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The Panopticon Paperback – 4 Apr 2013

4.2 out of 5 stars 54 customer reviews

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Product details

  • Paperback: 336 pages
  • Publisher: Windmill Books (4 April 2013)
  • Language: English
  • ISBN-10: 0099558645
  • ISBN-13: 978-0099558644
  • Product Dimensions: 12.9 x 2 x 19.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (54 customer reviews)
  • Amazon Bestsellers Rank: 34,243 in Books (See Top 100 in Books)

Product Description

Review

"It’s in the Margaret Atwood/The Handmaid’s Tale veinvery literary and suspenseful…Set in an altered reality – one that feels familiar and yet deeply unfamiliar, that embodies some of the dailiness of life, and yet slowly reveals itself to be a very different, much more sinister place." (Gillian Flynn, author of GONE GIRL)

"Each page sparkles with the ebullient and sinister magic of great storytelling ... An utterly magnificent achievement." (Irvine Welsh)

"Not just uncompromising and courageous. I think it's one of the most cunning and spirited novels I've read for years... An intelligent and deeply literary novel." (Ali Smith)

"Written with great verve and brio ... An astonishing debut, I have a feeling that Fagan is a name we will hear more of." (Jackie Kay)

"The 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers…The glorious Anais is unforgettable." (The Times)

Book Description

JENNI FAGAN HAS BEEN NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2013

The Panopticon is a bold, shocking and heartbreaking story of a young girl in a care home

SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE FOR FICTION AND THE DESMOND ELLIOTT PRIZE 2013

NAMED ONE OF THE 50 BEST SCOTTISH BOOKS OF THE LAST 50 YEARS BY THE SCOTSMAN

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Customer Reviews

Top Customer Reviews

Format: Hardcover Verified Purchase
I don't write reviews so this will be a bit chit, but here goes.

Comparison with Trainspotting is inevitable, but for me The Panopticon is far better written, far more mature, there's so much more creativity and skill displayed; the story is coherent, the characters believeable, no cardboard cutouts here.

The Panopticon deals with drug abuse, prostitution, vandalism, assault, murder, rape, and the whole care system, but they aren't thrust in your face just for cheap shocks, it's the background reality to the story. It is shocking at times, but... oh, I can't describe this well. It shocks you as part of a finely crafted story, not wild flashes of emotion as someone tries to push your buttons. Jenni Fagan takes care of you as a reader, holds your hand through the grim bits, entertains you, explains exactly enough. It's very gripping: I had just started on chapter 34, only a thin wedge of paper left in the book, and I was scared, very scared - how was it going to end? It's also funny, and thrilling, and sad - I'm definitely getting softer as I age, but I was crying at one point, just one little line tipped me over; I stopped reading and folded my arms tight around me.

The main character is a cool and scary delight. Anais is as delicate and fragile as a six inch shard of broken mirror. Damaged but functional, rainbow diamonds sparkle off her razor edges. I'd trust her with my life - but probably not my car or wallet. I was sometimes cheering for her, sometimes wanting to advise her or tell her to slow down, sometimes frightened for her, sometimes of her. Ultimately in awe of her courage.

I've read The Panopticon quickly, I'll now read it slowly, savouring the language. I'll probably keep re-reading it until Jenni Fagan's next book comes out. This is a dazzling first novel, I really, really hope there's more to come.
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Format: Hardcover
I have just finished reading this book and have to say it is pretty much as perfect a book as you can find. I finished it 2 days ago and in my idle moments I am still pondering over the characters. To me, it's incredible that somebody created this world for me to have a peep into. I feel like I've actually lived in this book. The characters are people I know, the scenes were something I witnessed. There are sad bits, there are horrendous bits, there are moments of pure love and hope. There are several moments where I bellowed with laughter and yes, I cried. I scoffed this book up in a few bites, couldn't put it down but unlike most 'scoffable' books - I am still thinking about it. Wondering about the different endings that there could have been. Worrying about the characters. Finding myself wishing better lives for them.

A book about hope, a book about friendship, a book about the world we live in, even if we don't necessarily live in THAT world. A book about sadness and the need for love. A book about adventure and dreams. A book about stark realities. A book to make you hold your loved ones even closer.

I hope this book does really well - it certainly deserves to - but mostly, I'm so delighted I read it and got to meet the fabulous, vulnerable, hilarious, creative, hard-as-nails, loyal and wonderful Anais Hendricks.

All of this and then you realise that this is Jenni Fagan's debut novel - it's pretty breathtaking.
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By booksy TOP 500 REVIEWER on 13 Jun. 2012
Format: Hardcover Verified Purchase
Anais Hendricks is a 15 year old who has been let down by pretty much every adult in her life. She has never known her biological parents (and only knows she was born in a 'nut house' and, immediately after, her mother disappeared). At first glance, Anais is a walking nightmare - a druggie, a vandal, an arsonist, a loud-mouth. But soon, thanks to the deft skill of the author, the reader realises this is a damaged, lonely, vulnerable girl who has a strength of character (and, indeed, a moral code) that is unexpected.

I think, nowadays, many of us are quick to dismiss trouble makers - those who seem to create problems simply for the sake of it - as no good no-hopers. However, Jenni Fagan opens the doors on the care system (and its failings) and gives the reader an insight into this world. It is impossible not to like (and, eventually, love) Anais - she is witty, loyal, brave, philosophical and caring - and she has a great sense of style! You want to scoop her up and give her all the love that she's been deprived of during her life. Moreover, you feel an affinity with the other residents of the Panopticon too. Even when Brian (the dog rapist!) is bullied, you're sort of behind them because, let's face it, nobody likes a canine molester!

This novel, it's fair to say, is character driven - although there is a plot (albeit not of the edge-of-your-seat variety). What keeps the reader gripped here is the sheer skill of Fagan's wordsmithing - her ability to bring her characters to wonderful, colourful life so that you really do believe Anais is real and narrating her feelings and thoughts directly to you. The descriptions of drug highs, abuse and self harm are spot-on without ever being gratuitous.
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Format: Kindle Edition Verified Purchase
As someone who has lived in a foster home, a children's home and an adolescent unit - and taken my fair share of illegal substances - I found this story and most of the characters and situations it described incredibly realistic. Yet, despite the book's depressing themes, I laughed my way through much of it, thanks to the protagonist's witty observations and comments and the general hilarity of some of her escapades.

Being ill-treated by adults (particularly those who were supposed to care for you), and going through the care system, causes many (most?) children to feel the world is against them and to retaliate by fighting any form of authority, resisting any kindness, and abusing any trust subsequently shown by adults. I think the author showed this well in the attitudes of the protagonist and her fellow 'clients' (yes, we hated that term too).

The sense of family felt by residents was also very true to form as, regardless of personal problems, ultimately, care-kids will tend to stick together, the 'us against them' mentality kicking in. I remember a boy of nine - our youngest resident - whose mum had died of cancer, which was how he'd ended up in care. We all Looked after him, knowing he needed love, regardless of our own reasons for being there (often violence). None of us was 'all bad'.

SPOILER ALERT: An important part of this story, for me at least, was that Anais escaped serious harm, and long-term institution/prostitution, simply because she was more intelligent, and somehow better psychologically equipped to deal with her situation, than the majority. For most - like Isla and Tash - the story is very different.
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