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The Mara Crossing Hardcover – 5 Jan. 2012
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In ninety richly varied poems and illuminating prose interludes, Ruth Padel's original new book weaves science, myth, wild nature and human history to conjure a world created and sustained by migration.
'We're all from somewhere else,' she begins, tracing the millennia-old journeys of cells, trees, birds and beasts. Geese battle raging winds over Mount Everest, lemurs skim precipices in Madagascar and wildebeest, at the climax of their epic trek from Tanzania, brave a river filled with the largest, hungriest crocodiles in Africa.
Human migration has shaped civilisation but today is one of the greatest challenges the world faces. In a series of incisive portraits, Padel turns to the struggles of human displacement - the Flight into Egypt, John James Audubon emigrating to America (feeding migrant birds en route), migrant workers in Mumbai and refugees labouring over a drastically changing planet - to show how the purpose of migration, for both humans and animals, is survival.
Poignant, thought-provoking and utterly compelling, here is a magnificent tapestry of life on the move from the acclaimed author of Darwin: A Life in Poems.
- Print length272 pages
- LanguageEnglish
- PublisherChatto & Windus
- Publication date5 Jan. 2012
- Dimensions14.27 x 2.21 x 21.59 cm
- ISBN-109780701185558
- ISBN-13978-0701185558
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Review
"A broad-ranging meditation on all things migratory...This is a book of raw interfaces and unnerving encounters. Magnificent poems... a triumph of imagistic ingenuity" (Guardian)
"(A) thoughtful and often quite magical mix of prose and poetry…What is just as fascinating as Padel’s central theme is the insight that she also gives us into poetry, or rather, into the creation of a poem." (Lesley McDowell Independent on Sunday)
"The Mara Crossing is a major meditation on migration. The prose is crystalline, the poems full of the wonderful material stuff of life. It's a poet's book to the core, a passionate exploration of her subject, proving that pressures on cells, bodies, creatures (human and other), and on the planet itself, are fit and essential matter for poetry" (Jo Shapcott)
"A glorious fabric, weaving lyricism and hard facts, poetic insight and scientific detail unwinding from the multitudinous threads of geographical migration. A beautiful, far-ranging book about physical journeys and all they might mean to humans and animals alike" (Mark Cocker)
About the Author
Product details
- ASIN : 0701185554
- Publisher : Chatto & Windus; First Edition (5 Jan. 2012)
- Language : English
- Hardcover : 272 pages
- ISBN-10 : 9780701185558
- ISBN-13 : 978-0701185558
- Dimensions : 14.27 x 2.21 x 21.59 cm
- Best Sellers Rank: 917,058 in Books (See Top 100 in Books)
- 2,590 in Criticism on Poetry & Poets
- Customer reviews:
About the author

Ruth's new book is DAUGHTERS OF THE LABYRINTH. a novel set on Crete where she has lived on and off most of her life. The book took ten years to write, and has that complex beautiful island at its heart, but also questions of identity, mothers and daughters, family secrets, and the lost Jews of Crete
'Animated by keen imaginative empathy and a strong sense of place a moving, satisfying, layered novel on questions of identitt and complexities of family' (Daily Mail).
‘A moving and superbly written exploration of a family with dark secrets. Crete itself becomes one of the main characters in the story.’ (Irish Times, Best Books, Summer Reading 2021)
Ruth is an award-winning poet, Professor of Poetry at King's College London and Fellow of the Royal Society of Literature. Her twelve collections include a collection on Beethoven's life and music: 'Beethoven Is more Intimate than ever in these new poems: she tells the great composer’s life story more profoundly than most biographies,' (New York Times).
She has also written on wild tigers, TIGERS IN RED WEATHER, exploring Asian forests with naturalists and scientists - whom she wrote about in her first novel set in India, WHERE THE SERPENT LIVES,
She teaches poetry in King's College London, where she runs a series of talks called POETRY AND - , exploring poetry's connections to all areas of life: https://www.theguardian.com/books/2015/nov/06/ruth-padel-poetry-connection-readings
Website www.ruthpadel.com. Twitter @ruthpadel, Instagram ruth_padel
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... Protozoa, copepods
and krill, a ragtag army
preyed on by larger predators still -
the bioluminescence brigade:
lantern-fish glowing cold
catoptromantic rays,
three hundred species
of dense packed cephalopods;
and hatchet-fish
following their own fixed upward gaze.
(from "Nocturne", alliteration and rhythm helping fit the words for their new home.)
At times the structure has similarities with a post-Wagnerian opera, rich arias and recitative, plotless (like Glass's "Satyagraha") but with compulsive leitmotifs. The prose passages are built on inductive logic rather than tightly argued syllogisms. They are the bright pickings that sparkle in a jackdaw's nest, the fruits of such extensive reading that one almost feels there should be a bibliography. The Haitian-born Audubon's first banding of birds in America throws the mist net of migration over birds and humans; and Lowenstein, another migrant, discovers as late as 1961 that living organisms contain the mineral magnetite in their bodies, allowing some to use Earth's magnetic field to guide their movements.
The overall theme is that "Home and migration belong together, two sides of the same ancient coin. Home is something we make, then things change, either in ourselves or in the world, we lose home and have to go elsewhere." This is the plotline of many stories and myths as well as of our home planet's biological and ecological history, from Ulysses to the forced exile of the Chagossians from their islands so that US bombers can flourish as an alien invasive species that easily pushes out the defenceless natives. That example is not in the book, but shows the power of migration to provide illustrative analogies for many human predicaments.
In one way this review is provisional. This book will reward re-readings, as a first one makes clear. Praise too for the fine cover and binding: physically it is a pleasure to carry and read, ideally when on a journey.





