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Panasonic H-X025E LEICA DG SUMMILUX 25 mm Digital Interchangeable Lens - Black
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- F1.4 brightness allowing an elegant soft focus
- Nano Surface Coating technology for dramatic reduction of ghost and flare
- A high-quality image quality that passes a stringent Leica standard
- UHR (Ultra-High Refractive) index lens and glass mould aspherical lenses
- Circular aperture diaphragm
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|Item Dimensions||5.4 x 6.3 x 6.3 cm||5.2 x 6.1 x 6.1 cm||2.55 x 6.3 x 6.3 cm||3.6 x 5.8 x 5.8 cm||8 x 8 x 10 cm||3.7 x 5.5 x 5.5 cm|
|Item Weight||200 grams||125 grams||87 grams||115 grams||200 grams||130 grams|
|Max Focal Length||25 mm||25 mm||20 mm||15 mm||25 mm||37 mm|
|Min Focal Length||25 mm||25 mm||20 mm||15 mm||25 mm||37 mm|
|Mounting Type||micro four thirds||Micro FourThirds||Micro FourThirds||Micro FourThirds||Micro FourThirds||Micro FourThirds|
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Digital Interchangeable Lens LEICA DG SUMMILUX 25mm / F1.4 ASPH. Based on the Micro Four Thirds System Standard The LEICA DG SUMMILUX 25mm / F1.4 ASPH. (35 mm camera equivalent: 50mm), based on the Micro Four Thirds System standard, features outstanding brightness of F1.4 realized in the compact and light weight profile. The extraordinary brightness allows a beautiful soft focus for photo and video to be even more impressive and encourages users not to use the flash even in dimly-lit conditions. Certified with the name of world-renowned LEICA, the exceptional high image quality is guaranteed.
High Performance and Small Form Factor
When Panasonic developed the Micro Four Thirds System Camera one of the benefits that came with it was the ability to dramatically reduce the size and bulk of the corresponding lenses. Using its expertise in aspherical lens manufacturing and with the cooperation and strict quality standards of Leica AG on board, it set about producing a wide range of lenses that would satisfy a new generation of camera users. Whatever photo opportunity arises, the growing number of high quality, creative lenses available for the MFT system ensures that you won't miss out. Many lens manufacturers now contribute to the fastest growing digital camera system with over 30 models from manufacturers such as Olympus, Sigma, Leica and, of course Panasonic, already available and more being added regularly.
Aspherical Lens Elements
Traditional spherical lenses bend the light at the edges of the image causing distortion or aberration. Aspherical lenses on the other hand overcome this issue by delivering light to a more precise point on the sensor. They also reduce the number of required lens elements meaning lenses can be smaller and lighter. However Aspherical lenses are extremely difficult and costly to produce, so only a small number of manufacturers have the know-how to make them. Panasonic is one of the few lens manufacturers with this capability and therefor can create very high quality yet smaller lenses.
Anti-Ghost and Flare with Nano Surface Coating Lens
In advancement to regular multi-coating lens technology to reduce flare and reflections, the application of a Nano thin outer layer coating virtually eliminates ghost and flare entirely.
Silent AF Motor Drive - Perfect for HD Video Recording
In addition to the fast stepping motor drive the improves the speed of focussing, this lens model also uses an inner linear motor that is almost silent in operation. This makes the lens ideal for use when videoing as no motor noise will be picked up by the microphone.
Ultra Extra-low Dispersion (UED) Lens Elements
An enhancement of the Extra-low Dispersion (ED) lens, Ultra ED are even more effective at reducing colour aberration. By reducing colour aberrations, high contrast and detail is maintained across the full width of the image, resulting in beautiful high quality pictures.
In-Lens Power Optical Image Stabilisation (Power O. I.S. )
Panasonic's extensive knowledge of building highly effective stabilisation in to our professional broadcast cameras led to the introduction of the Mega O. I.S. that compensates for tiny movements of the camera during shooting (up to 4,000 times per second). Power O. I.S. improves that compensation and doubles the effectiveness of shake suppression (when compared with Mega O. I.S. ), especially for low frequency vibrations or when shooting in low light. Panasonic's lens-integrated gyro system ensures power efficient and accurate vibration compensation, matched to each lens, proving its effectiveness time after time.
Extra Low Dispersion Lenses
In a conventional lens made only of optical glass, it becomes difficult to correct chromatic aberration when the focal length is long or the angle of view is wide, thus resulting in contrast degradation or colour bleeding. This problem has been solved by Panasonic's Extra Low Dispersion (ED) lens. It suppresses the prism's colour separation effect to correct longitudinal chromatic aberration at the telephoto zoom setting and chromatic difference of magnification at the wide angle setting. Used to render sharp, high contrast images with clear colours form corner to corner.
High Quality Metal Barrel Construction
Continually fixing and unfixing lenses to your camera body puts a lot of strain on the lens mount. As an important part of the lens barrel, a metal mount is more durable and retains an accurate fixing to the camera body. Resulting in a more reliable performance for many years to come.
Lens cap / Lens rear cap / Lens storage bag
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I already owned the well-regarded Panasonic 20/1.7 but it is lens I never grew to love, or even like, despite its hype. I can't put my finger on why the 25/1.4 is better (*much* better) for my tastes, the images have a completely different "look" which has nothing to do with "sharpness"; both are more than adequate in that respect. Perhaps it's the "pixie dust" mentioned by another reviewer :-)
Not a lot to add, really. The lens is not as silent as claimed but much quieter (and faster) to focus than the 20/1.7, but that doesn't bother me anyway as I don't do video. Bear this in mind if you do.
It's quite big compared to other MFT lens, about the size of my 50mm f/2.8 canon lens, however the f/1.4 is worth the money - bare in mind that Canon's equivalent f/1.4 offering is significantly cheaper.
With such an expensive lens, baring the leica brand, I would recommend getting a good filter to protect your well invested glass.
This lens is pure quality and will most likely be my main goto lens while filming. It's a must have for any MFT owner.
A quick search on the internet found that it is a common problem with Olympus bodies and Panasonic optics, so we sadly had to return..
There are fixes available such as filters or post processing, but for this much money do you really want to?
This lens was used with MFT Olympus OMD E MKII
there are not many lenses in the M4/3 range that can operate in low light as this can, great all round prime lens
I like the large aperture for available light photography.
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Most recent customer reviews
really lovely images. I'm talking about a clearly visible difference. Not pixel peeping.Read more