Nothing To Be Afraid Of Hardcover – 20 May 2005
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'..so right that you have no option but to read the novel with its built-in encore all over again.' -- Sunday Telegraph
'Absorbing...a fantastic pageant of layered identities' -- Observer
'Clever and intricate' -- Sunday Times
'Eaves is a fleet and funny writer and Nothing to Be Afraid Of is a success' -- Daily Telegraph
'Luminous' -- Time Out
'Perceptive, stylish Utterly convincing Eaves's deft expressions of our willingness to hurt and deceive resonate beyond the conclusion' -- The Times
'Scarcely a false note is detectable in this complex, witty and mature novel.' -- Scotland on Sunday
'[Eaves's] prose is a joy' -- Metro
'some terrific comic set pieces..equal of anything in Waugh or Wodehouse..Now that's good writing.' -- Daily Telegraph
On a warm summer's evening in 1999, an earthquake strikes the heart of London. The epicentre of the tremor is a theatre, where a lavish production of The Tempest has just opened. In the cast are friends and enemies, among them a preening star, a drunken failure, and Martha, a young actress. In the audience sits her clever sister, Alice. As the shockwaves subside, the veil between the real and the imaginary is lifted, and magical forces of envy, ambition, madness and romance invade the world: Alice and Martha vie for love and precedence on stage; a mesmerist indulges his worthless son; and Leslie Barrington, a washed-up Caliban, dreams of literary revenge. Behind the scenes, a family tragedy awaits discovery. The players are, one by one, unmasked. Nothing To Be Afraid Of is a tragedy of hope abandoned and innocence betrayed, but it is also an extravagant comic pageant of Shakespearean energy and compassion: an incidental theatrical history, across the twentieth century, of the art of pretence; of patience, trust and loyalty; of folly in youth and old age.See all Product Description
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Top Customer Reviews
Hard to condense what it's about. My reading of it was that it was a study in the deceptions which people create about themselves and their place in the world - sometimes consciously, sometimes unconsciously.
Set in a brilliantly described theatrical millieu, Eaves can be screamingly funny about the vanities and vagaries of luvviedom. He can also be poignant and touching about human frailty. And he has a forensic eye for relationships and why they succeed or fail.
He certainly knows how to write a good story. This one is multi-faceted and keeps you guessing until the very end.
If I have a criticism it is that in weaving together a number of narratives he has set himself a real challenge in pulling them all together in a completely satisfying way.
That said, the authors affection for late Shakespearean plays (and those who try to bring them to life on stage) is abundant and the writing is at once economic, elegant and lively. Above all it is very satisfying to read. Can't wait for the next one.
This book concerns a series of theatrical people, or TV actors, or agents, plus the people they live with, grew up with, interact with. A large cast of characters is given not much room to manoeuvre. Two of them stand out: Alice, a plump, highly intelligent actor, with a problem sister, also an actor; and Leslie, a bit of a soak who inadvertently gives Alice her first acting success. As with his first book, Eaves enlivens his characters with authentic humanity, but there might be slightly too many of them in this book to make the magic work.
His wit is sharp and clever, his depth of writing means that he is never merely funny. Tragedy underpins humour just as it does in real life; that is fatally, or sometimes peripherally, but always cuttingly. The book is ambitious and has a delicious twist in the tale. I am immensely admiring of Eaves' writing, but I think, to do him justice, I will have to read this book again some time: but slowly.