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Out Paperback – 4 Jan 2005

4.4 out of 5 stars 99 customer reviews

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Product details

  • Paperback: 400 pages
  • Publisher: Vintage Books USA; Reprint edition (4 Jan. 2005)
  • Language: English
  • ISBN-10: 1400078377
  • ISBN-13: 978-1400078370
  • Product Dimensions: 13.1 x 2.2 x 20.3 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (99 customer reviews)
  • Amazon Bestsellers Rank: 2,053,129 in Books (See Top 100 in Books)

Product Description

About the Author

Natsuo Kirino, born in 1951, quickly established a reputation in Japan as one of a rare breed of crime writer whose work goes well beyond the conventional crime novel. This fact has been demonstrated by her winning not only Japan's top mystery award, for Out, but one of its major literary awards, the Naoki Prize for Soft Cheeks. Several of her books have also been turned into movies. Out is the first of her novels to appear in English. --This text refers to an out of print or unavailable edition of this title.


"Daring and disturbing, OUT is prepared to push the limits of this world - not only in violence and sex but also in human outlook… Remarkable" (Los Angeles Times)

"OUT is a potent cocktail of urban blight, perverse feminism and vigilante justice" (New York Times Book Review)

"A shockingly intense read" (Daily Telegraph)

"Brings the mystery thriller to new levels of intensity and realism - OUT has great plot twists, vigour and an ending that would make Hannibal Lecter smile" (Library Journal)

"In this top-drawer page-turner, Kirino offers a clever snapshot of her own culture...slyly amusing and compulsive" (Metro) --This text refers to an alternate Paperback edition.

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Customer Reviews

Top Customer Reviews

Format: Paperback
Four women, co-workers on the night shift at a box lunch factory on the outskirts of Tokyo, form an unlikely friendship based on their mutual desperation -a dissatisfaction with their inattentive, unresponsive husbands and disaffected children, strained economic situations and emotional isolation. When Yayoi Yamamoto, a young wife and mother kills her abusive, philandering spouse, the four come together voluntarily to perform a most grisly act. They dismember the body to facilitate disposal. Although of disparate ages and characters, the women become quite bound to one another through an increasing web of conspiracy, self-interest and suspicion. A series of indiscretions and careless mistakes expose them all to unforeseeable dangers.
"Out" is so much more than a psychological thriller or a formulaic crime novel. This is fiction that surpasses genre. Although plot driven, much of the story is dependent on character development and change. The characters are portrayed so vividly, even the minor ones, that the reader cannot help but form a strong attachment to them. It really does not matter, ultimately, if the connection is positive or not - one still looks forward to following the various personages forward to their individual destinies. Masako Katori, shrewd and extremely intelligent, is the definite leader among the women and an absolutely fascinating figure. Although she has perfected a cold, detached veneer with which she presents herself to the world, inside she is despondent and in turmoil. Increasingly alone and alienated from her husband and teenage son, she longs for "freedom." "It had started with something in her. Her hopelessness and a longing for freedom had brought her to this point." Masako is looking for a way "out" of her claustrophobic life.
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Format: Paperback
An amazing read. I'm not usually keen on award winners, approaching them with trepidation as I usually find them stilted and well basically, boring. I will defintely be looking out for more by this author!

Set in the suberbs of Tokyo there are four women who work the night shifts at a boxed-lunch factory. All four have different reasons for needing to be there - money, only job available, to be alone; although the one thing they have in common is a need to escape (primarily from their own lives). This is the first meaning of the title 'Out'.

One of the women kills her husband, for a variety of reasons and amazingly Masako offers to help her. There is no reason for her to help, but she does. They actually dismember and dispose of him. Meanwhile we are introduced to a nightclub owner (Satake) who the police believe has committed the murder.

The story centres eventually around these two characters, who for me are the two appearing on the dust jacket. We follow their lives - every part of it, from their dreams, fears to their daily routines and more especially their enemies.

If you felt disturbed by reading 'American Psycho' then this may carry the same or worse feelings. It's cold from the outset. Initially this took me by surprise but then I realised it could be to reflect the genre or be traditional of this writing style. The characters are so convincingly described and the narrative is so powerful. It really is a chilling read. It is violent, disturbing and will seep into you when you least expect it.
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Format: Paperback
Everything about the setting of Natsuo Kirino's new novel Out is bleak. Set in Japan with four disillusioned and desperate women as the anti-heroines who work the graveyard shift in a boxed-lunch factory, there is little in the story that inspires hope or confidence. Each of the four has problems that threaten the life she has created for herself, and each life sits precariously on the edge of a precipice. When one of them snaps and murders her abusive and neglectful husband, she leans a little too far over the edge and by asking the others to help her dispose of the body, pulls them over with her.
In the ensuing downward spiral of all the women they are joined by the man the police suspect for the murder, a wealthy but disturbed casino mogul, and a loan-shark with yakuza connections who discovers their secret. The novel's themes of murder, extortion, blackmail, rape and dismemberment create an absolute mess for the characters to find their way out of, and in the process they learn far more about themselves than they are comfortable with, especially their capacity for doing the undesirable.
Although there is no real suspense or a twisting plot, this dark mystery makes for compelling reading. Its main difference from and appeal over other crime novels is that it's told primarily from the point of view of the culprits rather than the victims or detectives. The characters, with all their personal demons and failings, are described without judgement or attachment in a cold, factual tone which adds nothing to warm the novel, but is surprisingly effective. Their actions inspire a mixture of sympathy and contempt, all the while making you wonder exactly how you would react in their situation.
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