Magic Hour Explicit Lyrics, Extra tracks
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Magic Hour is Scissor Sister's fourth studio album and includes a diverse list of new collaborators for the band. those who feature on the album include Calvin Harris, Pharrell Williams, Diplo, Alex Rihda [BoysNoize] and Azealia Banks. The album was recorded over a year in New York and London. the album includes the single "Only The Horses", which was co-produced with Calvin Harris.
Scissor Sisters’ audacious cover of Pink Floyd’s Comfortably Numb sounds as fresh today as in 2004 – but can the same be said for the band themselves? 2010’s Night Work album, despite the Frankie Goes to Hollywood-like majesty of Invisible Light, sounded panicked, testing the thin line between exuberance and contrivance. Its number two chart position was hardly a disaster – but the album sold less than previous sets, leaving this fourth album with plenty to prove.
The band describes Magic Hour as "future pop" – but collaborations with Diplo, Pharrell Williams and Calvin Harris looks, on paper, more like bandwagon-jumping than any forward-thinking. But it works.
Baby Come Home, a cousin to Take Your Mama Out, opens fearlessly with honky-tonk piano, Vocoder and wasted decadence, strutting about with impenetrable confidence. The annoying Keep Your Shoes On fails to build on this, but Inevitable quickly settles into a lovely Bee Gees-recalling groove, demonstrating that when they step off the dance floor Scissor Sisters are capable of genuine vulnerability.
By its makers’ admittance, Magic Hour is a smorgasbord of styles – it hops around like a rabbit browsing the Now! series. But what comes through, to the advantage of this set, is the sense of the band really enjoying itself. From the hard-hitting synths and rapping of Shady Love through to the all-conquering, Calvin Harris-assisted Only the Horses; from the Rufus Wainwright-ish anguish of Secret Life of Letters to the dancehall of the surprisingly mesmerising Let’s Have a Kiki, Sister Sisters have recovered their debut album’s playfulness.
Every mixed bag will have its misses, and sure enough San Luis Obispo is as forgettable as Best in Me is insipid. But Self Control pounds like a lost 90s house 12", while Somewhere demonstrates commendable restraint and is the equal of their very best work. It’s such a natural closer that the extra tracks add little, F*** Yeah possessing the charm of a neighbour’s house party the night before a job interview.
Doubts dashed, Scissor Sisters have rediscovered a magic touch lacking slightly on Night Work. Their progress is marked by a developed sense of reflection, which balances their familiar flamboyance – surely to resurface with their Fraggle Rock soundtrack – quite wonderfully.
--Marcus J. Moore
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Top Customer Reviews
If you like classic hits like "I Don't Feel Like Dancin'" and the more balladic "Laura" you already have a good idea of the scope of this album - bouncy pop interspersed with the occasional slower number. It's a natural continuation of a great pop band with a well used formula that hasn't waned a bit. Now, all I need to do is re-order a new, unscratched copy...
My only reservation is that the whole thing sounds like a mixed bag of individual songs thrown together rather than a coherant album. In fact as an album it is probably their weakest yet, and not in the same league as their debut, or what I consider their finest album "Night Work"
There is some cracking stuff here and any SS fan will love it, but they have set the bar so high in the past that as an album it does disappoint a little. I think a different song sequence may have helped, but I'm being picky really, it's all great fun and on my playlist all week.
02/07 Update....... for some reason it doesnt sound all over the place any more at all, even though it is. This album is brilliantly addictive !
Like most other reviewers on this site, I agree that "Let's Have a Kiki" is the stand out one by far, with its classic Scissor Sisters sense of fun. Saying this, "Shady Love", "Baby Come Home" and "Year of Living Dangerously" are awesome as well.
I was worried about the many different collaborators, but the doubt was uncalled for and everyone who worked on the album have come up with something incredible.
All in all, I loved this album from the first listen (which is strange for me, since it usually takes 3 or 4 listens) and I think that this is a worthy addition to the Sisters' repertoire.
Lock the doors tight!
CD: same number of "bonus" tracks as the standard edition, and a remix of Shady Love - listed on the digipack - is not even present on the disc!
DVD: very slim pickings, with a very perfunctory, edited interview with Jake Shears in a recording booth musing for less than a minute on each of the album's tracks. Badly framed, poorly-lit (Jake is visible almost solely from a ceiling light, making his nose look like a giant fake clown schnozz - unflattering!!), and a what-the-hell-let's-get-this-thing-over-with feel.
We get the underwhelming Only The Horses video and a behind the scenes filming snippet, which serves to reinforce the feeling that "concept" videos are far more expensive than their worth. We also have a similar behind the scenes video shoot for Baby Come Home, but we don't get the completed video.
And that's it.
The album is okay, but the deluxe edition is not worth your time or money.
Overall, very well received album, and even among friends of mine who are not fans it was received reasonably well.
Most Recent Customer Reviews
Okay but not as good as there first two albums. Bit too disco without any real substance.Published 2 months ago by Tiger
I don't think this is as good as Ta-Daa or Night Work. Good fun music, but somehow I find myself skipping a lot more tracks in the car than I would for Night Work. Read morePublished 3 months ago by Mcox
Not as good as earlier albums however still a great listen.Published 15 months ago by Christopher M Powell