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My Name is Red Paperback – 4 Aug. 2001
- Print length417 pages
- LanguageEnglish
- PublisherFaber & Faber
- Publication date4 Aug. 2001
- Dimensions0.25 x 0.25 x 0.25 cm
- ISBN-100571200478
- ISBN-13978-0571200474
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Product description
Amazon Review
In the late 16th century, during the final years of the reign of Ottoman Sultan Murat III, a great work is commissioned, a book celebrating the Sultan's life. The work is conducted in secret, to the ignorance of the artists involved, for fear of a violent religious reaction to the European style of the illuminations in the book. An artist goes, missing, feared dead, and Black, a painter who has been in a self-enforced exile because of spurned love, returns to help his former Master investigate the disappearance.
Pamuk's prose is as exquisite and rich as the elucidations it describes. This is a dense, atmospherically fevered book, which demands a high level of patience and attention from the reader, perhaps mirroring the patience of the miniaturists. Written in the first person, with multiple narratives, this is a book full of unreliable witnesses, and as the various stories of the narrators unfold, the truth of the disappearance slowly emerges. The sense of place and time are carefully constructed and diligently maintained throughout the novel, which, like Umberto Eco's The Name Of The Rose, far exceeds the genre of literary historical crime to become a hypnotic meditation on religion, love, time, patience and artistic devotion. --Iain Robinson
Product details
- Publisher : Faber & Faber; First Edition (4 Aug. 2001)
- Language : English
- Paperback : 417 pages
- ISBN-10 : 0571200478
- ISBN-13 : 978-0571200474
- Dimensions : 0.25 x 0.25 x 0.25 cm
- Customer reviews:
About the authors

Orhan Pamuk, described as 'one of the freshest, most original voices in contemporary fiction' (Independent on Sunday), is the author of many books, including The White Castle, The Black Book and The New Life. In 2003 he won the International IMPAC Award for My Name is Red, and in 2004 Faber published the translation of his novel Snow, which The Times described as 'a novel of profound relevance to the present moment'. His most recent book was Istanbul, described by Jan Morris as 'irresistibly seductive'. He was awarded the Nobel Prize for Literature in 2006. He lives in Istanbul.
Photo by David Shankbone (Orhan Pamuk discusses his new book about love) [CC BY 3.0 (http://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons.

Erdağ Göknar is Associate Professor of Turkish and Middle East Studies at Duke University and an award-winning translator. His translation of Orhan Pamuk's historical novel MY NAME IS RED won the International Dublin Literary Award (2003), marking Pamuk's emergence as an author of world literature and contributing to his selection as Nobel laureate (2006). The best selling novel was reissued in 2010 as part of the Everyman's Library Contemporary Classics series. Göknar is also the translator of A.H. Tanpınar's iconic novel of Istanbul, A MIND AT PEACE, and Atiq Rahimi's anti-war novella set in Afghanistan, EARTH AND ASHES. His critical literary study, ORHAN PAMUK, SECULARISM, AND BLASPHEMY: THE POLITICS OF THE TURKISH NOVEL (Routledge 2013), argues that the productive tension between Turkish Islam and state secularism give Pamuk's work currency as world literature. Göknar's poetry collection, NOMADOLOGIES (Turtle Point 2017), engages themes of Turkish-American diaspora.
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Instead it is a profound and engaging meditation on the contrasting and sometimes conflicting views of eastern and western aesthetics of art, especially visual and religious art: or, rather, the religiosity of art.
Yes, there is a murder which kicks off the story, and another one mid-way through (very brutal and disturbing) but who did it really isn't either the point or the driver of this book. There's also a love story at its heart, but one which draws on the Persian epics that it constantly refers to and so half invites and half resists comparisons with western love stories.
Other reviewers have complained about the narrative voices all sounding the same, and that is the case, but I assume because Pamuk isn't interested in writing a character-driver novel. Also don't read it if you're expecting a lush historical full of exotic detail as that's not the type of book it is (Gregory, Chadwick et al.)
In summary, this is an intellectually-accomplished and brave novel that deals with hard subjects. It's not a difficult read but it is a slow one, one that you need to take your time over and digest, not a page-turner where you can't wait to find out what happens next. I think it's an important book but it won't be to everyone's taste.
Unlike a couple of other reviewers, I enjoyed the different 'voices' used to drive the story along. The mystery and the love story served well to keep me reading to the end and the ending was very satisfying.
As a woman, It led me to reflect that it is only very recently that women have lost their second class status in the West. In the Islamic world at different times and places - like 16th century Istanbul - the societal structures seem to have forced both men and women to behave rather strangely, to modern Western eyes.





