- Audio CD
- Publisher: Audiogo; Unabridged edition (13 Dec. 2011)
- Language: English
- ISBN-10: 1609983475
- ISBN-13: 978-1609983475
- Product Dimensions: 13 x 2.8 x 15 cm
- Average Customer Review: 3.3 out of 5 stars See all reviews (21 customer reviews)
- Amazon Bestsellers Rank: 4,469,664 in Books (See Top 100 in Books)
Millenium People Audio CD – Audiobook, 13 Dec 2011
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The peasants, goes a tedious old joke about Wat Tyler's mob, are revolting. In JG Ballard's unnerving, prophetic novel Millennium People, however, it's the middle classes that are staging the revolution: blowing up the NFT, burning their books and defaulting on their maintenance charges. Rejecting, in short, everything that they've worked so hard for--The Bonfire of the Volvos, as one rather droll chapter heading has it.
At the forefront of this petit bourgeois insurrection are the occupants of Fulham's Chelsea Marina, (as ever with Ballard) an exclusive housing community. Led by the charismatic Dr Richard Gould, a disgraced paediatrician turned "Doctor Moreau of the Chelsea set", Marina residents Kay Churchill, a former film lecturer; civil servant Vera Britain and Stephen Dexter, the parish vicar and an injured airman (another Ballard perennial) have unleashed an arson campaign against targets deemed suitably middle class.
David Markham, a psychiatrist and the book's steely narrator, is drawn into the Marina's inner circle after his ex-wife Laura is killed in an apparently meaningless bomb attack at Heathrow airport, (prime Ballard territory, of course). Meaningless is the insistent motif: Markham's current wife Sally was crippled in a freak accident and the murder of a banal if inoffensive television presenter (loosely modelled on Jill Dando) is one of the seemingly random violent acts unleashed by Gould, precisely because of their apparent randomness. "The absence of rational motive", as he says, "carries a significance of its own".
A master of sustained unease, Ballard has again excelled in fashioning a gripping, psychologically disturbing novel, that, like High Rise or Super-Cannes, is part cultural analysis and part surreal social prediction. --Travis Elborough --This text refers to an out of print or unavailable edition of this title.
Praise for ‘Super-Cannes’:
‘Sublime…The first essential novel of the 21st century.’ Independent
Praise for ‘Cocaine Nights’:
‘Britain’s number one living novelist. This adds a glinting new facet to his achievement – Ballard, detective-novelist extraordinary.’ Sunday Times
Praise for ‘The Complete Short Stories’:
‘Compelling…one of the most haunting, cogent and individual imaginations in contemporary literature.’ William Boyd, Mail on Sunday
Esquire – Sept 2003
"Ballard, acutely fierce as ever, detonates a bomb under Middle England in his continuing attempt to shock the middle classes out of complacency and into violent struggle"
Bookseller – 20 June 03
"[Ballard's] work has lost none of its power to disturb. Millennium People dissects a society without purpose, in which a population is numbed by an infantilising culture and invigorated only by the appeal of violence…"
Daily Telegraph – 23 August 2003
"…a horribly riveting work from a writer of rare imaginative largesse, a bearer of bad tidings unforgettably told."
Literary Review – Sept 2003
"Once again Ballard offers a masterly portrayal of a society coming apart at its civilised seams. And his text shimmers with the totems of modernity… There's still no disputing that Ballard is one of the most intelligent, important and thought-provoking writers this country has to offer. He tackles the modern human condition like no other writer. It is only a matter of time before Ballardian enters the English language."
TLS – 5 September 2003
"One of the novel's most successful aspects is the plausibility with which Ballard sketches the possible crossovers between political motivation and motiveless sociopathy, and Markham's attempts to resolve both the situation and his own mind are also rendered with a convincing giddy energy, as the plot moves to an inevitably violent conclusion."
The Independent – 6 September 2003 (article entitled 'Dystopian Rhapsody')
"Millennium People is a Thames-side thriller which opens with a bomb that explodes at Heathrow…The attack on Terminal 2 turns out to be the work, not of Islamic terrorists, but of British professionals… Britain's middle-classes are the 'new proletariat'…
Few writers find poetry in burning Heathrow freight offices and car-rental depots: Ballard can…. Ballard is a moralist apparently troubled by the shape of things to come and a literary saboteur of unswerving fierceness… Millennium People will compete with the best of contemporary British fiction."
Evening Standard – 1 September 2003
"Reading it is like having all the planks that underpin your life removed one by one and being forced to confront the brutality and emptiness that lies below"
Guardian (Magazine) – 6 September 2003
"Millennium People is a wonderful miasma of Ballard land."
