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The Men Who Would be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks Hardcover – 3 Jul 2010
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-Want to know how business really works in LaLa Land? Read this book---Liz Smith, wowOwow.com -LaPorte's lenghty narrative is the definitive history of the studio, an achievement of dispassionate reporting in the genre of corporate decline-and-fall...Hollywood, with its penchant for sunny publicity and an obsession for secrecy, is a notoriously difficult business in which to uncover the truth...Most reporters are not up to the task. LaPorte is... The Men Who Would Be King will be required reading for anyone interested in the story of DreamWorks.---L.A. Times-A thrilling ride... The bumbling and infighting are just too good, and sad, to resist... We're privy to some serious dirt. LaPorte has clearly done her homework... The sheer scope and depth of The Men Who Would Be King impresses. No hissy fit escapes LaPorte's gaze. Every time Geffen has a meltdown or A-list stars like Russell Crowe throw trantrums, LaPorte is there to capture it.---Boston Globe-Daily Beast contributor and former Variety reporter LaPorte penetrates the mysterious inner workings of DreamWorks. . . . LaPorte marshals an awesome body of research to vividly depict DreamWorks' confused identity, the personality conflicts and ego clashes that raged behind the company's friendly, low-key exterior . . . Behind-the-scenes glimpses at the productions of such signature DreamWorks films as American Beauty and Gladiator are wonderfully diverting Hollywood dirt, but the heart of the story is simple human ambition. Stories of Katzenberg's toxic and litigious relationship with former boss and Disney honcho Michael Eisner, Geffen's mission to destroy agent Michael Ovitz and the rivalry between DreamWorks Animation and Disney's Pixar are fascinating for their insights into the ways petty personal issues are expressed in multibillion-dollar transactions. In Hollywood, it seems, business is always personal. A gripping account of money, ambition and the movies . . . same as it ever was.- --Kirkus -Nicole LaPorte has found a big story--this is the great part--that is even bigger than first appears, the story of DreamWorks being the story of modern Hollywood, which is the dream life of the world. She has climbed into the engine room with pen and notebook and been careful to record the details and dirt, then turned all that into music, the result being a gutsy saga filled with larger than life characters and incident. Read this book only if you want to know what makes our country, as Leonard Cohen sang, the cradle of the best and the worst.- --Rich Cohen, author of Tough Jews: Fathers, Sons, and Gangster Dreams and Lake Effect -Power, grandiosity, arrogance, and incomprehensible ego. It's Hollywood, of course, and Nicole LaPorte's exhaustive non-fiction narrative of DreamWorks and the bizarre triumvirate of Spielberg, Geffen, and Katzenberg is stunning. The book reads like a novel and the reporting is impeccable. If you pick up one book about Hollywood, make it this one.- --Buzz Bissinger, author of Friday Night Lights and former coproducer of NYPD Blue -Here is the brilliant, brutal, misguided, narcissistic history of DreamWorks in all its glory, with David Geffen, Jeffrey Katzenberg, and Steven Spielberg working unscripted, without handlers or publicists dimming the lights to a rosy glow. Nicole LaPorte has written a lively, cunning studio history that should be required reading for all students of modern Hollywood.- --Mimi Swartz, author of Power Failure: The Inside Story of the Collapse of Enron -This book has all the right elements: deep-dish research, attitude to burn, page-turning readability, and a great subject. It belongs up there with the classics of Hollywood reportage.- --Peter Biskind, author of Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'n' Roll Generation Saved Hollywood and Star: How Warren Beatty Seduced America -Nicole LaPorte may never be able to eat lunch in Hollywood again, but her potential loss is our gain: The Men Who Would Be King is a riveting and honest portrayal of three of the most powerful men in the entertainment industry. I couldn't put it down and neither will you.- --William Cohan, author of House of Cards
From the Inside Flap
For sixty years, through Oscars and earthquakes, the lineup of Hollywood s majors varied little, with Universal, Warner Bros., Fox, and Paramount heading the list. Then came the circus maximus created by director Steven Spielberg, billionaire David Geffen, and Jeffrey Katzenberg (who gave us The Lion King). Nothing in decades had approached the excitement surrounding the empire called DreamWorks, where hype, glory, and investors vying to kick in billions gave way to blowups, battles, and betrayals worthy of The Godfather.
Nicole LaPorte reveals for the first time the delicious truth of what happened behind the scenes. From a previously unequaled vantage, we see the slightly otherworldly Spielberg, so rich and famous that the borders of reality, much less his admiring new partners, can barely contain him. As Steven spends, offers lucrative contracts to friends, and makes blockbusters for other companies, Katzenberg attempts to create an animation kingdom that will become the new company s cash cow and annihilate his old rivals at Disney. (His shock comes when the one movie he does not micromanage the tale of a green ogre called Shrek becomes a four-billion-dollar franchise while his own projects tank one by one.) After he s charmed investors (including Microsoft s Paul Allen), Geffen hovers above the fray in his Gulfstream IV, occasionally jetting in to zap enemies who violate his rules of business, a code less flexible than omerta.[add accent grave to a]
There are clashes between Spielberg s blue-jeaned troops and Katzenberg s steely, Disney-trained warriors, and the seduction of stars such as George Clooney and Nicole Kidman (who can t believe the mess made of DreamWorks first movie, The Peacemaker). LaPorte shows us the making of Oscar-winning triumphs, including Saving Private Ryan, American Beauty, and Gladiator, a box-office crowd pleaser whose star, Russell Crowe, threatened homicide in bizarre late-night phone tirades. Behind the high jinks, however, is the very serious business of producing films, among America s biggest exports. Yet we watch as the partners alternately obsess and ignore their company as it burns through billions. We see Geffen showing his mettle against superagent Michael Ovitz, and staging a fireworks display during the negotiations that ultimately took DreamWorks to Paramount and then to Disney.
Here are three larger-than-life personalities, moguls that hark back to the days of Mayer and Goldwyn, making moves that remind us that in Hollywood, big business calls for memorable performances." --This text refers to an out of print or unavailable edition of this title.
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Why, you get "DreamWorksSKG", the studio the three Hollywood titans put together in 1994. Nicole LaPorte's well-written account of the men and their company - first private, then taken public in the early 2000's - and its impact on movies, music, and other entertainment media. But LaPorte writes about more than just the "Big Three"; she looks at Hollywood history and the development of..."development". That word - development - means a lot in reference to the entertainment industry. It encompasses "talent", "agents", and "producers" among others. LaPorte shows how deals are put together and how movies get made. She's detailed, but never boring.
If you're interested in the hows and whos of entertainment, LaPorte does a very good job at showing the inside out of the industry. Every page of her long book is interesting and makes for great reading.
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