Pablo Honey Explicit Lyrics
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It's that old story: unknown British band gets an American hit single, gets huge off the back of that one song, and the success ends up destroying them. Fortunately, Oxford quintet Radiohead were the exception that proves the rule. Radiohead's albatross was "Creep"--a titanic anthem to paranoia, self-hatred and self-obsession, utterly huge in every way. Pablo Honey, though, is much more than filler. "Anyone Can Play Guitar" is certainly as good as "Creep"; swathed in walls of feedback, it races blindly into a apocalyptic chorus, frontman Thom Yorke singing "As the world turns and as London burns, I'll be standing on the beach with my guitar." Certainly, indie-rock seldom got better than this, and elsewhere "Vegetable" and "Prove Yourself" pulled similar pyrotechnical tricks. Pablo Honey was later superseded by first The Bends, and later OK Computer, but it's certainly much more than a curious debut. --Louis Pattison
Oxfordshire's best-known musical export have been voicing the angst of an inarticulate generation for the last fifteen years, kicking off with Pablo Honey, their exploration of suburban, adolescent self-awareness. Released when the boys still glistened with the sheen of an expensive private education and set against the more mature redneck, white bread, blue-collar roar of Nirvana, Radiohead's intelligent, delicate take on the loud/soft, quick/slow language of grunge appeared spineless and effete until Creep was released and set the record straight.
Massively backed by UK 'indie' radio, the single became a hit in the slacker student community, and simultaneously established the band as serious musicians, with interesting points to make and hefty musical skills with which to drive them home.
The band's apparent overnight success came after years of dedication (even keeping in touch while away at various universities) and endless free time spent in rehearsal. They'd toughened up and tightened their sound on the road before setting out to make the album, and had grown the confidence to expand ideas across lengthy instrumental breaks that other new kids in the studio might fear to try.
It all resulted in a stunning blend that combined the best aspects of prog rock (challenging lyrics, deft chord changes, novelty time signatures and so forth) with the plaintiveness of bedsit singer song-writing and the sound of expensive equipment thrashed at by experts. Though later albums were better received, this remains one of rock's most impressive debuts. --Al Spicer
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Top Customer Reviews
However, having been there from the start, I can appreciate it for what was, and is. It holds many a fond memory for me, my life during the superb early to mid 90s of British music, and played all these years later it is still a cracking good album. Creep obviously, is the one song everyone agrees is the best of the bunch, but there is so much more to it than that. Ripcord, Thinking about You, Lurgee, Stop Whispering - they're all great.
Staring up at the shelves in my local Our Price store in 1993 (yikes, where have those 20 years gone!) I bought three CDs that day. Everybody else is doing it... by The Cranberries, Duran Duran's Wedding album, and Pablo Honey. All decent in their own right, but it is Pablo Honey that has been with me through thick and thin, and the one which started my life-long love of their music.
It is very different to the Radiohead of today, but is it any worse? I'd say not - it's still Radiohead at the end of the day. If you're a fan of Radiohead but have been put off buying this due to the poor reviews, you are missing out.
I then bought a second-hand copy of Pablo Honey - unable to justify spending the full album price on something I was so unsure of. Well, all I can say is, who on earth was stupid enough to let this album go out of their collection? From the first time I listened to the opening track "You" I was hooked. Thom's voice is magnificent and this album has to be owned by anyone who has a collection that includes Radiohead. It's wrong and a sin to own their other work without adding Pablo Honey. The track "Vegetable" sums up my feelings every day. "Leave me alone world" at least Thom of Radiohead understands the pressures I'm under. Thank God someone takes the time to think about life and put their thoughts into a format to which people can relate. I subsequently own all the Radiohead albums and will own the 2000 album on the day it is released.
I was fortunate to see them play live in a relatively small venue just before OK Computer became cult listening. They were absolutely superb. I adore Radiohead, their limited edition stuff, all their b tracks and every word they care to utter. Buy Pablo Honey - but please don't stop there.
Compared to the might of 'The Bends' and the astounding 'OK Computer' this album sounds primative and dated but its a nice album overall, and enjoyable laidback listen and a must for all radiohead fans.
Pablo Honey is always down, despite cheery introductions from from tracks I Can't, Prove Yourself, Lurgee, Blow Out etc... This album with help from Creep also gave Radiohead the "depressing" label which ignorants use who fail to listen to the true noise of this wonderful band.
For any Radiohead fan, I don't need to tell you to go buy this as you'll already have it. As for any new fan I would suggest OK Computer as a good introduction, and then work backwards.
The bands signature song 'creep' was first released on this album and is what helped them to be famous in the USA. However, the song was infact dispised by the main guitarist which is why the band never play it at recent events... think how many times the guitarist must have played the violent bridge part of this song in tour!
I recommend buying this album anyway as it is one of Radioheads simplier albums featuring a great collection of upbeat intense songs before they became abstract.
There is a general perception that this album is inferior to Radiohead's later work; while this is true, I would add that if you cast from your mind all thoughts of the band's later zenith of musical brilliance, this album on its own is very enjoyable to listen to; a fine advertisement for the musical fashions of the early 1990s, when the world was anxiously searching for an alternative to the prevalent trend of grunge.
Pablo Honey marks the first significant chapter in the musical evolution of Radiohead (serving as a time capsule for a band famed only for producing the hit song 'Creep'), signposting an outfit with immense potential who at the time were struggling to break through the first of many creative glass ceilings they would later effortlessly smash through.
The band dynamic, centred round the much-labelled 'tortured genius' of Thom Yorke, is firmly established with this record; Johnny Greenwood's caustic and inspirational lead guitar work is complemented by the assured bass playing of his brother Colin and the dextrous melodic counterpoints of guitarist Ed O'Brien, while Phil Selway's passionate drumming propels the whole shebang with consummate ease.
Any criticism of Pablo Honey should be counterbalanced with the argument that the beginning of a great journey is never the most memorable part.
Bearing in mind the exceptional overall quality of their musical output down the years, I think Radiohead deserve to be cut some slack for the comparative weakness of this record.
Most Recent Customer Reviews
Radiohead's best album of pure rock 'n' roll. Very uplifting to listen to.Published 5 months ago by Someone