Painted Bird Mass Market Paperback – 1 Aug 1981
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"One of the best. . . . Written with deep sincerity and sensitivity."--Elie Wiesel, "The New York Times Book Review"
"A powerful blow on the mind because it is so carefully kept within the margins of probability and fact."--Arthur Miller
"Of all the remarkable fiction that emerged from World War II, nothing stands higher than Jerzy Kosinski's The Painted Bird. A magnificent work of art, and a celebration of the individual will. No one who reads it will be unmoved by it. The Painted Bird enriches our literature and our lives."--Jonathan Yardley, "The Miami Herald"
"Extraordinary . . . literally staggering . . . one of the most powerful books I have ever read."--Richard Kluger, "Harper's Magazine"
One of the best. . . . Written with deep sincerity and sensitivity. Elie Wiesel, "The New York Times Book Review"
A powerful blow on the mind because it is so carefully kept within the margins of probability and fact. Arthur Miller
Of all the remarkable fiction that emerged from World War II, nothing stands higher than Jerzy Kosinski s The Painted Bird. A magnificent work of art, and a celebration of the individual will. No one who reads it will be unmoved by it. The Painted Bird enriches our literature and our lives. Jonathan Yardley, "The Miami Herald"
Extraordinary . . . literally staggering . . . one of the most powerful books I have ever read. Richard Kluger, "Harper s Magazine"
" --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
'The Painted Bird' depicts a journey through a very brutal and brutalising hell. There are no safe places, really, for this boy. He may have escaped with his life but he can never escape his experiences.
There are good reasons to not like this book: it is not, as has been thought, an autobiographical account of Kosiñski's own experiences. Additionally it relies on the proximity of the Holocaust to intensify its own horror; it demonises Polish peasantry as both cruel and backward; and it wallows in violence. But for all of that, it has its own haunting power.
I've first read this novel at least 20 years ago and recently revisited it. I do not like the graphic, seemingly unending violence. The point is made and reiterated: man's inhumanity to man takes many forms and vulnerability is often relative rather than absolute. Did Kosiñski really regard the world as being beyond redemption? Is that the question he was posing in this novel? Is that why he committed suicide in 1991? Did he write this novel to give voice to his own despair as a consequence of the events of World War II? For me this novel raises far more questions than it answers. And some of those questions about the author and his intent colour the way I read this novel. I cannot `hate' it: it is far too well written for that.Read more ›
Both investigate the darker regions of the human psyche. Both are the antithesis of a "picaresque" novel. Both are told from the point-of-view of a relatively innocent narrator, whose original naivete is transformed by the scenes he witnesses into an understanding of the "horror" and a comprehension of man's capacity for evil.
I read The Painted Bird over 30 years ago and many of its images still remain vivid in my imagination. I will never forget the couple caught copulating (you'll have to read Kosinski's description yourself - I'm not going to go there) and the boy-narrator's harrowing account of being thrown into a pit of excrement. Some reviews I've come across state that the book is pornographic. Far from it. The sex depicted is hardly meant to arouse. Kosinski's later work might have fallen into that category (he did a lot of short-story writing for Playboy and Penthouse), but this is far too brutal a work to be anywhere near titillating.
If you would like to take a harrowing walk into the heart of darkness, and are equipped to handle visions of one of the most depraved landscapes you are likely to encounter in literature, then this book's for you.
Kosinski himself, before his suicide, had come under attack for inventing a lot of stories about his past. It turns out that during WWII, rather than suffering the deprivations and persecution he had earlier claimed, he passed the duration of the war in middle class comfort. His personal fabrications should not influence a reader's attitude when approaching this book however. He captures the Goyaesque horror of war brilliantly and it is, after all, a work of fiction, to be judged on its own merits.
The author lived with his parents throughout the war, protected by the non-jews around him, even though they knew the treatment they would receive if caught doing so. This is violent pornography, from the mind of a twisted man. There is a great deal of sexual torture described, and the reader should be warned, it conjures images and events that stick in the mind long after the book has been put away. Please don't think it's necessary to read fictional torture to 'understand' what real people suffered during WWII, it's really not. There were real events, and some of these are available to read about, but this isn't in that camp. It's fiction, from the mind of someone who clearly has issues. See Norman G Finklestein' s The Holocaust Industry for the warped propaganda this book has famously become part of.
Kosinski managed to inflame everyone. The Poles revealed it was not an autobiographical struggle as deemed by the US liberal literati. It was plagarised from earlier Polish novels. Konsinski's family were in reality saved by Polish Catholic peasantry. They lived well by the standards of the day. Konsinski became tainted by those "deceived" as churning out 'holocaust pornography'. Nothing like a liberal spurned, He became viewed as an erudite Mr. Ripley.
It becomes porn if reading visions of sex between brother and sister or conjugal relations with animals girds the loins. Any description of the sex act, including the Kinsey Report of 1948, becomes porn in the eye of the beholder.
This is still a great novel despite the various critiques. It gained plaudits not just because it fitted the zeitgeist. It has a fleshed out De Sadean Justine, with flickers of Juliette. Elements of the other great cataloguer of human lust, inflicting violence to release the power hormones. This runs with the same strong current. Echoes abound, erasing rules then unleashing perversions of power. Maybe this is the pornographic vision? Suggesting why it needs to be strictly bound, gagged and banned, to be kept away from prying eyes.Read more ›
Most Recent Customer Reviews
A gritty and painful novel about a Jewish boy on the run from the Germans in World War 2 Poland.It has a lot of cruelty, violence and brutality but is a good read and quite... Read morePublished 15 months ago by clive stocks
Best and most brutal book i ever read I will recommend his books to everyonePublished 16 months ago by Marta Zdyb
I must admit to not knowing about the book or author when I bought this,but so glad I did.
A brutal and shocking story that read from page to page in lightning fast time. Read more
QUITE A HORRIFYING STORY, BUT A GREAT READ NEVERTHELESS.
WOULD RECOMMEND THIS BOOK TO ANYONE INTERESTED IN WARTIME STORIES.
If ever you thought there wre limits to human cruelty and depravity, all you need do is read this book. It is the closest thing to a tour of hell that the 20C could provide. Read morePublished on 10 Jun. 2011 by rob crawford
I couldn't decide whether to give this book 1 star, or 5 stars. The images this book conjured up still haunt me. Read morePublished on 3 April 2011 by spange17
I got this for my mother. Started reading it, but not so keen on the style and didn't finish it.Published on 19 Sept. 2009 by S. Highfield
Kosinski's celebrated book `The Painted Bird' has been the cause of much controversy since its original publication in 1965. Read morePublished on 12 Jun. 2007 by Blue Yates