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Nobuyoshi Araki: Self, Life, Death (Barbican Retrospective) Hardcover – 15 Oct 2005
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'The work of Nobuyoshi Araki is virtually impossible to sum up in a few words. But here goes ... gritty reportage, rope bondage, dead cats, naked women, naked women drinking coke, and the occasional naked woman covered in small lizards. Phew! ... If nothing else, Nobuyoshi Araki: Self, Life, Death is guaranteeed to cause heated debate!' (Practial Photography)
About the Author
Akiko Miki is a curator at the Palais de Tokyo, Paris and contributor to art magazines including Bijutsu Techo, Studio Voice, Tema Celeste and Exit Express.
Yoshiko Isshiki has been working with Araki for over 10 years and has been closely involved in all exhibitions of Araki's work in Europe.
Tomoko Sato is a curator at the Barbican Art Gallery, London, where she has organized and curated a wide range of exhibitions. She has edited and published a number of books and catalogues.
Kotaro Iizawa is a photography critic and writer. He is the author of many books on Japanese photography, including Araki!: The Legacy of a Prodigy (1994). He was also the founder of Déjà-vu magazine (1990).
Ian Jeffrey is a photography writer, lecturer and curator. His books include Magnum Landscape (1997) and Shomei Tomatsu (2001), also published by Phaidon.
Hans Ulrich Obrist is a curator (at Musée d'Art Moderne de la Ville de Paris), writer, editor and interviewer.
Yuko Tanaka is Professor at Hosei University, Tokyo, and has written extensively on Japanese literature and culture during the Edo period (1600-1868).
Jonathan Watkins is Director of the Ikon Gallery, Birmingham. He was the Artistic Director of the 11th Sydney Biennale (1998) and has curated many exhibitions, including 'Nobuyoshi Araki: Tokyo Still Life' (2001).
Top customer reviews
Most helpful customer reviews on Amazon.com
The initial impression that most people have of Araki is that he's a dirty, dirty old man.
Which is true.
More importantly, he's someone who has documented every aspect of his life through photography. As much as people will focus on the sexual aspects of Araki's work, its just a part of the larger body of work which quite simply, includes everything. The book does an excellent job of selecting some highlights from an immense body of work produced by everyone's favorite dirty uncle. I have yet to extensively go through the interviews and writing but they provide a nice insight into his process and philosophy of photography.
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