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Milk & Kisses Import

4.8 out of 5 stars 17 customer reviews

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Product details

  • Audio CD (14 May 1996)
  • Number of Discs: 1
  • Format: Import
  • Label: Emd/Capitol
  • ASIN: B000002U3K
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Bestsellers Rank: 252,029 in Music (See Top 100 in Music)
  • Sample this album Artist (Sample)
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Product Description

Product Description

EMI 837049; EMI ITALIANA - Italia;

Amazon.co.uk

Still unique in a new age-friendly world they helped spawn, the Cocteaus return to the rapturous style of old after the failed mainstream bid of Four-Calendar Cafe (1993). What was once minimal and meandering is now an ornate spiderweb of riffs, rich beats, and Liz Fraser's ghostly vocalese on beauties like "Serpentskirt," and "Calfskin Smack." --Jeff Bateman

Customer Reviews

4.8 out of 5 stars
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Top Customer Reviews

Format: Audio CD
The nineties had proved to be tumultuous decade for the Cocteau Twins. They began the decade with Heaven or Las Vegas, the band's most commercially successful album. The then left the 4AD label, Fraser and Guthrie's relationship fell apart, Fraser went through a nervous breakdown and Guthrie's drug problems came to a head. As a result of this Four Calendar Café was a quiet, intimate record; perhaps reflecting Fraser's bruised psyche. The band were still reeling from these changes, problems and revelations in 1995 when the band began work on what would prove to be their final album, Milk and Kisses.

The album's opener Violaine is unrepresentative of the rest of the album. It may have been a reaction to the success of band's like My Bloody Valentine and Slowdive, whose music owed so much to the Cocteau's innovations in the eighties. The rest of the album was much more low key, and much closer to the material on Four Calendar Café, except that Milk and Kisses lacks prominent acoustic guitar. This album may be the most elegant and restrained of the band's catalogue.

In common with Heaven or Las Vegas and Four Calendar Café, Liz Fraser's lyrics are somewhat intelligible on this album. However, her greatest contribution is, as always her swooning, impressionistic melodies. Robin Guthrie and Simon Raymonde really shine on Milk and Kisses too, their guitars sparkle and shimmer. I must go against the general consensus and state that the strongest material on this album is on the second half. Eperdu is gentle and atmospheric, certainly one of the most beatiful moments on any Cocteau Twins album. Album closer Seekers Who Are Lovers is the song on which Robin Guthrie pulls out all of the stops, layering atmospheric guitar parts.
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Format: Audio CD
Too many false statements above: this is no way related to New age, this CD does not sound like early Cocteau era at all, Four calendar cafe was no mainstream bid, ... These critics must have been overdosing with Pulp or rehabbing inside the Oasis for a while I guess. Milk and kisses is another superb Cocteau Twins CD within their own unique direction, but at least for me it was suspiciously too similar to their previous Four calendar cafe. They probably released the very impressive accoustic and techno-ambient EPs right before this release so that we could not notice the continuity that much. Twinlights showed us a Liz more close to Nina Simone as ever, the Half gifts version ends very much like I get a long without you very well by heavenly black voice; also the Violaine remix by Mark Clifford on Otherness is a milestone in Cocteau twins discography, the redoing is just so amazing you just want a whole Cocteau twins CD sounding just like that. As for the Milk and kisses CD Tishbite in parts reminds me of Bluebird, Treasure hiding reminds me too much of Pur... There are precious moments though, Serpenskirt, Ups or Seekers who are lovers are among the best and most underrated pop songs of the nineties for sure. Even if I think Four calendar cafe is a more accomplished and a really move forward work, this is by far superior to the average pop CD of last century, so five hundred stars just for that.
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Format: Audio CD
I actually think this is their greatest moment, Liz Fraser is 1 of the greatest singers in human history and never sounded better. Genius.
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Format: Audio CD
This final album from the Cocteaus has a claim to being their best ever. The tracks are all melodically strong and Liz's vocals are just ethereally wonderful here. Treasure Hiding and Seekers Who Are Lovers are just the perfect ending to a wonderful album and career. I have all their releases and this one is the one Cocteau album I generally reach for when I'm in the mood for an alternative, dream pop fix, along with Slowdive's "Souvlaki", Mira's "Apart", Love Spirals Downwards' "Temporal", and The Single Gun Theory's "Flow, River Of My Soul."
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By A Customer on 25 Nov. 2001
Format: Audio CD
I am pretty much in agreement with the Amazon reviewer on this one. In its over-all blandness, 'Four-Calendar Cafe' veered dangerously close to sinking into the deep waters of the MOR-sea and drowning; and whilst 'Milk & Kisses' is, as another reviewer commented, distinct from earlier efforts (in that it is it no mere rehash of past glories), it is truly a return to form. The loud guitars swirl and soar, as do Fraser's unrestrained and other-worldly vocals (yep, a cliche, I know, but her voice is unique and is show-cased in fine form here); the polite trilling, tame lullabies and mainstream pretensions which plagued 'Four-Calendar' are definitely eschewed in favour of heavy-reverb and multi-track heaven!
Naturally, there are one or two vaguely dodgy moments - e.g. the cheesy radio-friendly guitar on 'Calfskin Smack' has me in mind of Phil Collins or Celine Dion (?!) for some reason (despite this it still manages to sound okay) - but there are plentiful gems to make up for this. The jewel in the crown is undoubtedly 'Serpentskirt', a moody and beautiful affair, goose-pimple-inducing in the way only a Cocteau's song can be - definitely one of their all-time best.
Oh and yes, "Treasure Hiding" is VERY similar to "Pur", although to me that can only be a good thing as the latter was my favourite track on "Four-Calendar". Wonder why ...? :)
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