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Memorial Hardcover – 6 Oct. 2011
Matthew Arnold praised the Iliad for its 'nobility', as has everyone ever since -- but ancient critics praised it for its enargeia, its 'bright unbearable reality' (the word used when gods come to earth not in disguise but as themselves). To retrieve the poem's energy, Alice Oswald has stripped away its story, and her account focuses by turns on Homer's extended similes and on the brief 'biographies' of the minor war-dead, most of whom are little more than names, but each of whom lives and dies unforgettably - and unforgotten - in the copiousness of Homer's glance.
'The Iliad is an oral poem. This translation presents it as an attempt - in the aftermath of the Trojan War - to remember people's names and lives without the use of writing. I hope it will have its own coherence as a series of memories and similes laid side by side: an antiphonal account of man in his world... compatible with the spirit of oral poetry, which was never stable but always adapting itself to a new audience, as if its language, unlike written language, was still alive and kicking.'
- Alice Oswald
- Print length96 pages
- LanguageEnglish
- PublisherFaber & Faber
- Publication date6 Oct. 2011
- Dimensions14.5 x 1.2 x 22.2 cm
- ISBN-100571274161
- ISBN-13978-0571274161
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Book Description
A glitteringly original new poem which is also a version of Homer's Iliad, from prize-winning poet Alice Oswald
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- Publisher : Faber & Faber; First Edition (6 Oct. 2011)
- Language : English
- Hardcover : 96 pages
- ISBN-10 : 0571274161
- ISBN-13 : 978-0571274161
- Dimensions : 14.5 x 1.2 x 22.2 cm
- Best Sellers Rank: 896,276 in Books (See Top 100 in Books)
- 713 in Translation & Interpretation Reference
- 9,777 in Literary Theory & Movements
- 17,221 in Poetry (Books)
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Instead of telling the story of the Iliad, Oswald concentrates on listing the dead, giving us a glimpse of each man's life as she tells us how he died. The sense of loss can be heartbreakingly intense and her pictures of the horror and madness of war are devastating, but the book is anything but depressing: although Memorial repeatedly shows us life in its moment of extinction and shows us so much of its cruelty, somehow it makes life's beauty and energy and its gentler qualities of love and compassion shine out more brightly than anything else I've read recently. That's why I've been drawn back to it so much.
The glimpses of lost lives are interspersed with condensed versions of Homer's epic similes, freed from their original contexts to become wider meditations on different aspects of life. The poem ends with a series of these similes. The two line one comparing tiny dried up old men speaking pure light to crickets leaning on their elbows in the hedges is as beautiful as anything I've ever read.
Remarkably enough, this is very successful. It's many years since I read Homer, but this seems amazingly true to the spirit of much of the poem I suspect there is more to Homer by way of world-view (shame culture etc) over and above the main narrative that is missing here. Indeed, there's a world view, as Alice Oswald move into the final pages with a few similes of wider import, not linked to individual deaths, but which relate to the whole of what's been described. These might suggest something slightly different about war - but I found it all remarkable convincing and would strongly recommend it to others.
Isolating just those two elements, casting them into well-chosen English verse and turning them into a "memorial" in the manner of a Homeric catalogue, Alice Oswald has created something really very powerful. It is almost like the Iliad has been left in a slow-cooker until it has reduced down to a very rich Iliad sauce.






