas Scholl in earlier versions ... With Bates s lively period ensemble, he sings a serene, rich-toned Vergnügte Ruh (Contented Rest), and he is unexpectedly chirpy in Mir ekelt mehr zu leben (To be alive is irksome to me). A superb disc of baroque vocal music.' --Hugh Canning The Sunday Times, 21st May 2017


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