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2: The Novel: Forms and Themes: Forms and Themes v. 2 Paperback – 10 Mar 2016


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Product details

  • Paperback: 962 pages
  • Publisher: Princeton University Press (10 Mar. 2016)
  • Language: English
  • ISBN-10: 0691134731
  • ISBN-13: 978-0691134734
  • Product Dimensions: 15.6 x 5.5 x 23.4 cm
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: 1,296,483 in Books (See Top 100 in Books)
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Product description

Review

Praise for Italian edition: -These volumes are a heroic attempt to capture the great animal of words that we call The Novel. The hunting strategy employed by Franco Moretti and his contributors proves complex and articulated but at the same time oblique and diversified. A merely systematic work could never handle this subject. Neither could a totally anarchic approach . . . . This work is destined to occupy an important place in contemporary reflections on the novel and on narrative forms in general. The essays are agile but not superficial, specialized but readable, and current . . . . More than anything else, [The Novel] arouses one's desire to read and reread literary works.---Dario Voltolini, La Stampa

Praise for Italian edition: -There are books that you read and reread, others that you consult when useful or just for the pleasure . . . . [The Novel] belongs to both categories because it is much more than a mere collection of essays on a specific subject (in this case, the novel as literary genre, reinterpreted through contributions by novelists, critics, philosophers, anthropologists, and historians from every part of the world). Its changing, evocative flavors are so mouthwatering that it is like a platter of tapas, the little appetizers served by Catalans before a meal, which often take the place of an entire meal. The topic is books--a continuous game of citations and reflections. From the outset, it gives the reader symptoms of an ancient hunger. We are not sure what pushes us to read it and we try to grab and hold on to as much of it as possible . . . . [The Novel] is not a book. It is a Pantagruelian feast that awakens limitless appetites. It helps to remind us how many flavors can be found in literature and--above all--how many we have lost by eating fast food for the brain.---Diego De Silva, Il Mattino

Praise for Italian edition: -[These] interesting, useful books . . . are not humble, simply informative manuals: they offer essays that lead in multiple directions and examine fundamental problems and questions. They assess the breadth of current studies and they establish an analytical horizon for advanced contemporary culture.---Giulio Ferrot, L'Unita

One of Choice's Outstanding Academic Titles for 2007

Honorable Mention for the 2007 John G. Cawelti Award, American Culture Association

"The most crucial aspect of the Il romanzo project is the idea driving it to see literature globally, to free 'the novel' from its modernist, strictly Western center of emergence and consider instead how the form has mutated around the world, and why."--Emilie Bickerton, Bookforum

"It's a rare literary critic who attracts so much public attention, and there's good reason: few are as hell-bent on rethinking the way we talk about literature. . . . There's no question that people will still be talking about these volumes twenty-five years from now."--Eric Bulson, Times Literary Supplement

"[A] very ambitious collection . . . . The Novel is an impressive achievement, and precisely because Moretti was so willing to include perspectives that diverge sharply from his own."--William Deresiewicz, Nation

Praise for Italian edition: "These volumes are a heroic attempt to capture the great animal of words that we call The Novel. The hunting strategy employed by Franco Moretti and his contributors proves complex and articulated but at the same time oblique and diversified. A merely systematic work could never handle this subject. Neither could a totally anarchic approach . . . . This work is destined to occupy an important place in contemporary reflections on the novel and on narrative forms in general. The essays are agile but not superficial, specialized but readable, and current . . . . More than anything else, [The Novel] arouses one's desire to read and reread literary works."--Dario Voltolini, La Stampa

Praise for Italian edition: "There are books that you read and reread, others that you consult when useful or just for the pleasure . . . . [The Novel] belongs to both categories because it is much more than a mere collection of essays on a specific subject (in this case, the novel as literary genre, reinterpreted through contributions by novelists, critics, philosophers, anthropologists, and historians from every part of the world). Its changing, evocative flavors are so mouthwatering that it is like a platter of tapas, the little appetizers served by Catalans before a meal, which often take the place of an entire meal. The topic is books--a continuous game of citations and reflections. From the outset, it gives the reader symptoms of an ancient hunger. We are not sure what pushes us to read it and we try to grab and hold on to as much of it as possible . . . . [The Novel] is not a book. It is a Pantagruelian feast that awakens limitless appetites. It helps to remind us how many flavors can be found in literature and--above all--how many we have lost by eating fast food for the brain."--Diego De Silva, Il Mattino

Praise for Italian edition: "[These] interesting, useful books . . . are not humble, simply informative manuals: they offer essays that lead in multiple directions and examine fundamental problems and questions. They assess the breadth of current studies and they establish an analytical horizon for advanced contemporary culture."--Giulio Ferrot, L'Unita

About the Author

Franco Moretti is Professor of English and Comparative Literature at Stanford University, where he founded the Center for the Study of the Novel. He is the author of "Signs Taken for Wonders, The Way of the World, Modern Epic, Atlas of the European Novel 1800-1900," and "Graphs, Maps, Trees".


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