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The Magic Mountain: As Seen on BBC Between the Covers: vi Paperback – 29 July 1996
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As Seen on BBC Between the Covers
This European masterpiece from the Nobel prizewinner explores the lure and degeneration of ideas in an introverted community on the eve of the First World War.
Hans Castorp is 'a perfectly ordinary, if engaging young man' when he goes to visit his cousin in an exclusive sanatorium in the Swiss Alps. What should have been a three week trip turns into a seven year stay. Hans falls in love and becomes intoxicated with the ideas he hears at the clinic - ideas which will strain and crack apart in a world on the verge of the First World War.
'Magnificent... a beautiful, feverish account of obsessive love' Jonathan Coe, Guardian
'The greatest German novelist of the 20th century' Spectator
- ISBN-100749386428
- ISBN-13978-0749386429
- PublisherVintage Classics
- Publication date29 July 1996
- LanguageEnglish
- Dimensions13 x 2.8 x 19.9 cm
- Print length752 pages
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Review
Featuring lengthy debates between humanist freemasons and Jews-turned-Catholics, a long love-scene written entirely in French and a brilliant hallucinatory journey down the snowy slopes, it merits multiple readings. A novel for a lifetime not just a rainy afternoon ― Guardian
A monumental writer ― Sunday Telegraph
The greatest German novelist of the 20th century ― Spectator
Mann is Germany's outstanding modern classic, a decadent representative of the tradition of Goethe and Schiller. With his famous irony, he was up there with Schopenhauer, Nietzsche and Freud, holding together the modern world with a love of art and imagination to compensate for the emptiness left by social and religious collapse. ― Independent
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Product details
- Publisher : Vintage Classics (29 July 1996)
- Language : English
- Paperback : 752 pages
- ISBN-10 : 0749386428
- ISBN-13 : 978-0749386429
- Dimensions : 13 x 2.8 x 19.9 cm
- Best Sellers Rank: 63,754 in Books (See Top 100 in Books)
- 2,714 in Fiction Classics (Books)
- 8,268 in Literary Fiction (Books)
- 10,749 in Contemporary Fiction (Books)
- Customer reviews:
About the authors

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Paul Thomas Mann (German: [paʊ̯l toːmas man]; 6 June 1875 – 12 August 1955) was a German novelist, short story writer, social critic, philanthropist, essayist, and the 1929 Nobel Prize in Literature laureate. His highly symbolic and ironic epic novels and novellas are noted for their insight into the psychology of the artist and the intellectual. His analysis and critique of the European and German soul used modernized German and Biblical stories, as well as the ideas of Goethe, Nietzsche and Schopenhauer.
Mann was a member of the Hanseatic Mann family and portrayed his family and class in his first novel, Buddenbrooks. His older brother was the radical writer Heinrich Mann and three of his six children, Erika Mann, Klaus Mann and Golo Mann, also became important German writers. When Hitler came to power in 1933, Mann fled to Switzerland. When World War II broke out in 1939, he moved to the United States, returning to Switzerland in 1952. Thomas Mann is one of the best-known exponents of the so-called Exilliteratur, literature written in German by those who opposed or fled the Hitler regime.
Bio from Wikipedia, the free encyclopedia. Photo by Carl Van Vechten [Public domain], via Wikimedia Commons.

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Thomas Mann started writing this novel in 1912, but it was not finished, or published, until 1924. Obviously, this work was interrupted, and vastly changed, by WWI and led Mann to reflect on European society. Mann, himself, suggested that you need to read this book first and you certainly do feel that it is a novel which will stay with you and that it has many, many themes to reflect upon: obviously, illness and death (this is set in a sanatorium after all), a sense of being separate and apart from the world, time, love, desire, humanism, radicalism, and duty, best represented by Joachim Ziemmsen.
