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The Monster Legacy
Box Set
| Additional DVD options | Edition | Discs | Amazon Price | New from | Used from |
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DVD
"Please retry" | — | 13 |
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| — | £149.99 |
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Product description
A collection of classic monster films from the vaults of Universal Studios. Films are: Tod Browning's 'Dracula' (1931), 'Dracula' (1931, Spanish language version), 'Son of Dracula' (1943), 'House of Dracula' (1945), 'Dracula's Daughter' (1936), 'The Wolf Man' (1941), 'Werewolf of London' (1935), 'She Wolf of London' (1946), 'Frankenstein Meets the Wolf Man' (1943), 'James Whale's Frankenstein' (1931), 'The Bride of Frankenstein' (1935), 'Son of Frankenstein' (1939), 'The Ghost of Frankenstein' (1942), 'House of Frankenstein' (1944), 'The Mummy' (1932), 'The Invisible Man' (1933), 'Phantom of the Opera' (1943) and Jack Arnold's 'Creature From the Black Lagoon' (1954).
Product details
- Is Discontinued By Manufacturer : No
- Rated : Suitable for 15 years and over
- Package Dimensions : 30.6 x 21.4 x 15 cm; 2.2 Kilograms
- Director : Tod Browning, Erle C. Kenton, Lambert Hillyer, George Waggner, Stuart Walker
- Media Format : PAL, Box set
- Run time : 20 hours and 50 minutes
- Actors : Boris Karloff, Bela Lugosi, Helen Chandler, John Carradine, Onslow Stevens
- Studio : Universal
- ASIN : B0002W11TU
- Number of discs : 13
- Customer reviews:
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Learn more how customers reviews work on AmazonReviewed in the United Kingdom on 8 May 2016
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However, I do have quibbles. Why, for example, include the Claude Rains version of Phantom of the Opera, the B-movie She Wolf of London and Creature From the Black Lagoon here? These are all out of place in the context of the rest of the material in the box. The 1943 version of Phantom was never really part of the Universal horror world, more a glossy melodrama, with too much emphasis on the musical element (Nelson Eddy after all gets top billing).
She-Wolf of London is a long forgotten low budget B movie, just included to make up the numbers in the Wolfman set. For a start it doesn't have a werewolf in it (the plot is the hoary drive-the-heroine-mad scenario) and is obviously a second rank filler, clocking in at just under 60 minutes. I had to search high and low to find any reference to it anywhere, eventually stumbling on a Kim Newman article on director Jean Yarb(o)rough while looking for something completely different in an old edition of Shock Express. Of course, I have no objection to it being released on DVD but it's a waste of space here; why not on a Universal B-movie collection.
And Creature from the Black Lagoon dates from a different era, part of the 50s Sci-fi/horror wave; again put it on a box set with Incredible Shrinking Man, It Came From Outer Space et al.
With these anomalies removed, this set could then have included Murders in the Rue Morgue, The Old Dark House, The Black Cat, The Raven and The Invisible Ray, titles more in keeping with the spirit of the rest of the box. Hell, why not chuck in Abbott and Costello Meet Frankenstein too. Unfortunately whoever put this collection together seems to have got too hung up on the `monster' aspect and allowed that to sway their decisions of what to include (which in the case of She Wolf is a cheat anyway). Why not just call it The Universal Horror collection and thus broaden the remit? As is often the case, it is frustrating to have such a potentially definitive collection botched, apparently in this instance by the short sighted dictates of the marketing department. Check out the blurb where it says that these "thrilling classics not only established a major movie genre but also inspired the 2004 epic adventure film event Van Helsing". There is revealed the real motivation for the set's contents, i.e. to sell it to the ADD Van Helsing audience. Why not consider who will be more likely to buy a set like this: the baby boomers who remember BBC2's Saturday night horror double bills of the late 1970s/early 1980s, people who will be clued up about the contents of just such a box set.
Still, despite these reservations, and I know I've spent more space complaining about it than praising it, if you are in any way interested in the early years of horror cinema I would still recommend The Monster Legacy as a purchase. It's the easiest way to gather up all the Universal Dracula/Frankenstein/Wolf Man movies and it's no hardship to have the additional movies too. Also I haven't mentioned the 3 exclusive polystone busts of Dracula, Frankenstein's monster and the the Wolf Man that come with it. They are pretty chunky, and hence useful for bashing the heads of idiot box set compilers should you ever encounter one.
One of the highlights is the documentary that comes with the set which kind of puts the films in context but also lets you know what you're missing. Immediately I NEED Lon Chaney's version of 'Phantom of the Opera' and 'The man who laughs' which would have been perfect additions to the set but I can understand why they were ommited (I wanted to get my hands on the films with the big three in and most people who buy tis will be the same) but historically they should have been included.
I spent the best part of a week with these films. They look amazing (black and white film is such a beautiful medium for horror), there's some repetition to the story (monster escapes, monster causes havoc, monster gets foiled) but the storylines are inventive enough to make them addictive. Karloff and Lugosi (for Igor more than Dracula) are amazing and Lon Chaney Junior as the wolf Man plays a very deep character for the times (a tad bulky when he plays Dracula). Elsa Lanchester as the Bride of Frankensten is a complete hottie too.
I don't care either way about the busts - if it made the set cheaper or there had been more films I'd rather the set had been like that but they look good and are well made and will probably hold the set's value as you see the Frankenstein / Bride of Frankenstein set going for a song everywhere.
If you're teetering then go for it, The films stand the test of time (although there are no resolution endings - something movie storylines must have added later - the monster dies and then credits roll, usually during this) and the films are so atmospheric. I can imagine taking them all out every year, lining them up by year and ploughing through them again and completely enjoying it.
The only drawback will be that you'll need more.
These films collect all Frankenstein, Dracula and Wolfman films made by Universal in the 30s and 40s and each generally lasts just over an hour. Make sure you watch them in the right date order because they have jumbled them up amongst the discs - but by watching them in the right order it will not only make each sequel a little bit clearer but you will also delight in spotting the many inconsistencies from one film to the next (eg Wolfman getting shot in House of Frankenstein and then re-appearing in House of Dracula without any apparent explanation!).
The stunning sets of ruined castles and foggy graveyards, the highly effective black and white contrasts, the emphasis on facial expressions (still left over from silent films) - all simply add to the eerie and wierdly wonderful ambience.
Much of the acting is superb, particularly from Boris Karloff and Bela Lugosi - but hidden gems include the performance of Colin Clive (Henry Frankenstein) from Frankenstein and Bride of Frankenstein. The scene where he triumpantly screams "He's alive!Alive!" will retain its place in cinematic history. His next line "My God! My God! Now I know what it feels like to be God!" was, interestingly, censored from the original release in 1931.
If you are either watching these for the first time, or re-living those Saturday night Horror Double Bills from the 70s, you are in for a treat. Enjoy!
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