- Vinyl (1 April 2013)
- Deluxe Edition edition
- Number of Discs: 3
- Format: Deluxe Edition
- Label: Sony Music
- ASIN: B00AYHKOZU
- Other Editions: Audio CD | Vinyl | MP3 Download
- Average Customer Review: 4.5 out of 5 stars See all reviews (688 customer reviews)
- Amazon Bestsellers Rank: 2,410 in Music (See Top 100 in Music)
The Next Day [VINYL] Deluxe Edition
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27th studio album by the legendary English musician, and the first to feature new material in ten years. Following the unexpected release of the single 'Where Are We Now?' on Bowie's 66th birthday, the album features 14 brand new tracks. The cover art for the album is an adapted version of Bowie's 1977 album 'Heroes'. This deluxe edition features three bonus tracks.
Even after 10 years away from the spotlight, David Bowie – pop’s most important post-Beatles innovator – still commands unrivalled levels of fascination.
Just when it seemed that he had quietly slipped into a dignified retirement, which no-one would have begrudged, the world awoke one morning in January to the remarkable news of not only a single, Where Are We Now?, available immediately, but also this album.
In the context of the album, Where Are We Now? – a moving, backwards glance at The Berlin Years – seems a slight red herring. Bowie does consider the past, ageing, mortality: on the title track’s chant of “My body left to rot in a hollow tree” and I’d Rather Be High’s stumbling “to the graveyard”.
How Does the Grass Grow? poses the question, “Would you still love me if the clocks could go backwards?” (You Will) Set the World on Fire seemingly addresses his pre-stardom self, a You Really Got Me riff and slick confidence reminding us that he’s always had “what it takes”. This elegiac nostalgia is matched by the beautiful You Feel So Lonely You Could Die.
A complex mood pervades elsewhere, a sense of things gone awry. The nicely sinister Dirty Boys’ expressive, serious vocal depicts a skewed Englishness of cricket bats, “Finchley Fair” and running “with dirty boys”. The Stars (Are Out Tonight) sees those stars (a recurring theme) anthropomorphised: “sexless and unaroused”, unsettlingly “beaming like blackened sunshine”.
The most experimental cut, If You Can See Me, proclaims – amidst spacey, tumbling rhythms and scattered jumbles of notes and words – “I will slaughter your kind”. Love Is Lost makes youth seem ominous – newness abounds but still “your fear is old”. Clearly this is no elder statesman simply wistfully gazing into a dappled, romanticised past.
Valentine’s Day and I’d Rather Be High are further standouts – the former is a mid-paced depiction of a character with a “tiny face” and “scrawny hands”; the latter, a furious anti-war song.
Closer Heat is a brilliant exemplar of what makes our finest, bravest musician of the past 40 years so irreplaceable. It’s full of spaced-out vocals, ominous noises and bangs, keening strings and disturbing, impressionistic poetry.
With the opacity and lack of easy answers that you would hope for from this most stylish and creative of artists, this is a triumphant, almost defiant, return. Innovative, dark, bold and creative, it’s an album only David Bowie could make.
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Top Customer Reviews
So I've fallen for the hype, how am I feeling now that I've listened to the thing a few times?
Well, not conned, that's for sure. It's not particularly strong on melody - though melodically it certainly sounds like a Bowie record and it's far from tuneless. But it's very strong on both arrangements and lyrics - the latter in my experience being the first faculty ageing rock stars tend to lose. Even the less interesting songs, and there are two or three that let the side down a bit, make an interesting noise. And there's a pretty wide variety of styles, though there's little here that wouldn't have fitted in pretty well on Lodger, for instance, though parts of it are a lot rockier than most of that album.
I can't think of another rock artist who's come up with work of this quality at such an advanced age - by any standards this is a very good album - the songs are interesting, powerful, some of the lyrics are quite disturbing, nearly all of them are thought-provoking at least; the playing and arrangements are superb, Bowie's vocals are in good shape.Read more ›
We have had a little time now to digest the track Where Are We Now? and to assess its true merit now that the "Blimey!" factor following its surprise release has worn off a bit. I still think that it's a very good song indeed. I did worry that some of the fragile, almost-out-of-tune vocal wasn't a deliberate effect but the voice of a man who can't quite sing as he used to, but - thank heavens - I was quite wrong. It is followed on the album by Valentine's Day, a track which wouldn't have been out of place on Aladdin Sane and which Bowie sings superbly, and there's plenty of other evidence here that he's still got it.
The songs seem to me to be vintage Bowie. There is the full gamut from singable, rocky tunes like Valentine's Day, through lovely tender songs like Where Are We Now? to the almost tuneless and weird-rhythmed If You Can See Me, with plenty in between. He certainly hasn't settled into a comfortable rut in middle age - If You Can See Me has joined my list of Almost Unlistenable Bowie Tracks and I'm delighted to see that he is still prepared to challenge and unsettle his audience even if personally I don't like the result.
The lyrics, of course, are complex, allusive and often elusive.Read more ›
Now to the songs themselves. There are some really memorable moments throughout the album such as 'Where Are We Now?' 'Valentine's Day' and the haunting closer 'Heat'. The songs on here are mainly mid-tempo rock songs with the odd few breaking this rule. I've read some reviews that the album is badly mixed with his voice being swamped beneath the music. I would only apply this to a couple of songs where his voice isn't the focal point but unless you're an audiophile it's not going to be so blatant that it will affect your listen. The lyrics are classic Bowie with him observing and critiquing the world we live in. Some of the songs towards the end get a little lost on the first couple of listens but become more familiar later. That is what I'd say of the album - it will grow on you rather than entice you immediately.Read more ›
Most Recent Customer Reviews
I have bought the vinyl version having owned the CD from issue. It sounds even better!Published 20 days ago by Lawsa 57
I bought his first album nearly fifty years ago the day it was released Loved it. (Saw him at a party a few days later - he wasnt famous. Read morePublished 27 days ago by Imacardie
For me this is Bowies best album since 1977's Low. It contains all the ingredients you would expect from a classic Bowie album, it is inspirational, provocative, emotive, melodic... Read morePublished 28 days ago by RH
As Bowie grew older, he also grew wiser and, seemingly, more confident in expressing his own true self. Read morePublished 1 month ago by Hayley Joanne Bacon