Top Customer Reviews
The intriguing feature of this novel though is that the uprising is by the comfortable middle classes who appear to have everything they need. And here is the rub - this security and comfort is possibly a fiction , an illusion to keep the status quo of a controlling society. The 'chains' here are not tied by others, the rules are not imposed from without; the imprisonment of the middle class is entirely of its own making. In 'Millenium People' it is never made entirely clear what is wanted to replace things after the revolution; we just have rebellion for its own sake. The middle classes have comforts in abundance so what is lacking? Are they being hoodwinked into conformity and passivity? Is their obsession with rules a symptom of masked fear and insecurity? Whatever, Ballard certainly invites the reader to ask these sort of questions and to take a look at current social phenomena from a different perspective. The writing here is disquieting - cosy views are being challenged.
In the novel, random and meaningless acts of violence can be interpreted as attempts to kick back against a stultifying and deterministic universe. Perhaps there is a deep resentment of too much safety, security and comfort.Read more ›
Over the Golden Mountain." Edgar Lee Masters
"Millennium People" has an interesting story line. Set in the UK shortly after the Millennium, psychologist David Markham is mourning the murder of his ex-wife. She was the victim of a terrorist bombing at Heathrow Airport. Determined to get to the bottom of the matter he begins his own personal investigation. He quickly finds himself thrown into a strange world: a world filled not with foreign interlopers from abroad or proletarian rebels but, rather, one filled with disaffected tea-sipping, Volvo-driving, over-extended mortgage holding members of the British middle classes. For reasons explained in the book they are just fed up, prisoners of their own success apparently. And, contrary to what one would expect of a stereotypical British member of the bourgeoisie, they seem easily led to increasingly violent acts. Finally, Markham meets the `hidden hand' behind the angst and from there the story comes to a rather dramatic conclusion.
By the time I was one-third of the way through J.G. Ballard's "Millennium People" I was reminded of Lindsay Anderson's 1968 movie If... (The Criterion Collection) in which a young Malcolm MacDowell play a privileged teen who, chafing at the oppression of an old, elite English boarding school, leads a group of children of the middle and upper classes on a violent revolt. Millennium People struck me a story of what those teens might get up to if they had decided to rebel against their stolid, middle class, middle-age surroundings. I soon became convinced that the book reminded me of Paddy Chayefsky's Network, where people, once again mostly middle class start chanting "I'm mad as hell and I'm not going to take it anymore.Read more ›
Characters in Millennium People are far more sophisticated than a Ballard reader might expect. From the mysterious Richard Gould to the fiery Kay Churchill this improvement in characterisation helps convey the many messages in the story. What Messages? Well as usual, themes are around society, psychology, philosophy and politics, but instead of being deduced from the outcomes of the plot (as you might with say, High Rise), the morals come directly from the characters mouth and being the ever naive and passive David Markham, you get to hear everyone's side of the story.
The development around middle-class society, violence and even the meaning of life is very well handled and kept interesting and relevant with a twisting, mystery plot to which you're always trying to guess the ending whilst grappling with the challenging questions the characters ask of you and Markham.
To summarise, this is exciting, accesible, thoughful, sophisticated, interesting and enjoyable. It has the feel of an author reaching perfection with the complexity of The Atrocity Exhibition combined the atmosphere of High Rise...
...and to top all of that, this edition from the nice people at Harper-Perennial comes with a lovely jacket and an interview thingy at the end so read it and enjoy!
Most Recent Customer Reviews
This book reads like a psychiatric case study, interesting as such but an otherwise sickening and implausible plot, featuring disturbed characters driven to violence.Published on 17 Mar. 2013 by Audrey Fisk
I enjoyed the novel's central conceit - the focus on a middle class rather than a proletarian revolution - which produced some wittily incongruous scenes. Read morePublished on 30 July 2010 by Sarah A. Brown
It seems with Ballard you either like his brand of stark social comment or you don't, and this book just doesn't work for me. Read morePublished on 26 Aug. 2009 by Phil O'Sofa
I'm a bit disappointed with this book. It's readable, but not riveting. It raises a worrying prospect, but not as well as some of Margaret Atwood's work. Read morePublished on 12 April 2009 by harriot arbuthnot
If it's a satire, it's lacking wit, insight and humour, and if it's not satire it betrays a staggering naivete. Read morePublished on 28 July 2008 by Bryan
If you like Ballard's themes of what happens when polite society breaks-down then you'll love this book - if you don't ... then you won't!
I loved it. Excellent stuff.
This book was based on a ridiculous premise, namely that the middle classes, spouting the same psycho-babble with which they have fuelled many a post-party conversation, rise up... Read morePublished on 2 April 2008 by Dorothy Shaw
This is among the worst books Ive ever read. I couldnt follow the plot,and the language was over pretentious and unexciting. I have heard alot about J.G. Read morePublished on 24 Mar. 2008 by A. Auburn