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The Marriage Plot Hardcover – 11 Oct. 2011
“There is no happiness in love, except at the end of an English novel.” Anthony Trollope
It’s the early 1980s. In American colleges, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine studies the age-old motivations of the human heart, real life, in the form of two very different guys, intervenes. Leonard Bankhead – charismatic loner and college Darwinist – suddenly turns up in a seminar, and soon Madeleine finds herself in a highly charged erotic and intellectual relationship with him. At the same time, her old friend Mitchell Grammaticus – who’s been reading Christian mysticism and generally acting strange – resurfaces, obsessed with the idea that Madeleine is destined to be his mate.
Over the next year, as the members of the triangle in this spellbinding novel graduate from college and enter the real world, events force them to reevaluate everything they have learned. Leonard and Madeleine move to a biology laboratory on Cape Cod, but can’t escape the secret responsible for Leonard’s seemingly inexhaustible energy and plunging moods. And Mitchell, traveling around the world to get Madeleine out of his mind, finds himself face-to-face with ultimate questions about the meaning of life, the existence of God, and the true nature of love.
Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce? With devastating wit and an abiding understanding of and affection for his characters, Jeffrey Eugenides revives the motivating energies of the novel, while creating a story so contemporary and fresh that it reads like the intimate journal of our own lives.
- Print length416 pages
- LanguageEnglish
- PublisherFourth Estate
- Publication date11 Oct. 2011
- Dimensions15.9 x 4 x 24 cm
- ISBN-100007441290
- ISBN-13978-0007441297
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Review
"A stunning novel—erudite, compassionate and penetrating in its analysis of love relationships... Eugenides continues to show that he is one of the finest of contemporary novelists."--Kirkus Reviews
"With this tightly, immaculately self-contained tale set upon pillars at once imposing and of dollhouse scale, namely, academia (“College wasn’t like the real world,” Madeleine notes) and the emotions of the youngest of twentysomethings, Eugenides realizes the novel whose dismantling his characters examine."--Booklist
"Eugenides’s superb third novel is his most mature to date, the work of an author who has achieved a new gravity after the audacious brilliance of his earlier work... Eugenides looks poised to become a writer on a par with Updike and Cheever as an anatomist of contemporary American matters."--Stephen Amidon, Sunday Times
"Being Eugenides, the book is immensely readable, funny and heartfelt with instantly beguiling writing that springs effortlessly back and forth over the years’ events."--Daily Telegraph
"A marvellous, compulsive storyteller, richly allusive, he reminds us that while love may not always be a triumph, it follows its own wayward course to the end."--Sunday Telegraph
"Erudite, smart and entertaining."--Daily Mail
"...powerful and all consuming. Forget the hearts and flowers; this is a challenging and intellectual novel about life and the intricate human relationships it weaves."--Express
"Nobody is going to accuse Jeffrey Eugenides’s new novel of being insufficiently clever. It is a big book of tricks."--New Statesman
"A scintillating exercise in campus comedy."--Sunday Times
"Masterful... Eugenides brilliantly captures the excitement of intellectual discovery and argument for its own sake."--Psychologies
"Thought provoking and entertaining... utterly engrossing... Eugenides hasn’t just raised his game, he’s changed the fictional goalposts."--Henry Sutton, Mirror
"His understanding of the agony and the ecstasy of manic depressions displays a level of empathy the illness never yet found in a novel."--Economist
About the Author
Jeffrey Eugenides was born in Detroit and attended Brown and Stanford Universities. His first novel, The Virgin Suicides, was published in 1993 to great acclaim and he has received numerous awards for his work. In 2003, Eugenides received the Pulitzer Prize for his novel Middlesex, which was also a finalist for the National Book Critics Circle Award, the IMPAC Dublin Literary Award and France’s Prix Medicis and has sold more than 3 million copies.
Product details
- Publisher : Fourth Estate; First Edition (11 Oct. 2011)
- Language : English
- Hardcover : 416 pages
- ISBN-10 : 0007441290
- ISBN-13 : 978-0007441297
- Dimensions : 15.9 x 4 x 24 cm
- Best Sellers Rank: 1,152,748 in Books (See Top 100 in Books)
- 2,298 in Metaphysical & Visionary Fiction (Books)
- 94,444 in Literary Fiction (Books)
- 98,217 in Contemporary Fiction (Books)
- Customer reviews:
About the author

Jeffrey Eugenides was born in Detroit and attended Brown and Stanford Universities. His first novel, The Virgin Suicides, was published by Farrar, Straus, & Giroux to great acclaim in 1993, and he has received numerous awards for his work.
