Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
-
Apple
-
Android
-
Windows Phone
-
Android
Buying Options
| Print List Price: | £11.99 |
| Kindle Price: |
£1.99
Save £10.00 (83%) |
Follow the author
OK
Of Marriageable Age Kindle Edition
|
Amazon Price
|
New from | Used from |
|
Audible Audiobooks, Unabridged
"Please retry"
|
£0.00
|
Free with your Audible trial | |
|
Paperback, Illustrated
"Please retry"
|
£11.99 | £8.50 |
|
Audio CD, Audiobook, CD, Unabridged
"Please retry"
|
—
|
— | £114.95 |
-
Edition2nd
-
Publication date11 Mar. 2014
-
LanguageEnglish
-
File size1570 KB
- Kindle (5th Generation)
- Kindle Keyboard
- Kindle DX
- Kindle (2nd Generation)
- Kindle (1st Generation)
- Kindle Paperwhite
- Kindle Paperwhite (5th Generation)
- Kindle Touch
- Kindle Voyage
- Kindle
- Kindle Oasis
- Kindle for Windows 8
- Kindle Cloud Reader
- Kindle for Windows Phone
- Kindle for BlackBerry
- Kindle for Android
- Kindle for Android Tablets
- Kindle for iPhone
- Kindle for iPod Touch
- Kindle for iPad
- Kindle for Mac
- Kindle for PC
What other items do customers buy after viewing this item?
The Far Away Girl : A heartbreaking and gripping novel of tragedy and secretsKindle Edition
Her Darkest Hour: Beautiful and heartbreaking World War 2 historical fictionKindle Edition
The Lost Daughter of India: A heartbreaking novel of tragedy and secrets that will have you hookedKindle Edition
The Orphan of India: A heartbreaking and gripping story of love, loss and hopeKindle Edition
Product description
From the Author
Sharon Maas --This text refers to an out of print or unavailable edition of this title.
Review
'A big book, big themes, an exotic background and characters that will live with you forever… unputdownable.' Katie Fforde
'Beautifully and cleverly written. A wondrous, spellbinding story which grips you from the first to the last page… I can't recall when I last enjoyed a book so much.' Lesley Pearse
'It's a wonderful panoramic story and conveys such vivid pictures of the countries it portrays I was immediately transported and completely captivated. A terrific writer.' Barbara Erskine
'From the first page I was hooked with this enchanting book… unputdownable.' Audrey Howard
'A vast canvas of memorable characters across a kaleidoscope of cultures… her epic story feels like an authentic reflection of a world full of sadness, joy and surprise.' The Observer
--This text refers to an out of print or unavailable edition of this title.Excerpt. © Reprinted by permission. All rights reserved.
Tamil Nadu, India, 1947.
Paul was four when the sahib took him away from the place with all the children. He would never forget that day. He awoke to the banging on a big brass plate: that was Sister Maria, waking the children, while the crows outside cawed in great excitement as if they knew the day was special, flying off in a turbulence of flapping, clapping wings. He kneeled on his mat for his prayer and then, stretching and yawning, he got up and went outside for a pee-pee...
. After lunch the children lay down on their mats to sleep. The sun was high in the sky by now and the ground so hot it burnt your soles, but the verandah was shaded by a palm-leaf roof and though the breeze blowing through was also hot it made you nice and sleepy.
Paul was just dozing off when he heard the throbbing of the motorbike as it turned into the courtyard with a splatter of gravel. He turned his face towards the sound and opened his eyes a slit. He saw at once the rider was a sahib, even though he wore a white lungi and a white shirt like any other man, because though his face was brown like other people's it was a golden-reddish kind of brown, and his hair was also golden-brown, not black.
Mother Immaculata bustled out towards the man, the ring of fat between her sari-blouse and skirt wobbling as she ran. Paul knew that sahibs shook hands when they met each other, but this sahib made a pranam to Mother Immaculata, laying the palms of his hands together like they did when they were praying. But Mother Immaculata didn't like that. She stretched out her hand and the man shook it. Paul watched carefully, because this was very unusual and very interesting. What was the man doing here? Sometimes - not very often - the children had visitors, men and women came - Paul knew they were aunts and uncles of the children but he himself had no aunts and uncles - but never sahibs. Had the man come to choose a child?
Paul felt his heart beat faster. It hardly ever happened, that a child was chosen, and this time it couldn't be, because then a lady would be with the sahib or could it?
... oh dear Baby Jesus, please let the sahib choose me! Oh, please let him choose me, dear Baby Jesus! said Paul in his mind, and then he fell asleep. Baby Jesus had not answered his prayers the last time, and he wouldn't this time either.
