- Vinyl (1 April 2013)
- Deluxe Edition edition
- Number of Discs: 3
- Format: Deluxe Edition
- Label: Sony Music
- ASIN: B00AYHKOZU
- Other Editions: Audio CD | Vinyl | MP3 Download
- Average Customer Review: 4.5 out of 5 stars See all reviews (708 customer reviews)
- Amazon Bestsellers Rank: 15,958 in Music (See Top 100 in Music)
The Next Day [VINYL] Deluxe Edition
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Vinyl, Deluxe Edition, 1 Apr 2013
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27th studio album by the legendary English musician, and the first to feature new material in ten years. Following the unexpected release of the single 'Where Are We Now?' on Bowie's 66th birthday, the album features 14 brand new tracks. The cover art for the album is an adapted version of Bowie's 1977 album 'Heroes'. This deluxe edition features three bonus tracks.
Even after 10 years away from the spotlight, David Bowie – pop’s most important post-Beatles innovator – still commands unrivalled levels of fascination.
Just when it seemed that he had quietly slipped into a dignified retirement, which no-one would have begrudged, the world awoke one morning in January to the remarkable news of not only a single, Where Are We Now?, available immediately, but also this album.
In the context of the album, Where Are We Now? – a moving, backwards glance at The Berlin Years – seems a slight red herring. Bowie does consider the past, ageing, mortality: on the title track’s chant of “My body left to rot in a hollow tree” and I’d Rather Be High’s stumbling “to the graveyard”.
How Does the Grass Grow? poses the question, “Would you still love me if the clocks could go backwards?” (You Will) Set the World on Fire seemingly addresses his pre-stardom self, a You Really Got Me riff and slick confidence reminding us that he’s always had “what it takes”. This elegiac nostalgia is matched by the beautiful You Feel So Lonely You Could Die.
A complex mood pervades elsewhere, a sense of things gone awry. The nicely sinister Dirty Boys’ expressive, serious vocal depicts a skewed Englishness of cricket bats, “Finchley Fair” and running “with dirty boys”. The Stars (Are Out Tonight) sees those stars (a recurring theme) anthropomorphised: “sexless and unaroused”, unsettlingly “beaming like blackened sunshine”.
The most experimental cut, If You Can See Me, proclaims – amidst spacey, tumbling rhythms and scattered jumbles of notes and words – “I will slaughter your kind”. Love Is Lost makes youth seem ominous – newness abounds but still “your fear is old”. Clearly this is no elder statesman simply wistfully gazing into a dappled, romanticised past.
Valentine’s Day and I’d Rather Be High are further standouts – the former is a mid-paced depiction of a character with a “tiny face” and “scrawny hands”; the latter, a furious anti-war song.
Closer Heat is a brilliant exemplar of what makes our finest, bravest musician of the past 40 years so irreplaceable. It’s full of spaced-out vocals, ominous noises and bangs, keening strings and disturbing, impressionistic poetry.
With the opacity and lack of easy answers that you would hope for from this most stylish and creative of artists, this is a triumphant, almost defiant, return. Innovative, dark, bold and creative, it’s an album only David Bowie could make.
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Top Customer Reviews
Most Recent Customer Reviews
I have bought the various formats and editions but vinyl really does sound better. It may be the process and frame of mind you have to get into, relax and take your time rather... Read morePublished 1 month ago by Mark Sammut
A great album which I overlooked first time round. Such a shame that the catalyst for me getting back in to Bowie was his untimely death. What a hero.Published 1 month ago by Michael Harwood