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Peeping Tom Special Edition [Blu-ray] [1960]

4.5 out of 5 stars 62 customer reviews

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Product details

  • Actors: Karlheinz Böhm
  • Directors: Michael Powell
  • Format: Anamorphic, Colour, Widescreen
  • Subtitles: English
  • Region: Region B/2 (Read more about DVD/Blu-ray formats.)
  • Aspect Ratio: 16:9 - 1.66:1
  • Number of discs: 1
  • Classification: 15
  • Studio: Optimum Home Entertainment
  • DVD Release Date: 22 Nov. 2010
  • Run Time: 101 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (62 customer reviews)
  • ASIN: B003YXZHC6
  • Amazon Bestsellers Rank: 15,529 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Product Description

Product Description

Michael Powell's controversial serial killer classic. A clean-cut focus puller (Carl Boehm) at the local film studio supplements his wages by taking girly photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear. On its initial release the film, now regarded as a masterpiece of the British horror movement, was savaged by critics and public alike. The fearsome reaction went a long way to ruining director Powell's career and the movie was unavailable for many years.

From Amazon.co.uk

Michael Powell lays bare the cinema's dark voyeuristic underside in this disturbing 1960 psychodrama thriller. Handsome young Carl Boehm is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (the director in a perverse cameo) who subjected his son to nightmarish experiments in fear and recorded every interaction with a movie camera. Now Mark continues his father's work, sadistically killing young women with a phallic-like blade attached to his movie camera and filming their final, terrified moments for his definitive documentary on fear. Set in contemporary London, which Powell evokes in a lush, colourful seediness, this film presents Mark as much victim as villain and implicates the audience in his scopophilic activities as we become the spectators to his snuff film screenings. Comparisons to Hitchcock's Psycho, released the same year, are inevitable. Powell's film was reviled upon release, and it practically destroyed his career, ironic in light of the acclaim and success that greeted Psycho, but Powell's picture hit a little too close to home with its urban setting, full colour photography, documentary techniques and especially its uneasy connections between sex, violence and the cinema. We can thank Martin Scorsese for sponsoring its 1979 re-release, which presented the complete, uncut version to appreciative audiences for the first time. This powerfully perverse film was years ahead of its time and remains one of the most disturbing and psychologically complex horror films ever made. --Sean Axmaker, Amazon.com --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Top Customer Reviews

Format: DVD
At last a decent DVD release for this disturbing classic from nearly fifty years ago. Vilified and treated like a video nasty on its initial release this trip inside the mind of a pyschopath is still so fresh and refreshing. Recommended for all students of serious horror, the tale of a disturbed young mind with a blade on his camera tripod filming his victims expressions as he kills them is utterly gripping. Acting all round is top notch in a production way ahead of it's time. Recommended.
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Format: DVD
Also released in 1960, Peeping Tom disgusted the censors and outraged the British Press to such a degree that Director Michael Powell found he had to move to Australia if he wished to continue his filmmaking career! The theme of scopophilia (pleasure from watching) is at the centre of this daringly ground-breaking movie as an affected cameraman (Mark) films the fear of the girls he murders to watch again and again! As he becomes emotionally entangled with his live-in tennant, his love for her becomes confused with his sociopathic desire to film her when she becomes frightened. A dark and interesting film, Peeping Tom addresses the very nature of cinema and the viewers' apparent complicity in the subject matter.
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Format: DVD
This is a great, unpleasant, disturbing film made by Michael Powell three years after he and his partner in the Archers, Emeric Pressburger, went their own ways. British critics loathed it, said so loudly, and the movie died within weeks of its release. Some say it destroyed Powell's career.

Mark Lewis (Carl Boehm) is a young man who works as a camera puller at a movie studio, who also at night photogaphs girlie pictures for magazines. His father, a psychologist, studied the effects of fear by putting his son in terrible situations and then photographing the child's reactions. Lewis lives in the second floor of a house and often watches those movies while he sits alone in the dark.

Lewis also does something else. In the tripod of his camera there is a concealed knife. As he photographs a girl the knife pushes into her, while the camera films her face as she realizes she is going to die and then while she is dying. He plays back these movies, too. As you watch Peeping Tom you become a voyeur participant in what he is doing. He meets the young woman who lives below him and it is apparent that she is at first curious about him, but then attracted to him. He finds within himself an attraction that might be love, might be salvation, but which is conflicted. The movie plays out with tension, remorse and even sympathy. The ending is somewhat unexpected, but with hindsight also inevitable.

And maybe that is what made this movie so controversial. Lewis is a sympathetic figure. You know what his father put him through because you've watched those old movies. Boehm playes Lewis as a shy, nice, rather sad young man. Anna Massey, who plays Helen Stephens, the girl on the first floor, is a first-rate actress and in this role she is excellent.
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By schumann_bg TOP 50 REVIEWER on 13 Oct. 2014
Format: DVD
This excellent edition of Peeping Tom from Studio Canal really has very good colour and image quality, giving you the full immediacy of Michael Powell's startling film. By any reasonable reckoning it should be an appalling film to sit through if you're not a fan of the serial killer genre, but Powell manages to subvert this expectation by presenting a story so human that a huge gulf opens between the nastiness of the killings and the sympathy you feel for the sad, psychopathic character who is perpetrating them. This is only possible in cinema, but it does incline us to try to understand more than make easy judgements in real life, so to that extent the film has a strong humanist core. Mark is in many ways a very gentle character who has been destroyed by his childhood, in which he was subjected to appalling experiments in fear by his father. The casting of Carl Boehm is an amazing coup, as you can only think how gentleness is this man's essential nature, however it may have been distorted. When he meets Anna Massey who lives downstairs with her blind mother, the stage is set for a tender drama of the heart that sets you reeling, such is the contrast with the flipside of Mark's actions. The film is shot in quite a lurid way, showing you what the character sees through his lens right up to the last second before he murders them. It is both intensely voyeuristic and a vivid Technicolor creation in which the viewer oddly feels buoyed up, generally, by the humanity of the director's gaze, and of the characters and mise-en-scene. It's hard to see how Powell pulls this off, but it is completely different from any other film of this type.Read more ›
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Format: DVD
Rarely has a film been loved and hated as much as Peeping Tom. The censor's reaction has of course gone down in history, and rumours persist of longer, more complete cuts being out there somewhere.
Peeping Tom still has the power to divide audiences, with viewers typically split between finding it fascinating or boring. Given the manner in which cinema has upped the ante on depictions of sadism and brutality since Powell made this film, it's not surprising that many are disappointed with the lack of graphic violence or gore on display, or the films disdain for a conventional "thriller" type atmosphere.
However, on a cerebral level, Peeping Tom retains its capacity to disturb. Rarely has a film depicted the process of a killer being created so chillingly, nor the manner in which such individuals are capable of conflicted, dualistic personalities. Consider how many serial killers have been described to be charming and kind by others who knew them (Dennis Nilsen or Ted Bundy for example). The scenes showing this transition from shy man-child to confident killer are masterful, with Carl Boehm overcoming other more obvious limitations in his casting (the accent mainly) to portray this aspect unerringly.
Yes, Peeping Tom is a flawed film in some respects, but I believe it to be a masterpiece nonetheless. Its detractors point to the staged and somewhat theatrical feel of it and the melodramatic ending, but the extent to which it immerses you in the murky and deeply melancholy inner world of such a damaged man, as well as a grimy and realistic view of British society in the late 50's, more than compensate. It is an intriguing and complex film, raising questions about our own desire to watch what we are seeing on the screen, and begs discussion about its numerous themes and subtexts.
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