He woke up because someone was shaking his shoulders and calling Paul! Paul! Paul rubbed his eyes and looked up, and it was Teacher, and she was smiling. Behind her stood the big sahib and Mother Immaculata, and they were talking together and the big man was watching him, Paul. Now Mother Immaculata was stepping forward and holding out her hand to him, and when Paul didn't react right away she flapped her fingers upwards impatiently and said, "come, come, Paul, get up, get up!" So Paul scrambled to his feet. And stood there gazing up at the sahib towering over him, who had kind dark grey-blue eyes and a huge hand which he now placed on Paul's head; it felt like a nice cool hat, a cool white hat like the sahibs in the pictures wore, but this sahib was hatless, as if he didn't mind the sun...
Please please Baby Jesus thumped his heart and now the sahib was tugging gently at him, leading him down the verandah between the bodies of the sleeping children, to Mother Immaculata's office. Paul took hold of the sahib's forefinger and clutched it with all his might, so the sahib wouldn't leave him behind. They entered the office, and Mother Immaculata clapped her hands and when Sister Maria bustled up told her to bring two cups of tea. The sahib sat at Mother Immaculata's desk, reading some papers, and Paul's heart thumped louder than ever because it seemed the sahib had forgotten all about him. But then the sahib raised his right hand and looked at Paul and chuckled, because Paul was still gripping his finger with all the power of his heart.
"I'll just have to sign with my left hand," said the sahib, still smiling, and then he wrote with his other hand on the papers, and Mother Immaculata put some of the papers in a big cardboard folder and the sahib clumsily folded one other paper with his left hand and slipped it into his shirt pocket, and now he was leading Paul into the sunny courtyard, towards the motorcycle.
"Have you ever been on a motorbike before?" he asked Paul, who shook his head. "Well, you'll have to let go of my finger so you can climb on," said the sahib, peeling Paul's fingers away one by one and laughing. "You can hold on to my wrists when we go... look, you sit in front, just slide forward so there's room for me behind you."
The sahib pushed the motorcycle off its stand.
"Have you ever been to Madras, Paul?" he asked, in Tamil this time, while he untied a corner of his lungi in which he'd wrapped a key.
"Ille, sahib, sah," said Paul.
"Well, then, off we go!" said the sahib, in English, and he tied the hem of his lungi up above his knees and swung one leg over the motorcycle, the leg which ended in a foot made of wood, but Paul only saw the wooden foot later, after they got to Madras and the sahib took off the grey sock.
The sahib leaned forward. "Listen," he said, " I don't like to be called sir. From now on you can call me Daddy. And I shall call you Nataraj. Nat."
--This text refers to an out of print or unavailable edition of this title.
About the Author
Sharon Maas was born in Guyana, educated in England, lived in India, and now lives in Germany. She is married with two children.
--This text refers to an out of print or unavailable edition of this title.Synopsis
Product details
- ASIN : B00IYWL6S6
- Publisher : Bookouture; 2nd edition (11 Mar. 2014)
- Language : English
- File size : 1570 KB
- Text-to-Speech : Enabled
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 643 pages
-
Best Sellers Rank:
121,192 in Kindle Store (See Top 100 in Kindle Store)
- 721 in Women's Fiction Classics
- 930 in Classic Literary Fiction
- 1,307 in Romance Literary Fiction
- Customer reviews:
Customers who bought this item also bought
Customer reviews
Top reviews from United Kingdom
There was a problem filtering reviews right now. Please try again later.
This is the story of three different characters: Savitri, a servant girl growing up in British-ruled India; Nataraj, the son of a small-town doctor in South India; and Saroj, a headstrong girl growing up in Guyana. The book is based in time periods ranging from the 1920s to the 1960s and the lives of these three characters are inextricably linked but the mystery of exactly how only becomes clear as the stories progress. Each character is a seperate narrator in the book and the chapters are split between them.
This is an enchanting love story that explores subjects like Indians living abroad, arranged marriages, prejudice, cultural boundaries, war and poverty. There is laughter, tears and heartache.
On the surface, this book may seem to be not very original but you soon come to understand that this is not the case. From the first page to the last, I was hooked. The characters are deep and full of history and complicated emotions and the writing is strong and the story flows well. The descriptions given make you feel like you are there. There are a few twists that I didn’t see coming and a couple that I did, it struck the right balance for me.
Overall, I enjoyed reading it tremendously and I found myself trying to slow down my reading, so the pages didn’t finish so soon. I plan to read more by this author.
