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In the Next Room (or the vibrator play) by [Ruhl, Sarah]
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In the Next Room (or the vibrator play) Kindle Edition


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Product Description

Review

Five Stars...An intense pleasure...A fascinating period drama and a shrewd perspective on modern social mores...An ecstasy of theatrical invention. --The Times

A true novelty: a sex comedy designed not for sniggering teenage boys or grown men who wish they were still sniggering teenage boys; but for adults with open hearts and minds. --New York Times

Amid the bawdy jokes and the double entendres is a brilliant, funny, tragic play. --Washington Post

About the Author

SARAH RUHL is a Playwright with a unique comic voice, perspective and sense of theatre. Other critically acclaimed works include Dead Man's Cell Phone and The Clean House, a Pulitzer Prize finalist. She lives in New York.

Product details

  • Format: Kindle Edition
  • File Size: 671 KB
  • Print Length: 161 pages
  • Publisher: Theatre Communications Group (16 Nov. 2010)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B006H6KUYW
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Enhanced Typesetting: Enabled
  • Average Customer Review: Be the first to review this item
  • Amazon Bestsellers Rank: #384,488 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: 4.1 out of 5 stars 14 reviews
11 of 11 people found the following review helpful
4.0 out of 5 stars Much better to watch than to read 2 April 2012
By Phred - Published on Amazon.com
Format: Kindle Edition Verified Purchase
Now that I have read this book, (Kindle edition) and seen the play, I am ready render my thoughts.

In short from: this is a much better play to watch than it is to read. Nowhere in the text is the pointed wit of an Oscar Wilde or the deep sophistication of a Tom Stoppard. The words are simple and as a read it is somewhat limp. As a performance, these problem disappear.

Sarah Ruhl's play takes place in two rooms, sometimes simultaneously. Mostly we are in the front room of the home/office of Dr. and Mrs Givings. The "Next Room" is his medical office. Dr. Giving's practice may include a variety of mostly female medicine as practiced in America, in the 1880's but here we only see him providing one service. He treats mostly women, and on rare occasion men for hysteria.

Note that the word hysteria is from a Greek root meaning uterus.

At this time a new machine, called the vibrator had been introduced for the purpose of treating female hysteria by inducing a paroxysm. There was, in America, at that time no medical notion of a female orgasm.

And so Dr. Givings uses vibrators on women, and one man to relive their medical symptoms. He seems to have the notion that this treatment, improperly applied is onanism (masturbation also a huge evil at this time) however he never connects his treatment with anything sexual. Over time Mrs. Givings tries to understand what is happening in The Next Room and to come to terms with her need for romance and sex.

There is humor here in the form of the women, not realizing just what they are experiencing. There is humor in the "vibrator play" that take place in "the other room". There is an especially humorous moment when the women, confronted with the idea that these paroxysm, can be achieved during married sex and they are horrified! That sex should be pleasurable is not even imaginable.. "my husband is so considerate he only comes into my room when I am nearly asleep and tells me not to look"

At it's core this is a play about the thin line between ignorance and innocence. The women are innocent of their sexuality. One is a lesbian and has no way to understand or cope with this. The possibility of sex as both pleasure and an animal experience has no language among the cast. Dr. Givings seems to be ignorant of what he is doing, although he knows he is making people better. While he has a romantic side he has totally suppressed it in favor of what his machines can do.

Should you get this book?
I am glad that I had read it before going to a production. I liked reading it more, in part, because the live performance, made live the text and I did not have to worry over the occasional missed word. Some do not like a pre-event read because of the spoiler effect.
If you are good at reading a play and seeing the performance in your minds eye. You should enjoy this text.

There is humor here, there is legitimate history and a deep appreciation of humanity.

I had not understood why this was a prize winning play, and then I saw it and now I 'get it".

Likely it was my fault that the text seemed a bland read. If you are a more imaginative reader you may be glad that you read it.
2 of 2 people found the following review helpful
4.0 out of 5 stars So much fun!!!! 7 Aug. 2013
By Gentileschi - Published on Amazon.com
Format: Kindle Edition Verified Purchase
I really enjoyed reading this great play. It was extremely fun and sexy without sacrificing many opportunities to comment on serious questions of sexual expression, reproductive health, and structured family interactions across race, class, and gender -- although these interactions may be slightly oversimplified at times. If you are interested in "In the Next Room," I would also recommend Caryl Churchill's brilliant "Cloud Nine," of which this play is reminiscent.
1 of 1 people found the following review helpful
2.0 out of 5 stars Disappointing, on the page at least 29 Sept. 2015
By Peter J. Orvetti - Published on Amazon.com
Format: Paperback Verified Purchase
I am a big fan of Sarah Ruhl, so I am sorry to say I was disappointed by this, one of her most popular works. That said, I have only read it, not seen it performed. Perhaps my complaints are nullified by a competent production.

The play deals with a doctor who treats women (and, rarely, men) for nervous "hysteria" as it was dubbed in the late 19th century, by using a newfangled machine to stimulate his patients into "paroxysm." This is entirely a medical procedure for the doctor, one from which he gets no titillation. As the story proceeds, the women become empowered and take the machine into their own hands, and elsewhere.

It's a fun idea that plays with conventional stage ideas of prim ladies and stuffy men. But on the page, at least, the women come off as dizzy girls, and the men as harrumphing blowhards. It seems Ruhl is using these archetypes to parody them, by sending a message of modern empowerment through scenes of bodices and corsets, but at least as written, it does not really work.
1 of 1 people found the following review helpful
5.0 out of 5 stars Not perverse but touching and personal as no machine ever could be 27 Mar. 2014
By Salvatore Talluto - Published on Amazon.com
Format: Kindle Edition Verified Purchase
This play is about the mechanics of life and the metallic, inanimate feeling of going through the motions. Through the play we see all of the different jolts and sparks that animate us, invigorate us, and light up the darkened shadows in our lives: true, genuine, sincere, embarrassingly sloppy and sanguine human interaction. From sunsets to snowfalls we see our vision of beauty, or lack thereof, colored and outlined by our relationships with others. Wonderful play!
1 of 1 people found the following review helpful
4.0 out of 5 stars The core of the play is the relationship between Dr ... 6 Oct. 2014
By Dean Lundquist - Published on Amazon.com
Format: Kindle Edition Verified Purchase
The core of the play is the relationship between Dr. and Mrs. Givings where the titular vibrator serves to highlight the clinical nature of their relationship. At times quite hysterical, the play is a tongue-in-cheek look at modern technology through the eyes of Victorians mores.
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