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Parklife
 
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Parklife

30 July 2012 | Format: MP3

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Song Title
Time
Popularity Prime  
30
1
4:51
30
2
4:19
30
3
2:45
30
4
3:05
30
5
1:42
30
6
3:25
30
7
2:10
30
8
1:37
30
9
4:04
30
10
4:15
30
11
4:09
30
12
3:22
30
13
3:37
30
14
2:47
30
15
5:16
30
16
1:19
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Product details

Customer Reviews

Top Customer Reviews

By A Customer on 29 Nov. 2003
Format: Audio CD
This album is the point in Blur's rambling musical career where it all came together. The band may well disagree with this, but this is the most cohesive album they produced. Rather than remembering Blur for two and a half minutes of screaming (Song 2) or for their tussles with Oasis (Country house, Charmless man), I'd suggest you take a look at this album.
Its simply a very very perceptive interpretation of a British way of life . 'Girls and Boys' takes you on a club 18-30, 'End of a Century' returns you to suburbia. 'Parklife' makes a slob of you, 'London Loves' deposits you in the rush hour and 'Magic America' gives you the dreams of escaping to bright lights. Finally, in one of the most beautiful moments of the nineties 'This is a Low' leaves you soaring over the land you know and love before 'Lot 106' brings a stupid grin to your face.
Its an evocative album, musically great, and most importantly its the best thing Blur ever did. Don't get the greatest hits, buy this instead. And then buy the rest of the albums.
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By A Customer on 15 Jan. 2000
Format: Audio CD
Music critics have never had shorter memories than when they have dealt with Blur. When 'The Great Escape', the sequel to 'Parklife', was released, they rightly hailed it as a classic. Ask them now, however, and you won't find many who will even admit to ever liking it - the music press follows fashion just like the rest of us. But all this is a round-the-houses way of saying that only the most ardent Blur-haters will think the same of 'Parklife'. Not a note is out of place, not a song fails to captivate. From the initial shock of Girls and Boys to the monumental, magnificent ending of This Is A Low (not forgetting the playful coda of Lot 105, a trick they tried again with less success on '13'), this is arguably the album of the decade. With pop music in possibly its unhealthiest condition since it was invented, we can only look back in wonder at albums like 'Parklife' and hope that somehow, somewhere, rock and roll will return for that one last encore all over again.
Blur, meanwhile, are just as interesting now as they were then, perhaps even more so, but will they ever release a record of this stature again?
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Format: Audio CD Verified Purchase
A quasi-concept album about Britain and its Americanisation, Parklife is the peak of Blur, coming as the second part of their Britpop trilogy, after the poorly received (commercially at least) Modern Life Is Rubbish and before the decent The Great Escape. It also came out in the same year as Oasis' debut album shook the world's foundations and the Blur vs. Oasis battle began. Funnily enough, unlike the Beatles vs. Beach Boys rivalry thirty years earlier, both bands produced their greatest work before even beginning their competition, Oasis with their debut and Blur with this masterpiece.

Countless elements of Britain and its people are explored across this album's 53 enthralling minutes; monarchism in 'Jubilee;' everyday proletarianism in the title track; fashion trends and subcultures, as well as millenial interest in 'End Of A Century'; bank holidays on...well, 'Bank Holiday'; taxation and debt on 'The Debt Collector.' No stone is left unturned.

And from this concept/theme you get some of Blur's finest songs. The title track is famous thanks to Phil Daniels, but really not one of the standouts here. The elegaic 'Badhead,' with its chiming guitar and tasteful brass, is lovely, while 'Tracy Jacks' addresses stereotypes (better than the other Blur song of that name) with the line 'I'd love to stay here and be normal but it's just so overrated.' ]

Throughout, Albarne's cockney - or mockney depending on who you ask - voice and Graham Coxon's always dazzling guitar work hold everything together beautifully, and despite Coxon's apparent dissatisfaction with it, this is truly an album to be proud of, the jewel in Blur's crown.
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Format: Audio CD
This is Blur's finest work and is Britpop at it's best in the days of Blur and Oasis. From the dancing raving Girls And Boys, Magical Magic America, to the classis Parklife this album will fullfill your music taste in many ways and leaving loving Blur once again.
London Loves, Trouble In The Message Centre, Clover Over Dover are all masterpieces which will make you just get up and dance around.
My favourite Blur Album this will be worth your money and will take you back to the mad lads that are Blur...
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By A Customer on 11 Sept. 2000
Format: Audio CD
How does it get any better than this? From the bouncy opener, through shouty pop and rock (Parklife, Bank Holiday) to classic love songs (To The End) and finishing with their most beautiful track that can make the hairs stand up on the back of your neck (This Is A Low), this album is sheer quality. If you don't already own it, consider yourself mocked. This one could change your life.
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Format: Audio CD
From the pogo-bop pop of 'Girls & Boys', to the rich and beautiful 'This is a Low', via punk, rock, indie, and music hall, here are 16 tracks with genuine variety, originality, freshness and quality. There isn't a moment that bores, and every note is brilliantly crafted, and expertly delivered. Without doubt THE album of the decade. My personal album of all time.
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Format: Audio CD
blur defined britpop. Damon Albarn was once the boisterous prince who sat proudly at the top and with this album ensured Blur were the best at what they did. From the amazing sound of Trouble in the message centre to the disco pop anthem of Girls & Boys there is not a dodgy track on this stunner. Buy it you wont regret it.
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