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Mozart: Piano Concerto No.25 In C Major K.503; Piano Concerto No.20 In D Minor K.466

4.6 out of 5 stars 29 customer reviews

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Product details

  • Performer: Martha Argerich
  • Orchestra: Orchestra Mozart
  • Conductor: Claudio Abbado
  • Composer: Wolfgang Amadeus Mozart
  • Audio CD (10 Feb. 2014)
  • Number of Discs: 1
  • Label: Deutsche Grammophon
  • ASIN: B00HBS2BTW
  • Other Editions: Audio CD  |  MP3 Download
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Bestsellers Rank: 56,789 in Music (See Top 100 in Music)
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Digital Booklet: Mozart: Piano Concerto No.25 In C Major K.503; Piano Concerto No.20 In D Minor K.466
Digital Booklet: Mozart: Piano Concerto No.25 In C Major K.503; Piano Concerto No.20 In D Minor K.466
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Product Description

Product Description

A decade has passed since the release of their last album together. Now Martha Argerich and Claudio Abbado have joined forces again for two of Mozart s Vienna piano concertos.

After Mozart was dismissed from his post in Salzburg, he sought to make his way in Vienna as a freelance composer. In so doing, he turned his back on musical conventions. One form he particularly enjoyed experimenting with was that of the piano concerto, and the twelve he composed between 1784 and 1786 broke new musical ground. The Concertos in C major, K 503 (No. 25) and D minor, K 466 (No. 20)represent two contrasting milestones of this creative phase. Abbado and Argerich accordingly make no attempt to lump the two together, highlighting their unique characters.

This album is also Abbado's last recording after one of the greatest conductor's of our time sadly passed away on the 20th January 2014.

Customer Reviews

4.6 out of 5 stars
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Top Customer Reviews

Format: Audio CD
It's very hard to write anything like an objective review of this CD, as it is only last month that Abbado passed away - but even despite that, this is very very special music-making. The peerless interpretations, the amazing clarity and sensitivity of the playing (from soloist and orchestra) and the infectious sense of JOY in engaging with two of Mozart's greatest piano concerti (and in K466, some would argue, the greatest) swept me away entirely...and it was only as the breathtaking and exhilarating end of K466 arrived, and the applause and cheering began, that I remembered that Abbado is no longer with us... This is a worthy memorial.
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Format: Audio CD
This record is a very apt tribute to Claudio Abbado, given that his recordings with Martha Argerich go back to the Prokofiev/Ravel disc made in 1967. You do not listen to it in a spirit of assessing how good it is, but rather with a sense of sadness at the loss to the music world of such a great figure. He seemed to be one of the pivots of the orchestral world over the last decades, and stood for refinement and a marvellously subtle musicality, recently communicated through his Orchestra Mozart in that composer and Schumann, with superb results. The music-making here is of a very high order, as you would expect; Argerich has an uncanny ability to get down something miraculous on all her live recordings (the D minor here has ecstatic applause), the range of tone and phrasing are completely magical. One thing that can be concretely said is that she plays the last movement of the D minor at an incredible speed - I've never heard it this fast. One imagines the pulse came from her, but Abbado matches her with a sense of long understanding and his direction is full of colour and affirmation of the spirit of the music. The C major also has a big approach to the keyboard, and is one of Mozart's grandest concertos, his own unnamed "Emperor", perhaps. The recording quality fully captures the range of sounds in the orchestra, taking you through the experience second by second - your ear just goes with it. The amalgam of poise and sensuality is so blended, you can only think: this is the real thing. Even the cover photo seems to be a moment of grace; two artists who really do deserve their legendary status, brought together in an instant both timeless and exciting in the highest degree.
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Format: Audio CD Verified Purchase
It is true that not much can be added to what already has been said about the rendition of these two Mozart piano concertos which truly set standards of excellence.

I shall consequently confine the argument to two elements namely Martha Argerich's divine rendition and the quality of the sound which is truly amazing.

I was always an Argerich enthusiast but in the past certain people could still detect flaws. As an example I can cite her Rachmaninoff 3 with Ricardo Chailly conducting in which the reservation was that she imposed her personality on the character of the music. Though even in retrospect I do not agree , still in retrospect I can see their point.

But I challenge anybody to detect even a suspicion of flaw in her rendition of these drastically different in character piano concertos. In this regard the liner note reads 'with its majestic radiant, chordal opening, the C major Piano Concerto K 503 of December 1786 introduces us to a world of expression that could hardly be more different from that of the deadly rebellious D minor Concerto K 466 of February 1785.' Her rendition though retaining her vitality and acuity, and impressive flow still fully respects the thematic and chromatic variations of the two concertos.

The phenomenal pianist, Martha Argerich in her full maturity attains consummation.
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Format: Audio CD Verified Purchase
Whatever you have so far read about this recording being good could not possibly be an exaggeration. This is truly lovely playing by both Argerich and Abbado at the helm of his orchestra. I've known the C major concerto for more than 40 years but I have never heard it like this before. The grandeur is there as it should be but Argerich knows just how to melt into an altogether more sublime mood, especially in the slow movement and Abbado is right there with her. What gorgeous wind solos to accompany!

As for the D minor concerto, it has all the qualities of a sombre baritone deep in questing thought; delicious! This is dark chocolate music. The scherzo passage in the slow movement may not bite as much as in some recordings but it is all of a piece with the rest of the performance. As for the final few bars with that witty little trumpet riff in the major, it brings out the sunshine as it always should.

Now that Abbado is no longer with us, this is a treasure that I hope will never be out of the catalogue.
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If I were forced or invited to go to a desert island and choose eight records (or discs!) to help with the solitude, Martha Argerich's and Claudio Abbado's classic recording of Prokofiev's 3rd piano concerto would be at the top of the list. This new disc captures the magic that these two artists sparked off each emphasising the tragedy that there will be no more.

There is little I can add to my fellow reviewer, schumann bg's comments, except to say that the disc itself is well presented including the classic photo of Ms. Argerich and Mr. Abbado as they were in the 60's. How times have changed.
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