- Audio CD (23 Mar. 1992)
- Number of Discs: 1
- Label: Castle/Classics
- ASIN: B00002459W
- Other Editions: Audio CD | Vinyl | MP3 Download
- Average Customer Review: 4.7 out of 5 stars See all reviews (24 customer reviews)
- Amazon Bestsellers Rank: 432,450 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
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Orgasmatron (Bonus Track Edition)
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Top customer reviews
This is the first Motorhead album proper ('No Remorse' is more or less a compilation album) to feature Phil Campbell and Wurzel as guitarists and the only album to feature Pete Gill on drums, with of course, the one and only Lemmy on bass and vocals.
The production, although improved on this version, isn't the best, but its far from being as bad as a lot have said it is and is nowhere near as noticeable as say '...And Justice For All' by Metallica. Lemmy has even gone as far as saying he doesn't really like the album due to the production being so bad, but I honestly believe it to be a minor thing and in no way diminishes the sheer quality of the songs on this album.
Now the important stuff - the songs - and this is where Orgasmatron strikes gold! From the memorable power chord bounce of 'Deaf Forever' to the heavy and doomy title track, this album oozes class, tempo-changes, quality and finds Motorhead in top rock form! Their heaviest offering by some distance at that point and quite possibly only collectively topped by 1995's 'Sacrifice' or 'Inferno' in terms of heaviness - we'll never really be able to compare as they were all recorded a decade or two apart. 'Ain't My Crime,' 'Doctor Rock' and 'Ridin With The Driver' are also highlights, and the innuendo-laden 'Claw' shows Lemmy reaching the highest vocal notes of his career! But, you can take your pick here as every single song really adds to the album and brings something different to the table.
So get your keys, put this in your CD player, hit the open road and turn the volume up for the ride of your life on the Orgasmatron!!!
`Orgasmatron' shows a healthy balance of the bands signature rock 'n' roll swagger with more experimental touches, as such this may be more preferable to fans who found
`Another Perfect Day' too far removed from the `Fast' Eddie era. I do however have one point of contention with `Orgasmatron', its mix is pretty bizarre. At times the guitars seem to disappear from the mix completely which is especially odd considering that what was then a newly twin guitar band should surely have more guitar, right? The actual production sound itself is fine with a particularly excellent drum sound...but the mix is as iffy as four week old seafood.
Performance wise the band play with a youthful exuberance of a band who know they can rock like b*stards, but just haven't been able to put it down to record yet. As such the `Orgasmatron' displays a vitality and hunger that is essential to a great Motörhead record. Guitarist's Würzel and Phil Campbell have distinctive yet complementary styles fitting within the established Motörhead mould but instantly recognisable. Würzel (along with being a scarecrow) is the more off the wall of the two relying on over the top bends, trills and even his fairly distinctive take on tapping, in all it makes for a great fun listen. Phil on the other hand is more reserved in his style, being more of a traditional blues rock base with a definite touch of class. In addition to this the pair fit in with the general tradition of Motörhead hell raising for instance Phil drank two bottles of vodka a day in the mid 80's and Würzel listed his ambitions as getting up in the morning and drinking as much as he could...Gentlemen, I salute you! Other new boy here is Pete Gill ,of Saxon fame (or not), who is a great drummer with a pounding double bass sound. However, Pete proved to be a bit of an odd character (even by Motörhead standards!) who kept a note book with all kinds of bizarre things like `Phil Campbell owes me 50p' and apparently enjoyed flashing himself in public. Lem, as always sounds like a plane taking off. But lyrically he puts down some truly excellent work, even by his own lofty standards. The title track happens to be everyone's favourite set of Motörhead lyrics, focusing on the macabre side of organised religion which a finesse and elegance that few could match. But lyrical themes are varied and interesting from more darkness and horror in say `Deaf Forever' to classy double entendres (no really, stay with me!) such as `Your magic circle ain't where's its at' the circle would be the physiological effect of girls on men...women are sorcerers because they can give men an erection from a distance, magical prick teasers don't y'know! Splendid, learn along with Lem.
`Orgasmatron' does featuring some new ideas for Motörhead. First of all they open with a mid paced number, eschewing the often used ploy (not only by Motörhead) of opening with a bit of speed metal. `Deaf Forever' however is rather excellent number driven along by some deliciously simple riffs and rudimentary drum work (bare a few killer fills). The chorus is ridiculously catchy and I like the little shouty thing at the end of each line. The title track itself is built around a bass drone and although cut from the same cloth as `Deaf Forever' it's heavier, morbid and menacing. A truly haunting song condensing all the horror of thousands of years of plebiscite misery into...oh, about five and a half minutes. It's written from an interesting perspective too, from kind of religion as a omnipresent and prevalent being looking at all the suffering its caused in glee. This is anti-organised religion lyrics done exceptionally well; eloquent and poetic without "God is gay, hail Satan!" Kerry Kingism's.
But as always we do get are beloved straight-forward rockers and gee whiz aunt Mary aren't their some corkers! `Dr Rock' is a lively and bouncy number and a stalwart of their live set to this day. It's got some nice lead bass work and doesn't have a proper guitar solo but rather a noise that sounds like a helicopter...Jawsome! `Built For Speed' is shining example of one of Lemmy's many odes to the power, splendour and majesty of rock (which in fact is so majestic that one can use heroic diction). Musically, its got a drum intro to die for, some simply divine riffs (as in their simple and divine) and a nice trade off section, which Phil comes out trumps in by making a noise that goes like this *naw naw naw naw* , not that Würzel is slacking either. On the rest of the album we get lots of lovely straight forward loud, fast and furious rock 'n' roll, all which are catchy. So it's pretty clear `Orgasmatron' is all out rocking rock album.
1986 may have been the year of thrash, but once again Motörhead proved there just isn't a substitute for the new religion, the electric church...rock 'n' roll. Let it live, let it live. Somewhat of an overlooked classic by the music press and some more casual Motörhead fans, `Orgasmatron' is worthy of a place in any rock fans collection.
I first heard motorhead in 1989 as a 11 year old boy, they were one of the first 6 or 7 bands my cousin lent me tapes off as my introduction to hard rock and then metal, i cant recall the first album i heard of theirs if honest but i became a fan and even have a good few of their albums on cassette. 1916 was the last album i bought on cassette before the cds started coming in.
This is an album, the 6th of their career that is brimming with catchiness and heaviness and some great boogie like metal , its a confident album with very very little filler, i admit that i havent always been the biggest fan of the albums title track, oh i know that will annoy some but its my review and honesty is needed.
Claw for me deserves special mention, its a brilliant track, one of their very best, towards the end lemmy barks like he seldom does and i love it, i could have done with more of that throughout the bands career if i am being greedy.
Lemmy lived and he died for rock n roll, we the fans live on but motorhead will outlive us all, of that there is no doubt, this is a brilliant album, pay your respects not in tears but in playing this loud to your ears