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In the Night Room Hardcover – 1 Oct 2004
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PRAISE FOR PETER STRAUB:
‘Straub is a master at creating fear out of everyday life.’
‘No one is better than Straub at having whole communities rocked by the forces of wickedness.’
PRAISE FOR IN THE NIGHT ROOM:
‘Master of the macabre Straub sits fear on your shoulder in a tale which is blacker than the night.’ NORTHERN ECHO
PRAISE FOR LOST BOY LOST GIRL:
'Lost Boy Lost Girl is intense and yet measured; serious and melancholy at times, but also humorous. Straub's prose has a tart clarity that allows him to delineate the muddiness of life with great economy and richness. He has a superb ear for dialogue, both spoken and silent. He is adept, too, with ambiguity; the emotional blur of the real world, of our tentative and ambivalent responses to each other and the things we do. These qualities create an atmosphere that lingers like the novel's own ghost, and Straub achieves this invisibly, in the background. He doesn't insist you notice how intelligent and subtle the novel is, and you don't: you merely appreciate how good a time you're having, and that you don't want it to stop.' Michael Marshall, GUARDIAN
'Stephen King's mate and co-author puts the monster master into the shade. This'll have you anxiously contemplating the shadows' MIRROR
'Mr Straub's latest is an unusually taut, dynamic, spooky display of horror expertise, and its story is deftly told.' NEW YORK TIMES--This text refers to the Audio CD edition.
No. 1 bestselling author of Black House--This text refers to the Audio CD edition. See all Product description
Top customer reviews
In 'The Night Room' Straub again uses the character of Timothy Underhill, also featured in Koko, Lost boy, Lost girl and others, as a portal between the real world and one that seems real but is far from it. Underhill flits around these novels and skips between time frames. In here he's the author of a novel whose 'bad guy' character has escaped from an alternative realm into the real world, maybe, and is out for revenge. Unfortunately; Underhill meets up with Winnie, another character created in the same novel, and they are both at risk which is a shame because she is his dream girl....in more ways than one.
What to do?. Possibly ask the spirit of your dead family for help?. They're appearing all over the place so that might be a possibility. Whatever happens; it's up to Underhill to wipe up the mess, solve the riddle and put the shadows back in the box with Winnie working alongside but; it's not that simple. Nothing is ever simple for Peter Straub or his fans!.
At times Straub is just too clever while at others the plot reads as if got bored and wandered off. Every so often he hit a vein of form good enough to drag me back in. If I'm being honest 'In the Night Room' isn't Straub's best work and I struggled. Not scary, though it has a few spooky moments, and the plot spins off too far and becomes oddly surreal - not in a good way.
(The heartland is Chris Stapeleton and he cain't get his Johnny to even mow his lawn- so Peter Straub never claimed to Wear Cowboy boots.)
Making comparisons is balderdash- and maybe the Author owes more to Germany (the forests of Hansel & Gretel) than to Poe (and other English Speakers (from the British Isles).
Anyway, I'll say Peter Straub is Michigan produce, and put an end to it.
This is a clever book, maybe too clever and if you enjoy the Dean Koontz/Stephen King brand of 'spiritual triumph' over horror stories you will like where this goes. I get the impression that this story would get more nuanced the more Straub books you read. Lost Boy Lost Girl is a real novel, but in this story, it's a fictional version of the events in this book. Eventually one would experience a multiverse of Timothy Underhills all living parallel lives. As a stand alone it's good spooky fun and enough to get me to look out for more Peter Straub.
his world of Millhaven seems to have it's own laws of nature, seems to be a wardrobe, through which to enter the spirit world.
The book deals with a complicated plot. Underhill, receiving threats from the evil spirit of serial killer Joseph Kalender, after having published a book about him that depicting him as abuser and killer of his own daughter; suddenly meets the main character of the book he is currently writing..
Could it be more complicated and unbelieavable?
It isn't necessary to have read Lost Boy Lost Girl, the novel where Kalender was first introduced, but I'd say it is imperative that you have indeed read some book/books of Straub's before, or you would soon get lost in the story.
Straub's language is at it's best and it is always scary how his evil characters choose their words. I don't know how he does it, but they always make me shiver.
I must confess that although I like tales of the unnatural, I would prefer Mr Straub not mixing quite so much.
I wish his qualities as a crime story writer, that were so obvious in the Throat and Mystery, would show more. I would like to see Tim Underhill solve other mysterious crimes, without the help of angels and spirits.
All in all, for Straub fans, the book is a must.
For other readers it may be a little hard to digest, but ever so brilliant in it's complications.
Buy it, read it and decide for yourselves!