- Buy this product and stream 90 days of Amazon Music Unlimited for free. E-mail after purchase. Conditions apply. Learn more
Meditations (Penguin Classics) Paperback – 27 Apr 2006
|New from||Used from|
- Choose from over 13,000 locations across the UK
- Prime members get unlimited deliveries at no additional cost
- Find your preferred location and add it to your address book
- Dispatch to this address when you check out
Special offers and product promotions
Frequently bought together
Customers who viewed this item also viewed
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Martin Hammond's translation of Marcus Aurelius' Meditations, like his Iliad and Odyssey, is the work of an unusually gifted translator, and one who understands the value added by careful attention to supplementary material. He writes natural English, direct and often eloquent; the text is well supported by effective notes and a characteristically thorough and well-planned index; Diskin Clay supplies a useful introduction. This is a fine volume (Malcolm Heath Greece & Rome Journal)
Marcus is well served by this new translation. Hammond has a pithy turn of phrase to match the emperor's own . . . His notes abound in helpful explanation and illuminating cross-reference. Diskin Clay contributes a sparkling and sympathetic introduction. The combination of introduction, translation and notes is as good as they get (John Taylor Journal of Classics Teaching)
Written in Greek by an intellectual Roman emperor without any intention of publication, the "Meditations" of Marcus Aurelius (AD 121-180) offer a wide range of fascinating spiritual reflections and exercises developed, as the leader struggled to understand himself and make sense of the universe. Spanning from doubt and despair to conviction and exaltation, they cover such diverse topics as the question of virtue, human rationality, the nature of the gods and Aurelius's own emotions. But while the Meditations were composed to provide personal consolation, in developing his beliefs Marcus also created one of the greatest of all works of philosophy: a series of wise and practical aphorisms that have been consulted and admired by statesmen, thinkers and ordinary readers for almost two thousand years.See all Product description
Customers who bought this item also bought
927 customer reviews
Review this product
Read reviews that mention
There was a problem filtering reviews right now. Please try again later.
Obviously inspired by and based in part on the author’s own experiences this is a story that really grips you. As Marlow takes a job to captain a steamboat up and down the river between trading posts in Africa, he is employed by an ivory business. As Marlow keeps hearing of the genius Mr Kurtz, he is intrigued. But when he actually meets Kurtz things are not what they seem.
Taking in Imperialism and the rapacious way of companies to drain areas of natural resources for their own profits this is something that we are still dealing with today. With the native Africans treated like dirt and looked down upon we also see how the Europeans employed by the company come in different guises, from lazy incompetents to those greedy for profit and gain, all backstabbing each other for their own personal advancement.
We see that Kurtz is from a new way of thought, with the idea of suppressing the native religions and superstitions and trying to make them more like ‘civilised’ Europeans. This novella has come under attack at different times due to such things as supposed racism and so on, but personally I along with many others have found this to be slightly erroneous. Conrad firstly was writing in the language and prejudices of his time, and he does portray the inhumanity shown towards the native population quite graphically. His story also makes us think and question what right we have to change a whole people’s ideas and beliefs just to make them the same as ours. In all Conrad shows us here the cruelty and greed that we can show to one another, and how the real world is, which makes this so powerful and intense a read.
I must be one of the only few people who has never seen the movie Apocalypse, Now. I’ve heard of it though and the story that inspired it. I really enjoyed Heart of Darkness. It’s quite a dark and disturbing tale that unsettled me. I can understand why it’s so well thought of. Kurtz is a fantastic characters and as disturbing as hell. The hold he has over the African natives around him is unsettling at best and downright dark and unhealthy at most. They see him as a sort of diety and flock around him while his greed and lack of humanity increases.
Marlow recalls an adventure to his shipmates on the Thames. Like any recollection, the story is offered through the filters of memory and experiences and is prone to the exaggeration of detail and key elements. This allows for a richness of description of people and place as well as for the cranking up of tension throughout.
Marlow falls into a job of captaining a steamer on its journey along the Congo to meet up with a renegade ivory trader called Kurtz. Kurtz is the one-time darling of the company, but his success and obsession seems to have gone awry and the respect that he was once held in has festered into the fear and contempt of those he works for.
As the story progresses, a sense of impending horror builds. Each of Marlow’s encounters offers foreboding. The chances of surviving the heat and conditions seem slim. The pictures that are painted of Kurtz offer contradictions, but unify in the danger they emit. As the time comes for the steamer to arrive at Kurtz’s camp, I felt and genuine panic and curiosity about what was about to follow. For me, this engagement is brought about because of the device of the story-teller addressing the audience directly. It’s also heightened by superb detail where all is viewed through whatever the opposite of rose-tinted spectacles might be.
The bulk of Heart Of Darkness is beautifully put together. The power of the unseen and threatened is immense. If there’s an issue for me, then it’s that the journey is so much more than the arrival. Kurtz, such a giant throughout, is something of a shadow of himself by the time we meet. That which is unseen shrinks as the curtain is pulled back. This is clearly intentional and it’s more than likely that I’m missing the point, but the sense of anti-climax I experienced has been difficult to shrug off. Maybe the issue was that I was expecting Brando to make an entrance and it felt more like they’d sent on an understudy who had never really acted before.
I thoroughly enjoyed much of this one. The unpeeling of humanity down to raw flesh is brutal. The levelling of civilisation to an animal common denominator is unsettling. The conflict between the futility of life and the need to fully suck out all of its juices battles to leave a sludge that’s as dark as the title suggests. The voice of the storyteller is perfect and the images conjured are vivid throughout. The destination may not have been the one I wanted to reach, but I’m delighted that I finally went along for the ride.