I didn't enjoy Maas's second novel 'Peacocks Dancing', and nearly gave this one away without reading it. I'm glad I didn't, as it is a much stronger book. The information on marriage laws and the caste system in India from the 1920s to the 1960s is fascinating, and Maas brings India to life MUCH more effectively in this novel than in 'Peacocks Dancing', where everything was 'really beautiful' or 'really terrible'. I enjoyed reading about the contrast between life in the Raj and India in the 1960s, after Liberation, liked the way Maas worked Indian myths into the novel, and found the 1920s love affair genuinely touching, if over-romantic. And though I guessed most of the novel's 'big secrets' by about page 150 (of 525 pages) that didn't stop me wanting to read on. The book kept me thoroughly engaged on tube journeys and before bed for a week.
However, bearing in mind Amazon's star rating, I would only give it three stars overall - simply because with a few exceptions I didn't find the characters very credible. I felt real affection for David and Savitri, but felt also that Maas over-idealised them, particularly Savitri, with her eternal serenity, her mysterious healing powers (Maas does present a rather stereotyped idea of the Mysticism and Wisdom of the East in this book) and her ability to bounce back from any hardship and survive without being bitter. I also found some of the material about David quite strange - he seemed to be 'returned' to England to prep school very late (I thought a lot of boys went at the age of eight - too young to have acquired a lifelong romantic passion?) and to be curiously naive about what his decision to elope with Savitri might do to her, particularly as he'd been away in England for several years, where he'd have surely come to regard his life in India from something of a distance. And would Savitri really have been able to change within a few days from a crushed, dominated widow to a woman of action, getting on a plane alone to Singapore to find David during World War II and working as a nurse? Even more importantly (slight spoiler!), having done this would she have been able to revert to a purely feminine role later? But all these things considered, I still cared very much for these two characters and found myself engrossed in their story. But I felt nothing like as involved with Nataraj or Saroj. I found Nataraj's metamorphoses from quiet, studious boy to sex god and idle young man-about-town to saintly medical student and doctor (and he seemed to qualify in no time at all after his Reformation!) unlikely, and I'm afraid I very much disliked Saroj, who I found a spoilt brat. Her behaviour to her mother (particularly when she found what she thought was her mother's secret) was just horrible, her selfishness amazing (when a particularly Big Revelation comes that affects several characters, her only thought is 'What About ME!') and the descriptions of her friendship with the vacuous Trixie (who also had a startling metamorphosis, from giggly brainless teenager to genius artist and documenter in pictures of her people's life) tedious. Some of the scenes, such as Saroj's suicide attempt (which seemed another bid for attention), or the scene where Trixie's mother Lucy decides to give Saroj's mother a piece of her mind, were so melodramatic as to seem almost funny. The novel really began to show strain in the final sections, as all the dramatic revelations came out. Some of the characters' reactions were completely unbelievable - one character, on hearing terrible news, had 'deep pain' in their eyes for about five minutes, but then seemed to respond along the lines of 'O well, that's sad, but life must go on and at least I hadn't seen the person for years'. And another bit of shocking news seemed to be ignored by everyone apart from Saroj. And everything of course was tied together remarkably tidily at the end. I also did wonder whether Maas was presenting an altogether realistic picture of Indian culture. Everything seemed to be either really bad (arranged marriage - surely it worked for some people?) or really good (mysticism, gurus, serenity of character) and it didn't seem quite right .
This being said, there were some beautiful passages all through the book that I will remember; Savitri dancing with the animals in the garden, Nataraj telling the dying Deodat his favourite Indian legends, Saroj's rare moments of affection towards her mother, some of the scenes involving the English teacher Henry Baldwin, some of the descriptions of Madras and the surrounding area. I came to the conclusion that Maas can certainly write, but would have benefitted from very attentive editing.
A good story, but one which never really manages to move away from the stereotypes of romantic fiction. Great literature in terms of style it's not - but it's certainly an enjoyable read, and full of good information about India and Guiana. But for a more complex picture of Indian culture try Ruth Prawer Jhabvala, Anita Desai or Rumer Godden.
There are three stories running through this book, each with a main character, and each set within a different timeframe. The stories are beautifully told, and the characters, are so engrossing, you can't help but be drawn into each of their worlds. The stories hint at overlaps, and very slowly weave together. I was a little worried towards the end as I thought the author was just going to try and swing a trite happy ever after, but she used a clever little twist, that tied everything up without it being saccharine, even I was suitably impressed. Super!
There's a problem loading this menu at the moment.