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There is a remarkable portrayal of bipolarity and the caricature of a Quaker meeting is sharp, although a bit more 2010 than 1982; there were still a lot of the old-money, came-over-with Billy Penn sort around in 1982.
Eugenides probably thought the ending clever, but it was empty. A whimper, not a bang. I raced through the last quarter of the book to see who got the girl, and then, whoosh! Nothing. And disorderly, with so many loose ends. Mitchell was the most interesting character, smarter than Madelaine and more grounded than Leonard, so why abandon him in such a way?
The evocation of Brown was strong, but at times anachronistic. I don't remember smoothies in 1982, or jerk chicken, or concern about 'gender'. He should have watched Mystic Pizza again.
Thus Eugenides begins his own 1980's set "marriage plot novel"in which heroine Madeline must choose between her angst riddled relationship with intense but unpredictable bipolar sufferer Leonard and sensible theologian suitor Mitchell whose desire for her she has somewhat exploited.
All are graduates from Rhode Island Ivy League institution Brown and the novel is deeply imbued with academia, from semiotics to biology to theology, there is a lot of intense intellectual discussion from earnest young people, because I am in some ways that sort of person, this aspect of the novel didn't bother me or at least didn't bother me to the point of annoyance but I imagine it could prove irritating for other people less concerned in the lofty ideals and bombastic opinions of the educationally privileged.
I believe that his depiction of Leonard was a fairly good portrait of the average bipolar experience and think it might prove interesting for people wanting to know more about that experience. As a result of personal interests I preferred Mitchell, nominally Greek Orthodox but with a developing interest in Catholicism who travels through Europe and India having, for a change, what doesn't feel like a cliched spiritual journey.
The problem with this novel is that as I realised I was reaching the end, I thought to myself "but, this novel isn't nearly finished" the ending, like a film which suddenly cuts to black, is abrupt, though the marriage plot is resolved the novel is left feeling like someone cut the end off with scissors with one character in particular having zero resolution in terms of plot. As a separate issue I found his general comments about English undergraduates somewhat insulting, having been one myself once.
My first words upon finishing were "disappointing conclusion" which is a shame for a well written novel I was up til that point really enjoying . 8/10
The centre of the novel is occupied by Madeleine, a student with a major interest in nineteenth-century literature. Given the title of the novel and the themes raised early on, much of what follows can be predicted, although the exact twists and turns of the plot are too intricate for that. Madeleine has two suitors: the effervescent, intelligent (and bipolar) Leonard and the more complex Mitchell. By turns intense and laid back, Mitchell enjoys a largely platonic friendship with Madeleine, which is nevertheless haunted by his romantic feelings towards her. A Greek from Detroit, Mitchell is the one character here who could have walked out of an earlier Eugenides novel. As I struggled to grapple with the author's change in style, I clung to this character and although he always remained 'understandable' to me, this may just be because he seemed familiar. Someone who had never read one of his other novels may well have a different perception here.
Mitchell loses the games of the earlier part of the novel. Leonard wins Madeleine's affections, but he cannot be considered a 'winner' in any sense. Although he has a brilliant scientific mind and often shows a big heart, his bipolar disorder constantly drags him down. As he (and Madeleine) get pulled to pieces by his illness, Eugenides shows his strength in the novel. His portrayal of bipolar disorder is terrific, aptly showing the highs and lows of it. There are moments when Leonard's manic episodes seem almost exhilarating, but we are always invited to consider the negative side to these moments of ebullience. Ultimately, they are not worth it, as the destructive depression which follows is deeply entrenched and deeply disturbing. Leonard is transformed into a decrepit husk of a man, ruining his beautiful mind, his social life and eventually, his relationship with Madeleine.
Meanwhile, Mitchell is embroiled in another plot - a bizarre trip to Europe and India in which he reads lots of religious literature, has an accidental homoerotic encounter, and volunteers in an Indian hospice. Mitchell goes on a spiritual journey during his physical journey, creating a less interesting sub-plot which drags the story away from its core. True to form, though, everything is wrapped up, Madeleine and Leonard's disastrous honeymoon takes them to France, Mitchell's first port of call, and their paths inevitably cross in the end, at a party in New York.
Overall, I enjoyed this book. I do wonder quite how much of its treatment of nineteenth-century writing about relationships (and its own appropriation of these themes) is intended ironically and how much of it is a genuine tribute to the likes of Jane Austen, but it does not really matter. Eugenides' exploration of relationships is entertaining and insightful but his writing is so seductive that it is hard to feel too cynical about love when it is written by his hand.