It is Ziemmsen, a young soldier, who is originally resident at the Berghof, when his cousin, Hans Castorp, comes to visit him. What begins as a short visit, with his idea of staying merely weeks, laughed at by those who measure time in months, at the shortest, is gradually extended into months and then years. Hans is young, innocent, eager to experience everything and yet, indolent enough to embrace the languid, comfortable world of the Berghof. Yet, although the sanatorium appears to visitors as an isolated world of comfort and privilege, there is, undoubtedly, real illness and death behind closed doors.
Thomas Mann manages to convey complex and difficult ideas, but he never forgets that he is creating a novel, and maintains the storyline of the TB sanatorium and of the inhabitants who live, and work, there. A novel is, essentially, about its characters, and you do care about what happens to those who appear within the pages of this huge novel, as Mann weaves a world of ideas, characters and themes, which not only highlight events leading to the first world war, but suggest political ideas leading to the second. I have a feeling this is a novel I will come back to again, later in my life, and gain more from every time I do read it.
I’m not surprised at his prescription…Here are some of the things he manages to pack in to those eight hundred pages; X Rays, photography, cinematography, the gramophone, Einstein’s theory of relativity, clairvoyance, women’s rights, ice-skating, ethnicity, the origins of the universe, freemasonry, psychoanalysis, environmental recycling, justice, ‘the Remarkable Theorem’, pig-drawing, five square meals a day, stamp collecting, magic realism, chocolate eating, operatic arias, the Milky Way, the wearing of allegorical costumes, mindfulness, and the art of duelling. He also exposes the delicate intellect of the reader to the theories of Rousseau, Goethe, Petrarch, Schopenhauer, and Nietzsche. As a novel these days it could well be seen as an agent’s nightmare.
But Mann has his funny side. ‘Jest’ he calls it, and claims that he wrote it as light relief after Death in Venice. ‘Jest’ - his word not the translator’s for Mann always insisted on writing his ‘sleeve’ notes in English. Some folk find the novel a ‘little too German’ he suggests. The book is undoubtedly funny; I mean what man would think of carrying about his person – instead of a photo of his beloved - an X Ray of her thorax? That really would be one for the smart phone! The Hofrat of the Berghaus Sanatorium is characterised as being unctuously lascivious, and the implication is that he’s hell-bent on either seducing or bullying his patients into staying there as long as possible – in the narrator Hans Castorp’s case running to a period of seven years – seven years of shelling out extortionate fees! This doesn’t mean to say that Mann is underplaying the scourge of tuberculosis, on the contrary, there’s a persistent patient death rate throughout Hans’ stay, its’ just that Mann is seeing a funny side of The Berghaus, as if it were a kind of dating agency for the infirm.
But it’s not satire; Mann is far cleverer than that. He chooses the word ‘jest’ because it rhymes with ‘quest’(don't forget, the sleeve notes are written in English) which is what the Magic Mountain is, with its rather dim-witted but highly personable hero Hans in search of the Holy Grail, a journey full of danger, romance, and alchemy. Does he find it?
Well, to discover that you will have to read The Magic Mountain…Not once, but twice!
Top reviews from other countries
ARE ALWAYS INTERESTING...AS ARE THE CHARACTERS THEMSELVES..THE LOCALE IS BASICALLY A
HOSPICE OF PEOPLE WAITING TO DIE FROM T B ....AT MY AGE I CAN RELATE TO THIS ...SOME ARE CURED TRUE BUT THE DOCTORS ARE EVER PESSIMISTIC...HOWEVER THE FOOD SERVED AT THE MAGIC
MOUNTAIN IS Nth POWERED GOURMET..HOW ABOUT CAGES OF CHOCOLATE ON THE ICE CREAM
THE ONLY NOVEL WHERE I CAN RELATE MANN'S PROSE TO WAS FOR ME "JANE EYRE" BY BRONTE
ANOTHER BRILLIANT BOOK..WAS THERE A FILM MADE OF THIS ?? I HOPE SO!
The translation irritates me a little sometimes, as it seems to be a little un-English and some phrases are dated or a little weird. But it is a book which has stayed with me throughout my life, spurring me to read Buddenbrooks, Death in Venice and even a recent biography of Thomas Mann. Not for the faint-hearted.









