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We Need To Talk About Kevin (Five Star Paperback) Paperback – 9 May 2006

4.2 out of 5 stars 886 customer reviews

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Product details

  • Paperback: 500 pages
  • Publisher: Serpent's Tail (9 May 2006)
  • Language: English
  • ISBN-10: 1852424672
  • ISBN-13: 978-1852424671
  • Product Dimensions: 12.9 x 2.8 x 19.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (886 customer reviews)
  • Amazon Bestsellers Rank: 444,420 in Books (See Top 100 in Books)

Product Description

Review

In fact everybody needs to talk about Kevin. Once in a while, a stunningly powerful novel comes along, knocks you sideways and takes your breath away: this is it... a horrifying, original, witty, brave and deliberately provocative investigation into all the casual assumptions we make about family life, and motherhood in particular (Daily Mail)

This superb, many-layered novel intelligently weighs the culpability of parental nurture against the nightmarish possibilities of an innately evil child (Daily Telegraph 2006-05-06)

Urgent, unblinking and articulate fiction (Sunday Times 2006-05-07)

Cleverly balances the grand guignol and the mundane (Guardian 2006-05-06)

Shriver keeps up an almost unbearable suspense It's hard to imagine a more striking demolition job on the American myth of the perfect suburban family (The Sunday Telegraph 2006-05-21)

A study of despair, a book of ideas and a deconstruction of modern American morality (David Baddiel The Times)

One of my favourite novels... the best thing I've read in years (Jeremy Vine London Magazine)

Book Description

Exclusive author interview with Paul Blezard.
'Elegant investigation...with a brilliant denouement' Observer --This text refers to an out of print or unavailable edition of this title.

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Format: Paperback Verified Purchase
Schriver is frequently slated for writing a book about motherhood when she is childless. In slating Schriver and in condemning Eva (Kevin's mother) reviewers overlook the fact that Kevin scores highly on the Cleckley checklist used to identify clinical psychopathy and Eva also alludes to all 3 of the classic triad of childhood indicators of psychopathy. She's done her homework in this respect. Kevin evades diagnosis (there is a great unwillingness to diagnose psychopathy in children) and the family are left to flounder with a child whose behaviour cannot be modified with either reward or punishment.

As a mother, Eva blames herself for not bonding with a son who is incapable of bonding or, indeed, of forming normal relationships. She does her best to understand and cope with his aberrant behaviour, but faced with her husband's refusal to acknowlege the problem and his inability to see through Kevin's play-acting, she is out-manoeuvred by her own son. Through it all she loves her son as best she can, but his inability to respond in a normal fashion stymies her attempts to mitigate his behavioural and deep psychological problems.

It takes a while to get into the book, but as the story progresses, it becomes hard to put it down. The real reason for Eva's estrangement from husband and daughter is a twist I didn't see coming until a few pages from it. The final scene, however, seems out of place.
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Format: Paperback
This book is very well written. Contrary to other reviews of this book, I think it is a strength in the novel that Eva does not always inspire empathy in the reader. Eva is a terrifically well rounded, believable and flawed character. The book is in the form of letters to her husband trying to rationalise the tragic killings performed by her son. I think it is in trying to rationalise why Kevin committed such atrocities that Eva questions her role as a mother... is it because she didn't really want a baby, because she couldn't bond with Kevin after he was born, because she wanted a career or was Kevin just born inherently evil?

This book is gripping from beginning to end, thought provoking, funny, scary and sad... well worth a read.
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Format: Paperback
At one level, I found this a compeling read. Unlike many here, I managed to finish it, and I did not find the style distracting or over detailed. Eva is clever and opinionated and, yes, insufferable and snobby, but in many places (if not in others) she is plausible. The wider story - which is probably best read as a sort of parable - is intimately drawn, the teleogical style hiding a neat twist (which came to me as a relief, since otherwise the format and the style of the letters was not, even in the story's own terms, convincing). Kevin, like Franklin, draws and commands our attention even if, on closer scrutiny, they are too black-and-white, too two dimensional, too much like pantomime characters. Like any other liberal critique of liberalism, the book gets caught up and largely nullified by its own conclusions - if there are any. Shriver seems to me to brilliantly parody a society that must ask WHY and be answered, even when some situations and outcomes have no WHY. The true horror of Kevin is rather like the true horror of Orwell's 1984: Obrien teasing Smith with the discovered journal entry `I understand how, I don't understand why?' to which Obrien remarks, `because there is no why' Yet the impact of this nnialism is lost when, in fact, Shriver can't help put pose the why again at the end, and in the final scene, struggle to offer us an explanation which robs Kevin of much of his fictional dynamism.

In other senses the work has flaws. Though a personal account, Franklin is so ludicrious in places as to beg wider questions as to how or why Eva would have married him in the first place. Even on this side of the pond, a fraction of Kevin's antics would have landed him in some sort of therapy.
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By Brida TOP 500 REVIEWERVINE VOICE on 13 May 2005
Format: Paperback
I saw this book on BBC1's Page Turners and so decided to buy it. This novel is absolutely brilliant, I cannot recommend it enough.
The story is narrated by Eva, in letter form, as she writes to her estranged husband. Eva's son, Kevin, is in a juvenile detention centre, as at the age of 15yrs he went on a killing spree at his high school. He killed 7 fellow students, a teacher and a cafeteria worker. Through Eva's letters, the reader is taken through Kevin and her story, going right back into their past, even before Kevin was born. As Eva spills her heart out onto the paper, you are struck by how she is debating the point of just how to blame, if at all, she is for Kevin's actions.
The exploration of the past, especially Eva's relationship with her husband, brings up many areas of life and truth that are often not spoken about. This, I think, is why this novel is so good; the book is not just about Kevin's terrible crime. The dynamics of Eva and Frianklin's relationship are also explored, both as a young couple and as a family once Kevin is born.
This novel really does stay with you long after you have finished the last page. The ideas, suggestions and debates it raises are complex and intriguing, something to really get your teeth into.
This is a great book, one of the best I have read, and that really is saying something.
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