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Natasha : " The Biography Of Natalie Wood " Hardcover – 26 July 2001
- Print length430 pages
- LanguageEnglish
- PublisherCentury
- Publication date26 July 2001
- ISBN-100712677003
- ISBN-13978-0712677004
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About the Author
Product details
- Publisher : Century; First Edition (26 July 2001)
- Language : English
- Hardcover : 430 pages
- ISBN-10 : 0712677003
- ISBN-13 : 978-0712677004
- Best Sellers Rank: 2,575,014 in Books (See Top 100 in Books)
- 951 in United States Cinema
- 28,717 in Theatre & Performance Artist Biographies
- 33,245 in Actors & Entertainers Biographies
- Customer reviews:
About the author

Suzanne Finstad is an award-winning author, biographer, and journalist. Prior to Natalie Wood: The Complete Biography, she wrote the New York Times bestseller Natasha: The Biography of Natalie Wood. Natasha, among other distinctions, was named the best film book of 2001 by The San Francisco Chronicle. Two of Finstad's other books, Sleeping With the Devil and the groundbreaking Child Bride, were also bestsellers. The Sunday Times of London named Finstad's biography, A Private Man, one of the top five entertainment books of 2005. In her acclaimed first book, Heir Not Apparent, Finstad, a lawyer on the case, exposed a cover-up in the legal battle for Howard Hughes Jr.'s billion-dollar fortune. She has served as Executive Producer and Associate Producer on film adaptations of her literary works. Suzanne Finstad lives in West Hollywood.
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But the job of a showbiz bio should help us understand how these "stars" come to be, what made them develop and how they ticked. It should also give a look into the world they inhabit. This book isn't as good as Walker's biography of Miss Leigh. But it comes close.
Wood was even more beautiful than Miss Leigh, and a better actress. Unfortunately, at least for me, most of her films have dated. "Rebel Without A Cause" and "West Side Story" are two just symbols of outdated American ideals that, like the American economy, are now just as bankrupt. America won the Cold War because it produced better films. Now the Russians have caught up. Natasha, ironically, was Russian-born!
Another prinipal character in this book is Natasha's mother, Maria (or whatever name she went by). Today, at least in the UK or the US, the way she treated Natasha (and her two other daughters) would be bordering on child abuse. The way she manipulated and abused her daughter (and others around her) was borderline criminality. Today people are put in prison for treating animals with less cruelty!
More interestingly, especially here in the UK with all the recent allegations about former "celebritries" having sex with schoolgirls, is that fact that nobody (including hr mother)said very much about Wood having an affair (when she was 16) with Frank Sinatra (who was divorced and almost 40). How times change. Or do they?
The real enigma about Miss Woods was that sex and nudity were largely still censored in most of her films (and she hated nudity). So unlike later actresses of my generation, Helen Mirren (herself with Russian origins) and Jenny Agutter, we don't get the full benefit of all her full physical beauty. But that's even better. It makes her even more enigmatic.
The one drawback to the book is the change between Russian names, English names and other names which people have in the book. But that is a minor flaw.
A must for all Natalie Wood fans and people who like showbiz biographies. And I am not really a fan of her films. But that doesn't mean that I cannot appreciate the qualities that made up this beautiful, talented and enigmatic woman. She would have made a perfect Helen Of Troy: Goddess, Princess, Whore , the character of Bethany Hughes' book about this historical myth that caused a war. Maybe, in a thousand years time, a future society will turn Natalie Wood into a similar myth, or even a goddess. Though they will probably make her breasts bigger. And her male companion could be called "Clyde".
That's life, that's Hollywood: it's all fantasy!
It just seems the writer actually is really not prepared to look beyond the surface on any matter and throws out a fairly superficial covering of everything to me. The ridiculous idea she was torn between Acting styles and so between Wagner and Walkern is completely off beam for me. Most actors establish their own process and what works for them and can move between styles usually when parts call for it. Placing a thematic and symbolic overladen response on her completely ignores her own intuitive acting skill which had carried her through and her obvious desire for her children to have a stable life. The real villain of the piece really seems , sadly, to be alcohol.
She was undoubtedly a beauty set on a trajectory of stardom by her ambitious stage Mamma - almost mirroring 'Gypsy.'
I would definitely recommend the book and won't be lending my copy to anyone!






