- Format: Kindle Edition
- File Size: 964 KB
- Print Length: 352 pages
- Publisher: NewCon Press (13 April 2014)
- Sold by: Amazon Media EU S.à r.l.
- Language: English
- ASIN: B00JOHUAOG
- Text-to-Speech: Enabled
- Word Wise: Enabled
- Average Customer Review: 20 customer reviews
- Amazon Bestsellers Rank: #239,773 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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The Moon King Kindle Edition
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There is an island city ruled by immortal benevolent dictator The Lunane. When he founded the city he captured the moon and set it permanently above the city – a symbol of the city’s greatness and of his own power.
As a consequence, the moon is the dominant factor in the life of Glassholm (It’s essentially Glasgow and the Glassholmers are Glaswegians). At full moon, everybody is happy and Glassholm is one big party; as the moon wanes architecture crumbles, mechanical things fail and the mood of the populace sinks until at full dark all the lights go out and there is depression and violence.
This is how things have been for centuries, but suddenly things start to go awry: there is a murder at full; the luck monkeys deliver only bad luck; children made of water haunt the city, and the moon’s behaviour no longer correlates with the palace mathematicians’ calculations.
I won’t go into any more details of the story because I don’t want to spoil it for anyone intending to read the book. And everyone should read this book. It’s a rip-roaring adventure, a pacy crime thriller, an inventive alternate reality fantasy, and most of all a modern fable. The prose is sweet enough to be almost invisible and the characters all genuinely breathe.
All of that is enough to make it a worthwhile read, but where it gets really interesting, and where this reviewer starts to feel out of his depth, is in the subtext.
The city, in order to cope with the monthly cycle of decay and repair, is sturdy and solid, the people pragmatic and stoical, surviving the dark days with a mix of bleak humour and bloody-mindedness. They are exactly like Glaswegians, and perhaps because of that I kept feeling correlations, noticing the other ways it reflected the city that spawned me.
A major theme of the novel is the cyclical nature of life, though in The Moon King the only cycle that counts is the lunar one. His description of the full moon revels sound not much different from Sauchiehall street on a Saturday night: lots of loud drunk happy people, uninhibited and doing and saying things they’ll regret tomorrow. And the undercurrent of unease in this party atmosphere, the feeling that failing to join in might mark you as an outsider or a target, is portrayed perfectly in the novel. Glasgow on a Tuesday night is a very different place.
The cycle of decay and repair happens in Glasgow too, but over a year rather than a month. Our winters are harsh, but not so cold that the temperature stays below freezing for weeks at a time. Water seeps into cracks in walls or roads, freezes and widens them, again and again over the winter. Then the January storms come and roof tiles, trees and trampolines fly around causing more damage. With the spring sunshine come the workies repairing potholes and rebuilding architecture.
Another major theme is conservatism, linked with complacency and fear of change, even when the status quo is deeply flawed and a bit sinister. In a way it could be taken as a comment on the current Scottish independence debate, if he hadn’t told me he’d started writing it nine years ago.
And finally, perhaps its most blatantly fabulist theme is the danger of trying to interfere with nature. We might think we’re in charge but she will have her way in the end – even a thousand years of the illusion of control can crumble when nature retakes the reins.
Some of it is still spinning around in my head and I’ll quite possibly change my mind about everything I just wrote in the coming weeks.
Overall, this is a highly rewarding reading experience that works on as many levels as you want it to. He leaves a lot of the details vague, giving us room to fill in our own ideas, showing the reader some respect. Extra marks just for that Neil.
I will try to explain it without giving away any spoilers!
Glassholm is an urban island society that is wildly sensitive to the waxing and waning of the moon. The moon has been trapped by Glassholm’s sage leader, Lunane, who is able to infiltrate and command minds. A series of murders and the pulling away of the moon send the city into a kind of bipolar riot that becomes an uprising. The book follows the lives of three people who are caught up in this revolution to a life and death degree: A retired policeman who suffers from a trauma induced amnesia. An artist who is the daughter of a cult leader and has been raised praising her menstrual blood. And an engineer who is trying to repair the machine that keeps the moon imprisoned, as well as searching the palace for his lost wife. Glassholm is a place that feels as familiar and as strange as an alter ego. The story beautifully tightropes between the natural and the supernatural, allowing all manner of dark, mystical and devious happenings to take place inside a recognisably human habitat. The writing is visually stunning and falls off the page and into your mind like an earworm – like reading a poem with brilliant description and dialogue. Nothing about the plot is transparent or obvious, yet you still connect deeply with each of the characters because their emotions and relationships are so perfectly drawn. It is the type of book that subtly becomes a part of you, like living close to the moon changes your physiology in surprising and meaningful ways.
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